本文選題：成都傳統(tǒng)建筑　切入點：裝飾構(gòu)件　出處：《西安美術(shù)學院》2014年碩士論文　論文類型：學位論文

【摘要】：近年來以傳統(tǒng)建筑屋頂裝飾構(gòu)件為研究內(nèi)容的理論研究甚少，大部分都是傳統(tǒng)建筑裝飾藝術(shù)及傳統(tǒng)建筑屋頂裝飾構(gòu)件研究與文化的關(guān)系，探討它的文化淵源。在傳統(tǒng)建筑裝飾特點和審美特征方面的研究主要是建筑的門窗、格扇的雕刻和彩繪這些方面，而對傳統(tǒng)建筑屋頂裝飾構(gòu)件的裝飾特點和審美特征的研究很少，因此以此為研究對象進行研究。 本文采用了田野考察的方法，對四川成都的傳統(tǒng)建筑屋頂裝飾構(gòu)件進行了較為詳細的材料收集。對收集的資料進行了整理和分析，對當?shù)氐牡烙^、祠堂和民居的屋頂裝飾構(gòu)件進行了細致的考察，了解當?shù)氐娘L俗習慣、民俗文化等。通過查閱書籍和大量的數(shù)據(jù)，對四川成都的傳統(tǒng)建筑屋頂裝飾構(gòu)件的材料，裝飾構(gòu)件的分類、裝飾紋樣的分類和裝飾寓意以及文化內(nèi)涵做了詳細的研究。運用了舉例的方法對四川成都的傳統(tǒng)建筑屋頂裝飾構(gòu)件的裝飾特點進行了分析，總結(jié)出了成都的裝飾藝術(shù)的裝飾特點。同時，從造型的構(gòu)成和圖案的形式方面分析了所具有的審美特征。特別是在圖案構(gòu)成中的形式美法則，四川成都的傳統(tǒng)建筑屋頂裝飾構(gòu)件的造型特征符合現(xiàn)代構(gòu)成中的點、線、面的結(jié)合特點，在這個基礎(chǔ)上又拓展到了體和面的融合。造型擁有韻律和節(jié)奏產(chǎn)生的動感美，對稱與平衡產(chǎn)生的靜態(tài)美，材料差異產(chǎn)生的肌理美，，重復產(chǎn)生的規(guī)律性的美感。 對四川成都傳統(tǒng)建筑屋頂裝飾構(gòu)件的研究，總結(jié)出了傳統(tǒng)建筑屋頂裝飾構(gòu)件的文化淵源、裝飾特點和審美特征，希望對傳統(tǒng)建筑屋頂裝飾構(gòu)件及其裝飾性有興趣的人們起到一定的參考作用，同時在應用方面做了元素提取和重組的設計實踐，深化其研究價值。
[Abstract]:In recent years, there is little theoretical research on the traditional architectural roof decoration component, most of which are the traditional architectural decorative art and the relationship between the traditional architectural roof decoration component and the culture. Discuss its cultural origin. In the traditional architectural decoration characteristics and aesthetic characteristics of the study is mainly architectural doors and windows, grid fan carving and painting these aspects, However, there are few researches on the decorative characteristics and aesthetic characteristics of the traditional roof decoration components. This paper adopts the method of field investigation to collect more detailed materials for the roof decoration components of traditional buildings in Chengdu, Sichuan Province. The collected materials are sorted out and analyzed, and the local Taoist views are analyzed. The roof decoration components of ancestral halls and houses were carefully investigated to understand the local customs and customs, folk culture, etc. Through consulting books and a large amount of data, the materials of roof decoration components of traditional buildings in Chengdu, Sichuan Province, were studied. The classification of decorative components, the classification of decorative patterns, the connotations of decorative patterns and cultural connotations are studied in detail. The decorative characteristics of traditional roof decoration elements in Chengdu, Sichuan Province, are analyzed with an example. This paper summarizes the decorative characteristics of the decorative art of Chengdu. At the same time, it analyzes the aesthetic characteristics of the decorative art from the aspects of the form of the shape and the form of the pattern, especially the rule of formal beauty in the form of the pattern. The modeling features of the traditional architectural roof decoration components in Chengdu, Sichuan, accord with the combination of points, lines and surfaces in the modern constitution. On this basis, the integration of the body and the surface is extended. The modeling has the beauty of rhythm and rhythm. The static beauty of symmetry and balance, the texture beauty of material difference, the regular aesthetic feeling of repetition. This paper summarizes the cultural origin, decoration characteristics and aesthetic characteristics of the roof decoration components of the traditional buildings in Chengdu, Sichuan Province, through the study of the roof decoration components of the traditional buildings in Sichuan Province. It hopes to play a certain reference role to the people who are interested in the traditional roof decoration and its decoration. At the same time, the design practice of element extraction and reorganization is done in the application, and the research value is deepened.
【學位授予單位】：西安美術(shù)學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：TU238

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相關(guān)期刊論文 前1條

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