本文關(guān)鍵詞： 山東龍山黑陶 裝飾藝術(shù) 特征 現(xiàn)代設(shè)計　出處：《湖北工業(yè)大學(xué)》2016年碩士論文　論文類型：學(xué)位論文

【摘要】：山東龍山文化作為一支重要的考古學(xué)文化,是中國陶文化中不可缺少的一部分,也是中華民族文明的重要組成部分。山東龍山黑陶作為龍山文化中濃墨重彩的一筆,它帶著獨(dú)有的色彩存在,其藝術(shù)特征和制作工藝也一直為藝術(shù)工作者所重視并研究著。山東龍山黑陶的產(chǎn)生到發(fā)展再到鼎盛,及至沒落,都是按照事物發(fā)展的周期存在,在社會文明不斷發(fā)展的今天,人們對傳統(tǒng)文化藝術(shù)越來越重視,“古為今用”這句口號也變?yōu)楝F(xiàn)實(shí),而山東龍山黑陶作為眾多歷史悠久文物中的一枝奇葩,是很值得我們研究開發(fā)和傳承的。本論文從山東龍山黑陶應(yīng)當(dāng)以什么樣的姿態(tài)回歸到現(xiàn)代生活中入手,充分論述山東龍山黑陶裝飾藝術(shù)的具體體現(xiàn),通過與現(xiàn)代工藝技法結(jié)合的應(yīng)用進(jìn)行深層次的分析,并得出啟示,對它的社會價值和現(xiàn)實(shí)意義應(yīng)當(dāng)怎樣被傳承以及如何正確借鑒傳統(tǒng)藝術(shù)進(jìn)行探討和研究。本論文研究內(nèi)容分為六個章節(jié),第一章是緒論部分,主要闡述山東龍山黑陶的研究現(xiàn)狀、研究角度、研究目的和意義,以及研究的方法、基礎(chǔ)等,通過查閱當(dāng)前山東龍山黑陶裝飾藝術(shù)研究的相關(guān)成果,進(jìn)而歸納出以往研究的缺陷與不足,并在此基礎(chǔ)上提出自己的研究方法。第二章對山東龍山黑陶的歷史背景及原因、特點(diǎn)及其代表性器物與制作工藝做了詳盡地歸納與分析,并著重分析山東龍山黑陶出現(xiàn)的背景和原因,為更好地了解山東龍山黑陶提供了必要的歷史依據(jù)。第三章從造型、裝飾、色彩、審美、地域等方面詳細(xì)論述山東龍山黑陶裝飾藝術(shù)的具體體現(xiàn),全方位多角度闡述山東龍山黑陶的裝飾藝術(shù)語言。第四章通過研究山東龍山黑陶與現(xiàn)代工藝結(jié)合的可取及不足,從而得出啟示,并從山東龍山黑陶在現(xiàn)代設(shè)計中的表現(xiàn)形式出發(fā),對如何正確地借鑒其裝飾藝術(shù)語言進(jìn)行論述,嘗試提出把它運(yùn)用到現(xiàn)代設(shè)計中的具體方法,為傳統(tǒng)工藝和現(xiàn)代設(shè)計構(gòu)建起一座橋梁。第五章結(jié)合實(shí)例說明山東龍山黑陶在現(xiàn)代黑陶設(shè)計中的借鑒和運(yùn)用,更好地利用山東龍山黑陶的研究成果為現(xiàn)代黑陶設(shè)計服務(wù)。最后是結(jié)論部分,對論文進(jìn)行總結(jié)概括并提出論文撰寫過程中出現(xiàn)的問題和需要進(jìn)一步研究的地方,為他人繼續(xù)研究山東龍山黑陶乃至勘察黑陶文化提供參考和啟示。
[Abstract]:As an important archaeological culture, Shandong Longshan culture is an indispensable part of Chinese pottery culture and an important part of Chinese civilization. It exists with a unique color, and its artistic characteristics and production techniques have always been attached importance to and studied by artists. The emergence of the black pottery in Longshan, Shandong, from its emergence to its peak and prosperity, to its decline, all exist in accordance with the cycle of development of things. With the continuous development of social civilization, people pay more and more attention to the traditional culture and art, and the slogan "use the past for the present" has become a reality, while the black pottery in Longshan, Shandong Province, is a wonderful flower among the many historical relics. This paper begins with what kind of posture the black pottery of Longshan in Shandong should return to the modern life, and fully discusses the concrete embodiment of the decorative art of the black pottery in Longshan in Shandong. Through the application of the combination of modern technology and technology to carry on the deep level analysis, and draw the enlightenment, This paper is divided into six chapters: the first chapter is the introduction. This paper mainly expounds the present research situation, research angle, research purpose and significance, research methods and foundation of the black pottery in Longshan, Shandong Province, and by consulting the relevant achievements of the research on the decoration art of the black pottery in Longshan, Shandong Province, Then the defects and shortcomings of previous studies are summarized, and on the basis of this, the author puts forward his own research methods. Chapter two makes a detailed summary and analysis of the historical background and causes, characteristics, representative utensils and production techniques of Longshan Black Pottery in Shandong Province. It also analyzes the background and causes of the appearance of the black pottery in Longshan, Shandong Province, in order to provide the necessary historical basis for better understanding of the black pottery in Longshan, Shandong Province. Chapter three focuses on modeling, decoration, color, aesthetics, etc. The region and so on elaborated the Shandong Longshan black pottery decoration art concrete embodiment, the omni-directional multi-angle elaboration Shandong Longshan black pottery decoration art language. 4th chapter through the research Shandong Longshan black pottery and the modern craft union desirability and the insufficiency, So as to draw inspiration, and from the manifestation of the modern design of Longshan Black Pottery in Shandong Province, this paper discusses how to use the decorative art language correctly for reference, and tries to put forward the concrete method of applying it to the modern design. Chapter 5th shows the reference and application of Longshan black pottery in modern black pottery design. Better use of the research results of Shandong Longshan Black Pottery for the modern black pottery design. Finally, the conclusion part, summarizes the paper and points out the problems in the process of writing the paper and the need for further research. For others to continue to study the Shandong Longshan black pottery and even survey black pottery culture to provide reference and inspiration.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J527

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