本文選題：古典主義　切入點(diǎn)：裝飾語言　出處：《吉林大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：當(dāng)今社會(huì)是一個(gè)快節(jié)奏的社會(huì)，每天面對(duì)著城市的喧囂和污染、激烈的競(jìng)爭(zhēng)，事業(yè)的壓力、繁瑣的應(yīng)酬，人們?cè)絹碓娇释粋�(gè)舒適、美觀又隨意輕松的環(huán)境，于是開始摒棄繁縟豪華的裝修，盡可能不用裝飾并取消多余的東西，強(qiáng)調(diào)形式應(yīng)更多地服務(wù)于功能，從簡(jiǎn)單舒適中體現(xiàn)生活的精致，簡(jiǎn)約設(shè)計(jì)已很大程度地主宰了人們的裝修裝飾理念，與此同時(shí)從某種程度上出現(xiàn)了一些造型簡(jiǎn)陋、工藝簡(jiǎn)單的偽簡(jiǎn)約設(shè)計(jì)。 值得我們注意的是，在現(xiàn)代城市鋼筋水泥的包圍之下，這種簡(jiǎn)約設(shè)計(jì)有時(shí)并無法完全釋放人們心中的壓力，人們常常會(huì)對(duì)那些過去的時(shí)光產(chǎn)生一種深深的眷念和懷舊，在這種心理需求下，古典主義重現(xiàn)歷史舞臺(tái)，并在二十世紀(jì)的后現(xiàn)代語境中，以多方位、狡猾及頑固的手法攀附在視覺藝術(shù)中，成為當(dāng)代所無法忽略的視覺語言，在現(xiàn)代結(jié)構(gòu)、材料、技術(shù)的建筑內(nèi)部空間里用傳統(tǒng)的空間處理和裝飾手法以及陳設(shè)藝術(shù)手法來進(jìn)行設(shè)計(jì)，達(dá)到運(yùn)用古典裝飾的詩情畫意使人身臨其境，釋放人們工作的壓力，陶冶人們心靈的情操的目的。復(fù)興‘傳統(tǒng)’這個(gè)古老、沉睡的文明，將古典的元素更多地與現(xiàn)代家居空間結(jié)合在一起，其實(shí)恰好體現(xiàn)了現(xiàn)代人講求實(shí)用美觀、標(biāo)新立異的特點(diǎn)，，并成為了解決新的時(shí)尚問題的重要途徑。 本文立足于更好地在現(xiàn)代裝飾環(huán)境中融入古典風(fēng)格元素，本著創(chuàng)造一個(gè)既具科學(xué)性，又有藝術(shù)性，既能滿足功能要求，又有文化內(nèi)涵，以人為本，亦情亦理的現(xiàn)代室內(nèi)環(huán)境的宗旨，主要采用了實(shí)例論證法，重點(diǎn)介紹了現(xiàn)代裝飾環(huán)境下的古典主義裝飾風(fēng)格在裝飾元素、設(shè)計(jì)手法、家具、陳列布置以及色調(diào)等方面的特點(diǎn)，將懷古的浪漫情懷和現(xiàn)代人對(duì)生活的需求完美地結(jié)合在了一起。 把握古典裝飾風(fēng)格與以極簡(jiǎn)裝飾風(fēng)格為主流的現(xiàn)代裝飾環(huán)境的契合點(diǎn)，創(chuàng)造一個(gè)既具科學(xué)性，又有藝術(shù)性，既能滿足功能要求，又有文化內(nèi)涵，以人為本，亦情亦理的現(xiàn)代室內(nèi)環(huán)境。以新的古典主義手法為切入點(diǎn)，使其與簡(jiǎn)約主義相融合，從而創(chuàng)造出新的時(shí)尚理念，這是研究的終極目標(biāo)。
[Abstract]:Today's society is a fast-paced society, facing the noise and pollution of the city every day, the fierce competition, the pressure of the cause, the tedious social life, people are more and more eager for a comfortable, beautiful and relaxed environment. So began to abandon the elaborate luxury decoration, as far as possible do not need to decorate and eliminate redundant things, emphasizing that the form should be more to serve the function, from simple comfort reflects the refinement of life, Minimalist design has largely dominated people's idea of decoration and decoration. At the same time, some pseudo-minimalist designs with simple shape and simple craft have appeared to some extent. It is worth noting that, surrounded by modern urban steel and cement, this minimalist design sometimes does not fully release the pressure in people's minds, often with a deep nostalgia and nostalgia for those past times. In this psychological need, classicism reappears to the historical stage, and in the post-modern context of the twentieth century, it clings to the visual art in many directions, cunning and obstinacy, and becomes the visual language which cannot be ignored in the contemporary times, in the modern structure. Materials, technical architectural interior spaces are designed with traditional space handling and decorating techniques as well as furnishing art techniques to achieve the use of classical decorative poetry to make people experience themselves and release the pressure of people to work. The purpose of cultivating people's spiritual sentiment. Reviving the ancient, sleeping civilization of 'tradition' and combining the classical elements more with the modern home space, in fact, exactly reflects the modern people's emphasis on practical beauty and innovative features. It has become an important way to solve new fashion problems. This article is based on a better integration of classical style elements in the modern decorative environment, and in order to create a scientific and artistic, not only can meet the functional requirements, but also have cultural connotations, people-oriented, The aim of the modern indoor environment is to adopt the method of case study, with emphasis on the characteristics of the classical decoration style in the aspects of decoration elements, design techniques, furniture, display arrangement and tone, etc. The romantic feelings of nostalgia and modern people's needs for life are perfectly combined. To grasp the common point between classical decoration style and modern decoration environment with minimalist decoration style as the mainstream, to create a scientific and artistic one, which can not only meet the functional requirements, but also have cultural connotation and people-oriented. It is the ultimate goal of the research to combine the modern indoor environment with the new classical technique and create a new fashion idea.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：TU238.2

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

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