本文選題：視覺(jué)平衡　切入點(diǎn)：清末女裝　出處：《絲綢》2015年03期 　論文類型：期刊論文

【摘要】：通過(guò)對(duì)江南大學(xué)傳習(xí)館大量清末女裝實(shí)物和歷史資料進(jìn)行分析,總結(jié)了清末女裝裝飾藝術(shù)的四個(gè)特征:裝飾位置的"包圍"化、裝飾圖案的"團(tuán)狀"式樣、裝飾色彩的"和諧"醒目感和裝飾形式的"對(duì)稱重復(fù)"性,這些特征反映出裝飾藝術(shù)"以和為美"的精神氣韻,且具有視覺(jué)平衡屬性。以視覺(jué)平衡理論作為指導(dǎo),從視覺(jué)重力感和方向感為切入點(diǎn),可以找到不同裝飾單元關(guān)系及組合形態(tài)間的平衡表達(dá)方式,揭開(kāi)清末女裝裝飾藝術(shù)嶄新的一面,帶給讀者不同的視覺(jué)心理感受,為服飾裝飾藝術(shù)發(fā)展提供一定的參考和啟示。
[Abstract]:Based on the analysis of a large number of material and historical materials of women's clothing in the late Qing Dynasty, the paper summarizes the four characteristics of the decorative art of women's clothing in the late Qing Dynasty: the "encircling" of the decorative position and the "regiment" style of the decorative patterns. The striking sense of "harmony" of decorative colors and the "symmetrical repetition" of decorative forms reflect the spirit of "harmony for beauty" in decorative art, and have the attributes of visual balance, which are guided by the theory of visual balance. From the perspective of visual gravity and orientation, we can find out the balance expression between different decorative units and combination forms, uncover the brand-new side of the decorative art of women's clothing in the late Qing Dynasty, and bring different visual psychological feelings to the readers. For the clothing decoration art development to provide certain reference and inspiration.
【作者單位】： 江南大學(xué)紡織服裝學(xué)院;
【基金】：教育部人文社會(huì)科學(xué)規(guī)劃項(xiàng)目(11YJA760090)
【分類號(hào)】：TS941.1

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1 STYLESIGHT;;本真力量[J];紡織科學(xué)研究;2013年05期

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本文編號(hào)：1582702