本文選題：西藏　切入點(diǎn)：藏傳佛教　出處：《湖南工業(yè)大學(xué)》2008年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】： 西藏地區(qū)是中國(guó)傳統(tǒng)藏族聚居地,是一個(gè)政教合一、民族文化特點(diǎn)鮮明、地域文化獨(dú)特、神秘的“圣地”。其建筑及裝飾設(shè)計(jì)有著悠久的歷史和文化內(nèi)涵。在全球一體化的趨勢(shì)下,隨著國(guó)家對(duì)西部的進(jìn)一步關(guān)注和開(kāi)發(fā),在加快西部、尤其是在西藏發(fā)展過(guò)程中,如何更好的協(xié)調(diào)和處理傳統(tǒng)與現(xiàn)代的關(guān)系、以及保持地域文化特征,防止具有本土化、個(gè)性化、民族化特征的建筑裝飾文化被同化和喪失,不僅是西藏發(fā)展戰(zhàn)略中應(yīng)予高度重視的問(wèn)題,而且也是建筑設(shè)計(jì)師、研究者們面臨并亟待解決的問(wèn)題。 在西藏地區(qū)傳統(tǒng)的社會(huì)生活中,藏傳佛教起了十分重要的支配作用,其建筑裝飾又是最有力的載體之一。在了解西藏地區(qū)藏傳佛教建筑歷史的基礎(chǔ)上,探究其基本特點(diǎn)、形成的外部條件與地域條件,并總結(jié)西藏地區(qū)藏傳佛教下建筑裝飾及色彩的基本內(nèi)容、特點(diǎn)與藝術(shù)特征,揭示其文化意蘊(yùn),對(duì)我們?nèi)�、系統(tǒng)、深入了解藏傳佛教下宗教與造物活動(dòng)的關(guān)系,以及藏傳佛教思想的真諦是大有裨益的!每一個(gè)時(shí)代的歷史、文化都在建筑中留下了深刻的印跡。建筑被稱(chēng)為用石頭所書(shū)寫(xiě)的史書(shū),被稱(chēng)為凝固的音樂(lè)。而建筑裝飾則是其中重要的一部分,是構(gòu)成其實(shí)用性、審美性、文化性不可或缺的元素。建筑裝飾藝術(shù)利用其基本的造型元素,如色彩、光影、材質(zhì)、內(nèi)容、自然要素、附屬陳設(shè)等表達(dá)了一套完整的建筑裝飾特征和深邃的民族文化內(nèi)涵。藏傳佛教建筑裝飾設(shè)計(jì)思想主要表現(xiàn)在:第一、在藏傳佛教文化背景下,建筑裝飾構(gòu)建了一套完整的理念,并在實(shí)踐中得到了完整的體現(xiàn);第二、趨利避害是其永恒的追求和宗旨;第三、其建筑裝飾被深深的打上了文化融合的烙印;第四、在濃郁的宗教外衣和氛圍之下,以崇尚自然、體現(xiàn)天人合一為出發(fā)點(diǎn)和歸宿。藏傳佛教建筑裝飾所體現(xiàn)的這些特征表明:建立在藏傳佛教建筑裝飾價(jià)值取向上的設(shè)計(jì)表現(xiàn),不僅構(gòu)成了其建筑裝飾的視覺(jué)特征,而且蘊(yùn)含了與藏傳佛教教義有關(guān)的文化,即裝飾藝術(shù)的精神,這一點(diǎn),正是藏傳佛教建筑裝飾的魅力和獨(dú)特之處。
[Abstract]:Tibet is a traditional Tibetan settlement in China. It is a unity of government and religion, with distinctive national and cultural characteristics and unique regional culture. The mysterious "holy land" has a long history and cultural connotations in its architectural and decorative designs. With the trend of global integration, with the state's further concern and development of the western region, it is speeding up the development of the western region, especially in Tibet. How to better coordinate and deal with the relationship between tradition and modern, and maintain the regional cultural characteristics, to prevent the architectural decoration culture with localization, individualization and nationalization characteristics from being assimilated and lost. It is not only a problem that should be attached great importance to in the development strategy of Tibet, but also a problem to be solved by architects and researchers. Tibetan Buddhism plays a very important role in the traditional social life in Tibet, and its architectural decoration is one of the most powerful carriers. On the basis of understanding the history of Tibetan Buddhism architecture in Tibet, it explores its basic characteristics. Forming external and regional conditions, and summarizing the basic contents, characteristics and artistic characteristics of architectural decoration and color under Tibetan Buddhism in Tibet, revealing its cultural implications, which are comprehensive and systematic for us, It is helpful to understand deeply the relationship between religion and creation activities under Tibetan Buddhism and the true meaning of Tibetan Buddhism thought. The history and culture of each era are deeply imprinted in architecture. Architecture is called a history book written in stone, called solidified music, and architectural decoration is an important part of it. Essential elements of culture. Architectural decorative art uses its basic modeling elements, such as color, light and shadow, material, content, natural elements, The accessory furnishings express a complete set of architectural decoration characteristics and profound national cultural connotations. The architectural decoration design thoughts of Tibetan Buddhism are mainly manifested in: first, under the background of Tibetan Buddhism culture, architectural decoration constructs a complete set of ideas. And in practice has been a complete embodiment; second, the pursuit of profit and avoid harm is its eternal pursuit and purpose; third, its architectural decoration is deeply branded by the integration of culture; 4th, in the rich religious coat and atmosphere, These characteristics of Tibetan Buddhism architecture decoration show that the design performance based on the value orientation of Tibetan Buddhism architecture decoration not only constitutes the visual characteristics of its architectural decoration, Moreover, it contains the culture related to the doctrine of Tibetan Buddhism, that is, the spirit of decorative art, which is precisely the charm and uniqueness of the decoration of Tibetan Buddhism architecture.
【學(xué)位授予單位】：湖南工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類(lèi)號(hào)】：TU238;TU252;TU-86

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王吉;;淺談蘇州佛教園林建筑裝飾藝術(shù)[J];現(xiàn)代園藝;2012年22期

相關(guān)博士學(xué)位論文 前2條

1 龍珠多杰;藏傳佛教寺院建筑文化研究[D];中央民族大學(xué);2011年

2 仇銀豪;北京藏傳佛教寺院環(huán)境研究[D];北京林業(yè)大學(xué);2010年

相關(guān)碩士學(xué)位論文 前5條

1 劉建;現(xiàn)代藏語(yǔ)佛學(xué)院建筑創(chuàng)作研究[D];西安建筑科技大學(xué);2011年

2 王吉;蘇州地區(qū)佛教建筑空間和裝飾研究[D];蘇州大學(xué);2009年

3 周慧;河南地區(qū)佛教建筑裝飾色彩研究[D];西安工程大學(xué);2012年

4 劉明洋;包頭藏傳佛教建筑文化研究[D];華南理工大學(xué);2013年

5 葉勁松;甘南藏傳佛教建筑裝飾藝術(shù)研究[D];西安美術(shù)學(xué)院;2013年

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本文編號(hào)：1569098