本文選題：岱廟　切入點(diǎn)：建筑紋樣　出處：《山東大學(xué)》2017年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：坐落于東岳泰山腳下的岱廟,是一座歷史悠久、聞名遐邇的中國(guó)文化古建筑群。它作為古代帝王祭祀日月天地和祖先社稷之所,其建筑裝飾及布局凝結(jié)了歷代能工巧匠的智慧與心血,是數(shù)千年來(lái)民族傳統(tǒng)文化的結(jié)晶。而岱廟獨(dú)特的建筑裝飾,作為一種歷久彌新的藝術(shù)思想與文化精神的附加物,自古至今都在人們的生活中發(fā)揮著重要的情感依戀和審美功能。建筑裝飾的設(shè)計(jì)審美樣式,是在特定的文化區(qū)域內(nèi)產(chǎn)生的。而岱廟建筑裝飾紋樣的形成,則深受泰山文化的影響,因而在形式、色彩與功能等方面都有其獨(dú)特的審美表現(xiàn)。岱廟建筑裝飾紋樣是古代能工巧匠文化積淀和審美意識(shí)的物化,蘊(yùn)含著他們對(duì)美的追求及對(duì)美的創(chuàng)造。古代匠師們以其特有的思維方式,依照美的規(guī)律,對(duì)社會(huì)生活中和自然界的事物進(jìn)行觀察取舍、提煉加工,創(chuàng)造出富有特色的圖案及構(gòu)成形式,給當(dāng)時(shí)和后世帶來(lái)了豐富的視覺(jué)美感,進(jìn)而充實(shí)了中華建筑藝術(shù)的寶庫(kù)。隨著時(shí)間的推移,岱廟建筑裝飾紋樣也在不斷地演變和整合,但其基本的文化印記和藝術(shù)特色卻很難改變,并且對(duì)后世的設(shè)計(jì)藝術(shù)領(lǐng)域的影響既深且遠(yuǎn)。從宏觀的角度來(lái)看,中國(guó)傳統(tǒng)的建筑裝飾紋樣內(nèi)容豐富,題材廣泛,具有深厚的文化內(nèi)涵,無(wú)疑是當(dāng)代設(shè)計(jì)師汲取靈感的精神寶庫(kù)。尤其是在世界一體化進(jìn)程不斷加快的今天,民族優(yōu)秀傳統(tǒng)文化的繼承與發(fā)揚(yáng)顯得尤為重要。我們應(yīng)該緊跟時(shí)代旋律,讓民族文化在創(chuàng)新中發(fā)展,讓傳統(tǒng)藝術(shù)在變革中延續(xù)。鑒于此,本文從岱廟所處的地理位置及歷史文化背景出發(fā),首先介紹岱廟建筑裝飾紋樣的形成與發(fā)展的過(guò)程;其次從岱廟建筑裝飾紋樣的分類(lèi)、表現(xiàn)形式、審美規(guī)律等方面入手,全面系統(tǒng)地分析研究岱廟建筑裝紋樣的文化因素和審美特征;再次概括岱廟建筑裝飾紋樣對(duì)現(xiàn)今圖形設(shè)計(jì)的影響,展望其對(duì)未來(lái)圖形設(shè)計(jì)應(yīng)用的趨勢(shì)。最后,結(jié)合具體案例,來(lái)闡釋岱廟建筑裝飾紋樣與現(xiàn)代設(shè)計(jì)相結(jié)合的可能性和必要性,并將傳統(tǒng)裝飾紋樣與城市文化特色結(jié)合的成功案例加以介紹推廣,從而探索出一條在藝術(shù)設(shè)計(jì)領(lǐng)域展現(xiàn)傳統(tǒng)文化魅力的新途徑。
[Abstract]:Located at the foot of Mount Tai in Dongyue, the Dai Temple is a historic and famous ancient architectural complex of Chinese culture. It serves as a place for ancient emperors to sacrifice the sun, the moon, the earth and the ancestral state. Its architectural decoration and layout condense the wisdom and painstaking efforts of skilled craftsmen in past dynasties, and it is the crystallization of the traditional culture of the nation for thousands of years. The unique architectural decoration of Dai Temple, as an adjunct to the ancient artistic thought and cultural spirit, Since ancient times, it has played an important emotional attachment and aesthetic function in people's life. The design aesthetic style of architectural decoration is produced in a specific cultural area. It is deeply influenced by Taishan culture, so it has its unique aesthetic expression in form, color and function, etc. The decorative patterns of Dai Temple architecture are the accumulation of ancient craftsman's culture and the materialization of aesthetic consciousness. It contains their pursuit of beauty and their creation of beauty. With their unique way of thinking and in accordance with the law of beauty, ancient craftsmen observed and selected things in social life and in nature, and refined and processed them. The creation of distinctive patterns and forms brought a rich sense of visual beauty at that time and in later generations, thus enriching the treasure house of Chinese architectural art. With the passage of time, the decorative patterns of Dai Temple buildings were constantly evolving and integrating. However, its basic cultural imprint and artistic characteristics are difficult to change, and the influence on the field of design art of later generations is deep and far. From a macro point of view, Chinese traditional architectural decorative patterns are rich in content and extensive in subject matter. With profound cultural connotations, it is undoubtedly a spiritual treasure house for contemporary designers to draw inspiration, especially today, when the process of world integration continues to accelerate. It is especially important to inherit and carry forward the excellent traditional culture of the nation. We should keep up with the melody of the times, let the national culture develop in the innovation, and let the traditional art continue in the transformation. In view of this, Starting from the geographical position and historical and cultural background of Dai Temple, this paper first introduces the process of the formation and development of architectural decorative patterns in Dai Temple, and then begins with the classification, form of expression and aesthetic law of architectural decorative patterns of Dai Temple. This paper analyzes the cultural factors and aesthetic characteristics of Dai Temple architectural patterns, summarizes the influence of decorative patterns on the current graphic design, and looks forward to the trend of its application to the future graphic design. Finally, combined with specific cases, To explain the possibility and necessity of combining the decorative patterns of Dai Miao architecture with modern design, and to introduce and popularize the successful cases of the combination of traditional decorative patterns and urban cultural characteristics. In order to explore a new way to show the charm of traditional culture in the field of art design.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：TU251

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本文編號(hào)：1560528