發(fā)布時間：2018-03-20 03:20

  本文選題：洛陽漢墓壁畫　切入點：裝飾語言　出處：《西南大學》2012年碩士論文　論文類型：學位論文

【摘要】：古代洛陽地處中原腹地,為華夏文明的中心區(qū)域。數(shù)千年深厚的文化積淀為洛陽留下了豐富多彩的文化遺產(chǎn),其中數(shù)十座漢代壁畫墓在學術界引起關注。其壁畫題材多樣,內(nèi)容豐富,具有獨特的學術價值和觀賞價值,是迄今發(fā)現(xiàn)的最能夠代表漢代中心地區(qū)繪畫發(fā)展水平的藝術作品。近幾十年來,多數(shù)學者對洛陽漢墓壁畫藝術的研究多注重在個案分析和考釋上,也有學者從縱的方面對洛陽漢墓壁畫作出美學風格、藝術風格方面的研究,并形成了豐富的理論成果。但是從造型藝術的角度對漢墓壁畫的造型語言及其產(chǎn)生的歷史文化淵源進行系統(tǒng)歸納與梳理的還不多,這就成為本文撰寫最初的動因。 本論文以洛陽漢墓壁畫裝飾語言為研究對象,采用文獻研究和田野考察方法,在廣泛搜集洛陽漢墓壁畫圖像資料的基礎上,到實地進行了考察,把漢墓壁畫的裝飾元素、裝飾語言以及繪制方法等做為研究重點。認真分析了洛陽漢墓壁畫的藝術風格,并在此基礎上對洛陽漢墓室壁畫特有的裝飾語言進行了探討,試圖從中國中原歷史文化的角度分析產(chǎn)生這種有別于其他地區(qū)漢代墓室壁畫的造型淵源,通過研究其裝飾造型的獨特性,為當代壁畫創(chuàng)作提供更廣闊的表現(xiàn)空間。 本論文分為六部分。第一部分是緒論,主要講述了當今國內(nèi)、外對洛陽漢墓壁畫藝術的研究狀況,以及本論文的研究意義、研究特色與主要研究方法。第二部分概括講述了洛陽漢墓壁畫的分布及歷史分期；第三部分闡述了洛陽漢墓壁畫的題材和裝飾元素及裝飾風格；第四部分是本文的中心,詳細分析了洛陽漢墓壁畫的繪制與裝飾語言的內(nèi)容；第五部分分析總結洛陽漢墓壁畫裝飾語言對當代壁畫創(chuàng)作的啟示。第六部分是結論。綜述了洛陽漢墓壁畫的裝飾語言的基本特征及對當代壁畫創(chuàng)作的影響。
[Abstract]:Ancient Luoyang is located in the hinterland of Central Plains and is the center of Chinese civilization. Thousands of years of profound cultural accumulation have left Luoyang rich and colorful cultural heritage, of which dozens of Han Dynasty murals have aroused concern in academic circles. Rich in content, unique academic value and ornamental value, it is the most representative of the development level of painting in the central area of the Han Dynasty. Most scholars pay more attention to the case analysis and textual research on the painting art of Luoyang Han Tomb, and some scholars have made aesthetic style and artistic style research on the murals of Luoyang Han Tomb from the longitudinal aspect. But from the perspective of plastic arts, the modeling language and historical and cultural origin of Han tomb murals are not systematically summarized and combed, which becomes the initial motivation of this paper. This paper takes the language of the Han tomb murals decoration in Luoyang as the research object, adopts the method of literature research and field investigation, on the basis of collecting widely the image data of the frescoes of the Han tombs in Luoyang, makes an investigation in the field, and puts the decorative elements of the murals of the Han tombs in the Han Dynasty. The decorative language and drawing method are taken as the focus of the research. The artistic style of the Han tomb murals in Luoyang is analyzed carefully, and on this basis, the unique decorative language of the murals in Luoyang Han tombs is discussed. From the perspective of the history and culture of the Central Plains of China, this paper tries to analyze the origin of the murals in the tomb of Han Dynasty, which is different from other regions, and by studying the uniqueness of the decorative modeling, it provides a broader expression space for the contemporary murals creation. This thesis is divided into six parts. The first part is the introduction, mainly narrates the present domestic, the foreign to Luoyang Han tomb mural art research situation, as well as this thesis research significance, The second part describes the distribution and historical stages of Han tomb murals in Luoyang, the third part expounds the theme, decorative elements and decoration style of the murals of Han tombs in Luoyang. Part 4th is the center of this paper. The content of painting and decoration language of Han tomb murals in Luoyang is analyzed in detail. Part 5th analyzes and summarizes the inspiration of the language of murals decoration to the creation of contemporary murals in Luoyang Han Tomb. Part 6th is the conclusion. It summarizes the basic characteristics of the decorative language of the murals of Han Tombs in Luoyang and its influence on the creation of contemporary murals.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：K879.41

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本文編號：1637286