本文選題：清代　切入點(diǎn)：暗八仙紋　出處：《景德鎮(zhèn)陶瓷學(xué)院》2011年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：清代是中國(guó)陶瓷制作的鼎盛時(shí)期。暗八仙紋作為清代陶瓷裝飾最具代表性的裝飾紋樣之一,也顯現(xiàn)出清代陶瓷裝飾的鮮明特色和文化內(nèi)涵。為道教文化的傳播做出了一定的貢獻(xiàn)。道教文化源遠(yuǎn)流長(zhǎng),我們從圖案這一側(cè)面去分析便可發(fā)現(xiàn),道教對(duì)中國(guó)文化尤其是中國(guó)民俗文化的影響是廣泛而深遠(yuǎn)的。今天我們應(yīng)以一種發(fā)展的眼光看待陶瓷裝飾暗八仙紋,繼承傳統(tǒng)美好寓意,發(fā)展其藝術(shù)形式,使其在更多的領(lǐng)域可以起到裝飾作用。 本文以清代陶瓷上的暗八仙紋裝飾特征為主要研究?jī)?nèi)容,旨在對(duì)陶瓷暗八仙紋裝飾特征的研究進(jìn)行有益的補(bǔ)充,也為現(xiàn)代陶瓷藝術(shù)設(shè)計(jì)的發(fā)展與創(chuàng)新提供了有益的啟示。針對(duì)目前對(duì)于陶瓷裝飾上的暗八仙紋研究相對(duì)較少的情況,結(jié)合大量的圖片資料,運(yùn)用圖像學(xué)、歷史學(xué)及藝術(shù)學(xué)的研究方法,對(duì)現(xiàn)有相關(guān)的文字資料和圖片資料進(jìn)行分析。同時(shí),對(duì)清代陶瓷裝飾暗八仙紋的文化寓意、形式特征、影響因素等做出較為系統(tǒng)的研究,對(duì)清代陶瓷裝飾暗八仙紋在上述各方面的表現(xiàn)做了一定的總結(jié),其裝飾特有的符號(hào)性,工藝手法多樣性,構(gòu)圖形式固定性。
[Abstract]:The Qing Dynasty was the heyday of Chinese ceramics production. The dark eight immortals were regarded as one of the most representative decorative patterns in the Qing Dynasty. It also shows the distinct characteristics and cultural connotations of ceramic decoration in the Qing Dynasty. It has made a certain contribution to the spread of Taoist culture. Taoism culture has a long history, and we can find it from the aspect of pattern. The influence of Taoism on Chinese culture, especially Chinese folk culture, is extensive and far-reaching. Today, we should look at the dark eight immortals of ceramic decoration from a developing perspective, inherit the good moral of tradition, and develop its artistic form. To make it in more areas can play a decorative role. In this paper, the decorative features of the dark eight immortals on the porcelain of Qing Dynasty are taken as the main research contents, in order to make a beneficial supplement to the research on the decorative characteristics of the dark eight immortals in the ceramics. It also provides useful inspiration for the development and innovation of modern ceramic art design. In view of the relatively few researches on the dark eight immortals in ceramic decoration at present, combining with a large amount of picture data, the author applies imageology to the development and innovation of modern ceramic art and design. The research methods of history and art, and the analysis of the existing text and picture materials. At the same time, the cultural implication, formal characteristics and influencing factors of the dark eight immortals in the ceramic decoration of the Qing Dynasty are systematically studied. This paper summarizes the performance of the dark eight immortals in the ceramic decoration of the Qing Dynasty, including its unique symbolism, various techniques and fixed composition forms.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：K876.3

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 武從文;論克拉克瓷器的暗八仙紋飾[D];景德鎮(zhèn)陶瓷學(xué)院;2012年

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本文編號(hào)：1599482