本文選題：天津　切入點(diǎn)：“小洋樓”　出處：《蘇州大學(xué)》2007年碩士論文　論文類型：學(xué)位論文

【摘要】： 裝飾是建筑藝術(shù)表現(xiàn)形式之一,建筑的風(fēng)格特征在很大程度上來(lái)源于建筑的裝飾。中西方傳統(tǒng)建筑都極為重視裝飾。無(wú)論是宮殿建筑、民居建筑、宗教建筑還是其它類型建筑都少不了精美的裝飾點(diǎn)綴。 天津是中西建筑文化相互交融的典型城市。140年前西洋建筑文化伴隨著政治、經(jīng)濟(jì)的侵略,逐漸涌入這個(gè)古老的城市。在近百年的歷史中,建造了許多帶有西方古典時(shí)期風(fēng)格的建筑,形成了天津獨(dú)具魅力的人文景觀。本文研究的天津“小洋樓”,泛指從1840至1949年,在天津興建的各種外國(guó)建筑,包括行政機(jī)構(gòu),金融商貿(mào),休閑娛樂以及大量的公寓、別墅、花園住宅等。天津“小洋樓”融匯了從古希臘、羅馬到文藝復(fù)興到巴洛克、洛可可等各時(shí)期的建筑風(fēng)格,集歐洲建筑風(fēng)格之大成。使我們從側(cè)面了解了歐洲各國(guó)宗教信仰、風(fēng)俗時(shí)尚及思維方式等特征。因此“小洋樓”的確是一座內(nèi)容豐富,文化底蘊(yùn)深厚;有研究空間的以建筑為載體的博物館。天津“小洋樓”是中國(guó)化了的西洋建筑,在很多局部細(xì)節(jié)的處理上,都可以尋覓到中國(guó)建筑文化的諸多要素,是優(yōu)秀的中西建筑、文化結(jié)合的典范。為研究天津的建筑及其裝飾設(shè)計(jì)思想有一定的學(xué)術(shù)價(jià)值。 本文立足于對(duì)天津“小洋樓”及其建筑裝飾的研究,通過對(duì)這些歷史風(fēng)貌建筑大量的調(diào)查與研究,分析并進(jìn)行總結(jié)。對(duì)這些精美裝飾的表象,發(fā)掘其深層的文化內(nèi)涵,揭示建筑裝飾藝術(shù)人文性主題,以此總結(jié)提煉出天津“小洋樓”建筑裝飾符號(hào),為應(yīng)用于現(xiàn)代室內(nèi)外空間環(huán)境設(shè)計(jì),使裝飾與整體建筑風(fēng)格、形式等整體統(tǒng)一。
[Abstract]:Decoration is one of the forms of architectural art. The style of architecture comes from the decoration of architecture to a great extent. Chinese and Western traditional buildings attach great importance to decoration. Religious buildings or other types of buildings are not without exquisite decorative embellishment. Tianjin is a typical city in which Chinese and Western architectural cultures intermingle. 140 years ago, with the invasion of politics and economy, the western architectural culture gradually poured into this ancient city. Many buildings with the style of the western classical period have been built, forming the unique and attractive cultural landscape of Tianjin. The "Xiao Yang Lou" of Tianjin studied in this paper refers generally to the various foreign buildings, including administrative agencies, built in Tianjin from 1840 to 1949. Finance, commerce, leisure and entertainment, as well as a large number of apartments, villas, garden houses, etc. Tianjin's "small foreign building" blend from ancient Greece, Rome to Renaissance to Baroque, Rococo and other periods of architectural style, Collection of European architectural style of great success. Let us understand the European countries from the side of religious beliefs, customs and fashion and thinking mode and other characteristics. Therefore, "small foreign building" is indeed a rich content, profound cultural heritage; A museum with a research space in which architecture is the carrier. Tianjin's "small foreign building" is a Chinese-style western building. In the handling of many local details, it can be found that many elements of Chinese architectural culture can be found, and are excellent Chinese and Western architecture. The model of cultural combination has certain academic value for the study of Tianjin architecture and its decorative design thought. This paper is based on the study of Tianjin "Xiao Yang Lou" and its architectural decoration, through a large number of investigations and studies of these historical buildings, analyzes and summarizes the appearance of these exquisite decorations, and excavates their deep cultural connotation. This paper reveals the humanism theme of architectural decoration art, and sums up and abstracts out the architectural decoration symbols of "Xiao Yang Lou" in Tianjin, in order to apply it to the design of modern indoor and outdoor space environment, so as to unify the decoration with the whole architectural style and form.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：TU238

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本文編號(hào)：1625693