本文選題：南京云錦　切入點(diǎn)：圖案　出處：《合肥工業(yè)大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：南京云錦，享譽(yù)中外、手工精美的絲織工藝品。它是祖先留給我們珍貴的文化遺產(chǎn)，堪稱世界絲綢史上的東方瑰寶。2006年被國務(wù)院列為我國首批非物質(zhì)文化遺產(chǎn)，并在2009年列入人類非物質(zhì)文化遺產(chǎn)。南京云錦距今已有幾千年的悠久歷史，在圖案、色彩、工藝和整體造型等各個(gè)方面，都保持著自身獨(dú)特的風(fēng)格。本文將南京云錦姹紫嫣紅的紋樣和絢麗多彩的色彩運(yùn)用到室內(nèi)裝飾設(shè)計(jì)中，不僅體現(xiàn)室內(nèi)裝飾風(fēng)格的別致，也可提升室內(nèi)裝飾的文化內(nèi)涵。 本文分為六個(gè)章節(jié)。第一章，運(yùn)用多種研究方法，重點(diǎn)探討南京云錦在現(xiàn)代室內(nèi)裝飾設(shè)計(jì)中合理運(yùn)用的可行性及方式方法，為現(xiàn)代室內(nèi)裝飾設(shè)計(jì)的創(chuàng)新提供新的切入點(diǎn)。文章最大的創(chuàng)新點(diǎn)除了是對(duì)云錦藝術(shù)原有的圖案和色彩加以運(yùn)用外，還要在其原有的紋樣和色彩基礎(chǔ)上進(jìn)行打散、重組，再經(jīng)過抽象造型的加工，最后形成全新的圖案或是色彩，，在室內(nèi)裝飾方面進(jìn)行應(yīng)用。第二章，主要是概念的界定,這里包括非物質(zhì)文化遺產(chǎn)、南京云錦和室內(nèi)裝飾設(shè)計(jì)三個(gè)方面。第三章,詳細(xì)地講述了南京云錦圖案和色彩兩個(gè)方面的相關(guān)內(nèi)容，為介入室內(nèi)裝飾設(shè)計(jì)作為鋪墊。第四章，對(duì)室內(nèi)裝飾設(shè)計(jì)中運(yùn)用南京云錦圖案和色彩的一些規(guī)律和吉祥文化的借鑒進(jìn)行總結(jié)，并對(duì)典型案例進(jìn)行分析，加以佐證。最后,根據(jù)前文的觀點(diǎn),從云錦圖案和色彩兩個(gè)方面入手，進(jìn)行創(chuàng)新實(shí)踐并運(yùn)用到室內(nèi)裝飾空間中，再配以效果圖的展示來證明其可行性。
[Abstract]:Nanjing Yunjin, a famous silk weaving handicraft in China and foreign countries, is a precious cultural heritage left by our ancestors, and can be regarded as the oriental treasure in the world silk history. In 2006, it was listed as the first batch of intangible cultural heritage in China by the State Council. In 2009, it was listed as the intangible cultural heritage of mankind. Nanjing Yunjin has a long history of thousands of years, in all aspects of design, color, craft and overall modeling, This paper applies the colorful patterns and colorful colors of Nanjing brocade to the interior decoration design, which not only reflects the unique style of interior decoration, but also promotes the cultural connotation of interior decoration. This paper is divided into six chapters. The first chapter, using a variety of research methods, focuses on the feasibility and methods of reasonable application of Nanjing Yunjin in modern interior decoration design. This paper provides a new entry point for the innovation of modern interior decoration design. The greatest innovation of the article is not only to apply the original patterns and colors of Yunjin art, but also to disperse and reorganize them on the basis of their original patterns and colors. Then through the processing of abstract modeling, finally form a brand new pattern or color to be used in interior decoration. The second chapter, mainly the definition of concept, here includes intangible cultural heritage. The third chapter describes the related contents of Nanjing Yunjin pattern and color in detail, which is used as a paver for interposition in interior decoration design. Chapter 4th, This paper sums up some rules and auspicious culture of Nanjing Yunjin pattern and color in interior decoration design, and analyzes typical cases to prove them. Finally, according to the previous views, Starting from the two aspects of Yunjin pattern and color, this paper carries on the innovation practice and applies it to the interior decoration space, and then matches the display of the effect diagram to prove its feasibility.
【學(xué)位授予單位】：合肥工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU238.2;J523.1

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