本文選題：宋瓷　切入點(diǎn)：浮雕裝飾　出處：《中國美術(shù)學(xué)院》2010年碩士論文　論文類型：學(xué)位論文

【摘要】： 宋瓷浮雕裝飾充滿生命活力,追求“清水出芙蓉、天然去雕飾”的美學(xué)境界,帶來一股清新淡雅、質(zhì)樸自然之風(fēng)。它作為一種陶瓷胎裝飾語言,是宋代瓷窯常見的裝飾手法,并巧妙地結(jié)合造型與釉色,化繁為簡、極飾返素,不僅增添了宋瓷之美、給宋瓷的繁盛帶來別樣風(fēng)采,還反映了宋人獨(dú)特的審美趣味和思想精神境界,是一種民族精神和民族審美意識(shí)的體現(xiàn)。 本文通過對(duì)宋瓷浮雕裝飾風(fēng)格形成的原因、表現(xiàn)手法、表現(xiàn)題材、藝術(shù)特征等方面的探析,并歸納總結(jié)出幾個(gè)主要的美學(xué)特征:白賁靜美、犀利古雅、質(zhì)樸自然、瑩潤出筋、清新淡雅,進(jìn)而體會(huì)宋瓷浮雕裝飾所帶來的意境神韻、民族審美精神等深層內(nèi)容,肯定了宋瓷浮雕裝飾的現(xiàn)實(shí)啟示價(jià)值。
[Abstract]:Song porcelain embossed decoration is full of life vitality, the pursuit of "clear water out of hibiscus, natural to carve" aesthetic realm, bring a fresh and elegant, simple and natural wind. It is a ceramic tire decoration language, is the common decoration of the porcelain kiln in the Song Dynasty. And skillfully combine the shape and glaze color, transform the complex into simple, extremely decorated return to the element, not only added the beauty of the Song porcelain, to the prosperity of the Song porcelain brought a different style, but also reflected the unique aesthetic taste and ideological and spiritual realm of Song people. It is the embodiment of national spirit and national aesthetic consciousness. Based on the analysis of the reasons for the formation of the decorative style of the Song porcelain relief, the methods of expression, the subject matter and the artistic features, this paper summarizes several main aesthetic features: Bai Ben is still beautiful, sharp and quaint, plain and natural, and embellish and moistening the tendons. Fresh and elegant, the deep content of artistic conception and national aesthetic spirit brought about by embossing decoration of Song porcelain confirmed the realistic enlightenment value of relief decoration of Song porcelain.
【學(xué)位授予單位】：中國美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J527

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 商亞敏;“美”與“用”[D];景德鎮(zhèn)陶瓷學(xué)院;2011年

，

本文編號(hào)：1576199