本文選題：裝飾藝術　切入點：后現(xiàn)代主義　出處：《武漢理工大學》2005年碩士論文　論文類型：學位論文

【摘要】：設計風格體現(xiàn)在我們面前是一種直觀的形式、一種特征。 現(xiàn)代設計活動的發(fā)展與大體輪廓,常常體現(xiàn)為各種設計理念和設計流派的演化、更迭、交替與轉換。正是這些理念與流派的變化,促進了設計范疇、設計形態(tài)、設計形式、設計語言、設計風格以及設計文化、設計美學的發(fā)展,并在相當一段時間內成為設計主流風格傾向,是不同類型的設計在同一理念的引導下具有某種共同的語義特征。 造型只是設計的一個表達方式,這一方式的背后涉及到各方面的制約條件,原因是多方面的。不同的政治經濟形態(tài)、生產方式、社會文化及傳統(tǒng)、民族、地域特點等促使理念與思潮的形成。概括起來主要有消費者、科技發(fā)展、藝術流派、社會變革等因素。只有理清這些因素才能從根本上理清造型問題。這樣我們的設計才是真正的來源于生活,我們的設計才不是閉門造車。 風格是設計成熟的標志,是一個系統(tǒng),它由上述幾個因素制約著。它協(xié)調統(tǒng)一著系統(tǒng)內部的各個因素,同時又與其它的風格系統(tǒng)進行著區(qū)別。 本次論文所要研究的內容就是通過對現(xiàn)代設計史上裝飾藝術和后現(xiàn)代主義兩種設計風格進行比較研究,從制約風格產生,發(fā)展的幾個因素出發(fā),系統(tǒng)地分析這兩種風格的異同。研究的成果是找出了兩種風格在設計裝飾方面一些相似的規(guī)律,其中的重點是消費者因素,即人的需求與經濟的發(fā)展。 人們對設計有不同角度的看法,如設計來源于生活;設計使生活美學化;設計以人為本;設計使我們的世界秩序化;設計是對人的關愛……。和人們的不同世界觀一樣,對設計的理解和體會也不相同,表現(xiàn)在我們面前的就是不同的風格。
[Abstract]:The design style is an intuitive form and a feature in front of us.
The development of modern design and outline, often reflects the evolution of various design concepts and design styles change, alternating with the conversion. It is these changes in concept and genre, promote the design category, design patterns, design form, design language, design style and design culture, the development of design aesthetics, and become the design of the mainstream style in a considerable period of time, is the common semantic features a guide design of different types in the same concept.
The design of the shape is only a means of expression, behind this approach involves the restrictive conditions of various aspects, for many reasons. The different political and economic form, mode of production, social and cultural traditions, ethnic, geographical features form these concepts and thoughts. Summarized the consumers, mainly to the development of science and technology. School of art, social change and other factors. Only clarify these factors in order to fundamentally clarify the other problem. So we design is really from life, our design is not behind closed doors.
Style is the symbol of design maturity. It is a system, which is restricted by the above factors. It coordinates and harmonizes all factors inside the system, and at the same time, it is different from other style systems.
A comparative study of this thesis is to study the content is based on two kinds of design style of modern design history, decorative art and postmodernism, resulting from the restriction of style, several factors of development, systematic analysis of similarities and differences of the two styles. The research is to find out the two styles of some similar rules in a decorative design, which is the focus of consumer demand and economic factors, namely the development of human.
People have different views on the design point of view, such as the design comes from life; designed to make life aesthetics; people-oriented design; design makes our world order; the design is different. The world of human love and people's view, understanding to design is not the same, in front of us is different style.

【學位授予單位】：武漢理工大學
【學位級別】：碩士
【學位授予年份】：2005
【分類號】：J505

【引證文獻】

相關碩士學位論文 前3條

1 楊松崧;現(xiàn)代設計和現(xiàn)代藝術發(fā)展的同步性與錯位性[D];齊齊哈爾大學;2011年

2 劉歡;“圖”說新語[D];青島科技大學;2011年

3 王莉莉;西方現(xiàn)代設計的主流與支流[D];江南大學;2007年

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本文編號：1575213