本文選題：磁州窯瓷器　切入點：裝飾圖案　出處：《河北科技大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

【摘要】： 本課題主要研究磁州窯瓷器裝飾紋飾的藝術(shù)價值以及在現(xiàn)代設(shè)計中的應(yīng)用。 中國瓷器發(fā)展歷史悠久。中國陶瓷在宋代進入了蓬勃發(fā)展時期。磁州窯因位于磁州而得名,是北方最大的民窯體系。它所燒制的瓷器多為瓶,罐,盆,碗,枕,盤等日用品,紋飾圖案直接取材于當時社會生活,線條舒暢,畫面樸實。白地與黑彩的裝飾是磁州窯作品的最典型的裝飾方法。采用這種方法燒制的器皿不但具有中國傳統(tǒng)山水畫的藝術(shù)感覺,并且器皿表面紋飾因施釉層的保護而不會被磨損,具有釉上彩繪所無法比的優(yōu)越性。磁州窯錯略計算有15種裝飾方法,收入了宋代陶瓷裝飾之大全。磁州窯的制品構(gòu)圖嚴謹,典雅古樸,形象活潑逼真,情趣盎然,展現(xiàn)了宋元時期的社會風俗,也為我們研究當時社會的民間藝術(shù)提供了豐富的資料。 磁州窯產(chǎn)品種類繁多,器物造型樸素典雅、挺拔,裝飾藝術(shù)生動、豪放,裝飾技法豐富多彩,富有濃郁的鄉(xiāng)土氣息和迷人的藝術(shù)魅力。最具代表性的白地黑花裝飾藝術(shù)的產(chǎn)生和發(fā)展,標志著我國瓷器由胎裝飾向彩裝飾過渡的逐步完成,開創(chuàng)了明清青花、五彩瓷發(fā)展的新紀元。磁州窯裝飾紋樣豐富多彩,內(nèi)容多種多樣,磁州窯裝飾藝術(shù)的發(fā)展對于當時的商業(yè)化發(fā)展具有劃時代意義。當代人類社會進入一個科技發(fā)達、物質(zhì)文明空前發(fā)展的時代。飛速發(fā)展的現(xiàn)代科技給社會帶來巨大的物質(zhì)財富的同時,不同地域的精神與文化的沖突也伴隨著現(xiàn)代文明到來,使世界面臨著未經(jīng)歷過的時代困境和文化危機。由于未得到很好的保護和發(fā)揚的磁州窯藝術(shù)已經(jīng)漸漸地消失在人們的視野外,在我們對這一瑰寶的未好好傳承感到痛心的同時我們更要大力發(fā)揚磁州窯裝飾紋飾的藝術(shù)價值,在現(xiàn)代設(shè)計中如何使磁州窯裝飾紋飾在包裝設(shè)計和產(chǎn)品設(shè)計中結(jié)合起來,使它的藝術(shù)魅力得到更大程度的升華。這也是本篇論文的目的所在。
[Abstract]:This topic mainly studies the artistic value of the decorative ornamentation of the porcelain kiln of magnetic state kiln and its application in the modern design.
China porcelain has a long history. Chinese ceramic entered a rapid development period in Song Dynasty. The Cizhou kiln is located in the magnetic state and the name, is the largest northern folk kiln system. It fired porcelain for bottles, cans, pots, bowls, pillows, plates and other daily necessities, decoration design directly based on social life at that time. Comfortable lines and simple images. White and black color decoration decoration is the most typical method of Cizhou kiln works. By this method, the firing vessel not only has Chinese traditional landscape painting artistic feeling and ornamentation for the protection of the glaze layer can not be worn, with overglaze incomparable superiority. Cizhouyao slightly wrong calculation have 15 decoration method, income of the Song Dynasty ceramic decoration Daquan. The products Cizhou rigorous composition, simple and elegant, the image of a lively, interesting, showing the social customs of the song and Yuan Dynasties, but also for our study The folk art of the society at that time provided rich information.
The Cizhou kiln product variety, modeling simple and elegant, tall and straight, decorative art bold, vivid, rich and colorful decorative techniques, full of rich local flavor and charming artistic charm. The emergence and development of white black flower decoration art the most representative, marking the completion of China's porcelain gradually from fetal to the color decoration decoration the transition of Ming and Qing Dynasties created a new era of blue and white, colorful porcelain development. Cizhou kiln decorative patterns, rich and colorful, diverse development of decorative art Cizhou has epoch-making significance for commercial development at that time. Contemporary human society into a science and technology developed, the unprecedented development of material civilization era of modern science and technology. The rapid development of the enormous material wealth to the society at the same time, spiritual and cultural conflicts in different regions is also accompanied by the arrival of modern civilization, the world is facing not experienced difficulties and the generation time The crisis. Because they did not get good protection and carry forward the Cizhou kiln art has gradually disappeared in people's field of vision, in the US on this treasure is not good inheritance painful at the same time we must vigorously carry forward the Cizhou kiln decorative decoration in modern design art value, how to make the Cizhou kiln decorative ornamentation combine in packaging design and product design, make its artistic charm to a larger degree of sublimation. This is where the purpose of this paper.

【學(xué)位授予單位】：河北科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J527

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 姚琛;磁州窯嬰戲紋裝飾探析[D];蘇州大學(xué);2011年

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本文編號：1598454