本文選題：唐代　切入點：絲織品　出處：《山東大學》2010年碩士論文　論文類型：學位論文

【摘要】： 絲綢不僅是古代手工業(yè)最重要的生產(chǎn)門類之一,而且是古代絲綢之路上重要的商品。絲綢的花紋、色彩、種類不僅是別等第、分貴賤的標志,而且凝聚了裝飾藝術的精華,被賦予藝術乃至文化上的崇高地位。因此,不同學科、不同角度的研究方興未艾。 唐代是絲織品大發(fā)展的時代,生產(chǎn)技術在前代基礎上有了很大提高,同時在西方生產(chǎn)技術的影響下出現(xiàn)了新的織造組織。在裝飾圖案上,唐代絲織品也達到了中國絲織品裝飾史上的一個高峰時期,體現(xiàn)出唐代匠師們“不薄技術愛藝術”的內在追求和氣質。在發(fā)現(xiàn)的實物資料中,不僅有來自西域的裝飾圖案,而且在與中國的傳統(tǒng)裝飾圖案相結合后,發(fā)展了新的裝飾圖案,在織染繡各種生產(chǎn)技術的表現(xiàn)中均是如此。本文利用考古類型學的方法,在唐代絲織品實物的基礎上對絲織品紋樣以最小單位進行分類,然后再進行絲織品紋樣組織方式的分析。在此基礎上通過分期探討它們的演化軌跡。同時,通過與同時代其它藝術品裝飾進行比較,探討絲織品裝飾紋樣的特殊性以及薩珊波斯裝飾藝術對唐代絲織品裝飾的影響。 本文共分四章,首先在第一章緒論部分對唐代絲織品的考古發(fā)現(xiàn)、研究現(xiàn)狀以及研究思路和方法做了梳理和說明。 第二章,唐代絲織品裝飾的分類研究。分類是本文研究的基礎所在。首先將裝飾技術分為織紋類、印染類、刺繡類三大類,并對實物進行了整理總結。其次根據(jù)織物的裝飾內容將其分為獸類紋、鳥類紋、植物紋、幾何紋、龍鳳紋、人物紋和其它紋樣六大類,并結合實物對每一類紋樣中的具體紋樣進行細分。 第三章,唐代絲織品裝飾紋樣的分期研究。本文將唐代絲織品裝飾劃分為早期、中期、晚期三個階段,通過對實物的梳理,分析每個階段的裝飾紋樣在技術及內容上的特征及其變化。 第四章,與唐代其他門類藝術品裝飾的比較研究。通過與同時代敦煌圖案以及金銀器裝飾的對比研究,分析唐代絲織品裝飾與同時代藝術裝飾的共通性與特殊性,以此探索唐代對外交流對絲織品裝飾的影響。 文章最后為結語部分,對本論文主要論點進行簡要總結,并指出本文創(chuàng)新之處與主要不足。
[Abstract]:Silk is not only one of the most important categories of production in the ancient handicraft industry, but also an important commodity on the ancient Silk Road. Therefore, the study of different disciplines and different angles is in the ascendant. The Tang Dynasty was the era of the great development of silk fabrics. The production technology was greatly improved on the basis of the previous generation. At the same time, under the influence of western production technology, new weaving organizations appeared. The silk fabric of the Tang Dynasty has also reached a peak period in the history of Chinese silk fabric decoration, which embodies the inherent pursuit and temperament of the craftsmen of the Tang Dynasty who "love art with no thin technology." among the material materials discovered, there are not only decorative patterns from the Western regions, In addition, after combining with traditional Chinese decorative patterns, a new decorative pattern has been developed, which has been shown in various production techniques of textile, dyed and embroidered. This paper uses the method of archaeological typology. On the basis of the material objects of the silk fabrics of the Tang Dynasty, the patterns of silk fabrics are classified in the smallest units, and then the organization mode of the patterns of the silk fabrics is analyzed. On this basis, the evolution track of the patterns is discussed by stages. At the same time, By comparing with other works of art decoration of contemporary times, this paper probes into the particularity of decorative patterns of silk fabrics and the influence of the decorative art of Sassan Persia on the decoration of silk fabrics in Tang Dynasty. This paper is divided into four chapters. The first chapter introduces the archaeological discovery of the Tang Dynasty silk fabric, research status, research ideas and methods. The second chapter, the classification of the Tang Dynasty silk decoration. Classification is the basis of this study. First of all, the decoration technology is divided into three categories: weave, printing and dyeing, embroidery. Secondly, according to the decorative content of fabric, it is divided into six categories: animal, bird, plant, geometry, dragon and Phoenix, figure and other patterns. The concrete patterns in each kind of pattern are subdivided with the object. The third chapter, the period research of the decorative pattern of the Tang Dynasty silk fabric. This article divides the Tang Dynasty silk decoration into three stages: the early, the middle and the late period. Analysis of each stage of decorative patterns in the technical and content of the characteristics and changes. Chapter 4th, comparative study with other kinds of art decoration in Tang Dynasty. Through the comparative study with the contemporary Dunhuang pattern and gold and silver ware decoration, this paper analyzes the commonality and particularity of the decoration of the Tang Dynasty silk fabric and the contemporary art decoration. In order to explore the Tang Dynasty foreign exchange on the influence of silk decoration. The last part is the conclusion, which summarizes the main points of this paper, and points out the innovations and shortcomings of this paper.
【學位授予單位】：山東大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J527

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