本文選題：當代藝術(shù)　切入點：圖案紋樣　出處：《西南大學》2016年碩士論文　論文類型：學位論文

【摘要】：西方學者克雷格·邁克丹尼爾在《當代藝術(shù)中的主題——1980年后的視覺藝術(shù)》一書中很形象地描述道:“當代藝術(shù)最出色的貢獻是:一個全新的思考和視野�！眻D案紋樣雖然作為一種最普通的藝術(shù)形式也在今天發(fā)生著巨大的功能變化,這里面蘊藏著藝術(shù)深刻的觀念變革和樣式轉(zhuǎn)型問題,但卻常常被一些似乎更熱門的討論所遮蔽。在現(xiàn)代社會的高速發(fā)展和藝術(shù)的不斷發(fā)展變化中,過去慣常被認為屬于民間的、裝飾的一種藝術(shù)元素——圖案紋樣,因有其單純的造型樣式和感性的寓意而成為當代藝術(shù)創(chuàng)作的重要符號和語言。當代藝術(shù)作品中圖案紋樣不僅有著其平面的、簡單的、抽象的等外在表現(xiàn)形式,有時也凸顯著圖案紋樣的美化裝飾效果,但也常常并不為單純的審美和裝飾而存在,或許它是一種藝術(shù)個性的符號,一種精神獨立的釋放,或許成為一種破壞和顛覆傳統(tǒng)的象征,圖案紋樣實現(xiàn)了它在藝術(shù)領域中的華麗轉(zhuǎn)身。毋庸置疑,這是對圖案紋樣進行重構(gòu)的結(jié)果,一個看似簡單卻內(nèi)含著值得探究的藝術(shù)之道。本文主要探究當代藝術(shù)中圖案紋樣重構(gòu)現(xiàn)象,并力圖解析圖案紋樣重構(gòu)中的觀念介入問題。第一章,厘清“圖案”與“重構(gòu)”的基本概念,簡述當代藝術(shù)中“圖案化”現(xiàn)象的產(chǎn)生和圖案重構(gòu)現(xiàn)象的文化背景及觀念發(fā)展。第二章,分析當代藝術(shù)中圖案紋樣重構(gòu)的形式特征,分別從簡化與多維的角度來展開,逐一梳理出圖案紋樣重構(gòu)的不僅是簡單的、裝飾的表現(xiàn)形式,還是綜合的、立體的多樣展現(xiàn),以及寬泛的、包容的觀念表達。第三章,結(jié)合當代著名的藝術(shù)家和他們的作品來分析理解在當代藝術(shù)中圖案紋樣的重構(gòu)帶來的視覺沖擊及精神內(nèi)涵,以此對當代藝術(shù)中圖案紋樣重構(gòu)的藝術(shù)作品加以認識和解讀。第四章,對當代藝術(shù)中圖案紋樣重構(gòu)的觀念指向的思考和啟示,藝術(shù)觀念的變化決定了圖案形式語言的變化,形式語言的超�；瘎t帶來了異樣的形式美感,從而使個人在創(chuàng)作過程中的對圖案紋樣的運用和感受得到了很大的幫助和啟發(fā)。通過對圖案紋樣重構(gòu)的探討研究,闡述當代藝術(shù)創(chuàng)作中圖案紋樣的外在形式和內(nèi)在精神,并聯(lián)系藝術(shù)創(chuàng)作實踐對這一問題進行進一步的思考和體察。可以認為,圖案紋樣在當代藝術(shù)創(chuàng)作中已經(jīng)作為一種新的視覺文化元素和新的藝術(shù)風尚的標桿,它進入到人們的生活經(jīng)驗與人的思維發(fā)生聯(lián)系,擁有了取之不盡,用之不竭的意義世界。對圖案紋樣重構(gòu)的探究實質(zhì)是在對當代藝術(shù)表現(xiàn)性的解讀,圖案紋樣在歷史和文化上的悠久痕跡和多重含義讓今天藝術(shù)中的圖案重構(gòu)具有了豐富的表意和表情內(nèi)涵,或許可以感嘆:圖案紋樣正在俘虜我們,讓我們無法逃脫。
[Abstract]:The Western scholar Craig McDaniel, in his book "the theme of Contemporary Art-Visual Art after 1980," says graphically, "the greatest contribution of contemporary art is: a whole new thinking and vision." Although as one of the most common forms of art, great functional changes have taken place today. There is a profound conceptual change and style transformation in art, but it is often overshadowed by what seems to be a more popular discussion. In the rapid development of modern society and the continuous development of art, the past has always been regarded as folk. An artistic element of ornament-pattern patterns, which have become important symbols and languages in contemporary art creation because of their simple styling style and perceptual moral. In contemporary works of art, pattern patterns not only have their plane, but also are simple. Abstract and other external forms of expression, sometimes highlighting the decorative effect of pattern patterns, but also often not for the simple aesthetic and decoration and exist, perhaps it is a symbol of artistic personality, an independent release of the spirit, Perhaps as a symbol of destruction and subversion of tradition, pattern patterns achieve its ornate turn in the field of art. This is, no doubt, the result of the reconstruction of patterns. This paper mainly explores the phenomenon of pattern reconstruction in contemporary art, and tries to analyze the problem of concept intervention in pattern reconstruction. This paper clarifies the basic concepts of "pattern" and "reconstruction", briefly describes the emergence of "patterning" phenomenon in contemporary art and the cultural background and concept development of pattern reconstruction phenomenon. Chapter two analyzes the formal characteristics of pattern pattern reconstruction in contemporary art. From the angle of simplification and multi-dimension, the reconstruction of pattern patterns is not only simple and decorative, but also comprehensive, three-dimensional and diverse, as well as broad and inclusive expression of ideas. Chapter three, Combining the famous contemporary artists and their works to analyze and understand the visual impact and spiritual connotation brought by the reconstruction of pattern patterns in contemporary art. In this way, we can understand and interpret the art works of pattern pattern reconstruction in contemporary art. Chapter 4th, thinking and enlightening the concept of pattern pattern reconstruction in contemporary art, the change of artistic concept determines the change of pattern form language. The transcendence of formal language brings about an unusual aesthetic sense of form, which greatly helps and enlightens the application and feeling of pattern patterns in the process of creation. This paper expounds the external form and internal spirit of pattern patterns in contemporary art creation, and makes further thinking and understanding of this problem in connection with the practice of artistic creation. Pattern pattern has been used as a new visual cultural element and a benchmark of new art fashion in contemporary art creation. It has entered into the people's life experience and people's thinking has been connected, and has been inexhaustible. The inexhaustible world of meaning. The essence of the exploration of pattern reconstruction is the interpretation of the expressiveness of contemporary art. Pattern pattern in the history and culture of the long traces and multiple meanings of today's art pattern reconstruction has rich ideographic and emotive connotation, perhaps can sigh: pattern is captured us, so that we can not escape.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：J522

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