本文選題：明式家具　切入點：雕刻　出處：《河南師范大學》2013年碩士論文　論文類型：學位論文

【摘要】：中國古代家具有著數(shù)千年的發(fā)展歷史，中國的明清時期作為中國整個時代藝術(shù)的中心，其裝飾藝術(shù)有相當一部分體現(xiàn)在家具、雕刻、繪畫上，代表著中國裝飾藝術(shù)鼎盛時代的文化和藝術(shù)水平。明式家具作為中國古代家具的優(yōu)秀代表，不僅表現(xiàn)在它的物用功能及制作手法，最重要是它表現(xiàn)出的人文思想和審美與中國人民相符合，表達出家具主人對美好意愿的人生祈望。而這種精神上的需求又通過具象的形式將其表現(xiàn)出來。雕刻作為傳統(tǒng)人文語言的重要傳達方式，是塑造明式家具及其雕刻裝飾圖形的表現(xiàn)方式，從而使明式家具裝飾藝術(shù)成為明式家具重要組成部分。 本文在對前人研究結(jié)論的基礎上，對明式家具雕刻裝飾圖形的形制寓意與人文內(nèi)涵進行了較為系統(tǒng)的研究，闡述論證了明式家具中的雕刻裝飾圖形與它的形制人文內(nèi)涵之間的關(guān)系，進而分析了它的雕刻裝飾藝術(shù)特色，包括雕刻工藝及材料分析、裝飾圖形分析、人文特征等方面，并且通過圖片及實例分析對比研究明式家具雕刻裝飾圖形的藝術(shù)特征，，使明式家具的裝飾性的雕刻之道在現(xiàn)代家具裝飾設計運用中，更加明確理解明式家具雕刻裝飾藝術(shù)其是一種遵循中國傳統(tǒng)人文思想的雕飾之道，尊重傳統(tǒng)人文理念并結(jié)合自己的需求和設計要求，為今天的明式家具雕刻裝飾設計提供一些有利幫助。
[Abstract]:Chinese ancient furniture has a history of thousands of years. In the Ming and Qing dynasties, as the center of the art of the whole Chinese era, a considerable part of its decorative art is embodied in furniture, sculpture and painting. It represents the culture and art level of Chinese decorative art at its peak. As an outstanding representative of ancient Chinese furniture, Ming style furniture is not only manifested in its material functions and production methods, The most important thing is that the humanism and aesthetics it expresses are in line with the Chinese people. Expressing the furniture owner's wish for a good life. And this spiritual need is manifested in concrete form. Sculpture is an important means of communication in the traditional humanistic language. It is the expression way of shaping Ming style furniture and its engraving decorative figure, thus making Ming style furniture decoration art become an important part of Ming style furniture. On the basis of the previous research conclusions, this paper makes a systematic study on the figurative implication and humanistic connotation of Ming furniture engraving and decoration graphics. This paper expounds and demonstrates the relationship between the carved decorative figure of Ming furniture and its humanistic connotation, and then analyzes the artistic characteristics of carving and decoration, including the analysis of engraving technology and materials, the analysis of decorative graphics, the humanistic characteristics, etc. And through the analysis and comparison of pictures and examples, the artistic characteristics of Ming furniture engraving and decorative graphics are studied, so that the decorative carving of Ming furniture can be applied in the design of modern furniture decoration. More clearly understand the Ming style furniture carving and decoration art it is a way to follow the Chinese traditional humanistic thinking, respect the traditional humanistic concept, and combine their own needs and design requirements, For today's Ming style furniture carving decoration design to provide some favorable help.
【學位授予單位】：河南師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J525.3;J522

【參考文獻】

相關(guān)期刊論文 前1條

1 劉顯波;;束腰在明式家具美學體系上的重要價值[J];裝飾;2006年07期

本文編號：1629452