發(fā)布時(shí)間：2018-03-01 19:33

  本文關(guān)鍵詞： 軟裝飾 度假酒店 室內(nèi)空間 應(yīng)用 法則　出處：《沈陽(yáng)建筑大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：新中國(guó)改革開放后,經(jīng)濟(jì)日漸復(fù)蘇,經(jīng)濟(jì)的蓬勃發(fā)展帶動(dòng)了旅游業(yè)的發(fā)展,在這種形勢(shì)下極大促進(jìn)了經(jīng)濟(jì)、文化和信息的融合。在這一時(shí)期酒店發(fā)展如同雨后春筍,面對(duì)這種現(xiàn)象,如何來體現(xiàn)不同區(qū)域酒店的地域文化特色,避免“文化趨同”現(xiàn)象,是室內(nèi)設(shè)計(jì)行業(yè)需要探討的一個(gè)課題。酒店的發(fā)展隨著旅游業(yè)的發(fā)展日益壯大。在旅游酒店設(shè)計(jì)中注重追求地域化,更會(huì)展現(xiàn)旅游酒店本身優(yōu)勢(shì)。 在“文化產(chǎn)業(yè)化”呈現(xiàn)的“商品化”以及“庸俗化”現(xiàn)象,對(duì)旅游度假酒店室內(nèi)設(shè)計(jì)影響很大,本文力求研究在旅游酒店設(shè)計(jì)繼承傳統(tǒng)酒店使用功能的前提下,分析旅游酒店的類型和特點(diǎn),分析國(guó)內(nèi)外旅游酒店的發(fā)展現(xiàn)狀；探討如何為酒店增添更多的地域文化和設(shè)計(jì)特色,使旅游酒店具有獨(dú)特的藝術(shù)魅力,給更多的顧客留下深刻的印象；強(qiáng)調(diào)室內(nèi)空間與自然的滲透關(guān)系,關(guān)注游客的需求,強(qiáng)調(diào)軟裝配飾,關(guān)注軟裝配飾所表達(dá)的文化內(nèi)涵,強(qiáng)調(diào)軟裝配飾語言傳達(dá)給使用者的感受而使空間設(shè)計(jì)更具地域性的多樣性。尋求地域文化與國(guó)際審美情趣的有機(jī)結(jié)合是旅游酒店動(dòng)態(tài)化設(shè)計(jì)的文化取向。由于旅游酒店存在于某一地域環(huán)境之中,主要展示某一類地域文化；旅游酒店設(shè)計(jì)中始終感悟地域文化,追求個(gè)性化理念,彰顯軟裝配飾營(yíng)造文化的作用是本文研究的一個(gè)重要目標(biāo)。 室內(nèi)軟裝配飾作為營(yíng)造氣氛和追求個(gè)性的載體,已經(jīng)擴(kuò)展到各種用途的室內(nèi)空間中,利用軟裝飾不同的質(zhì)地、豐富的紋理以及多變的顏色,變現(xiàn)形態(tài)豐富、風(fēng)格不同的特征,不斷營(yíng)造良好的空間環(huán)境。由于軟裝飾的這些特性,對(duì)于提升酒店價(jià)值有很強(qiáng)的現(xiàn)實(shí)意義,而且這方面的研究有有助于擴(kuò)展軟裝飾理論在度假酒店的領(lǐng)域,因而具有一定的理論意義。同時(shí)軟裝配飾已經(jīng)顛覆了家居賣場(chǎng)和裝修行業(yè)的單一局限性,將二者進(jìn)行了有效的融合,進(jìn)行了優(yōu)勢(shì)互補(bǔ),并形成一套固有的被認(rèn)可的經(jīng)營(yíng)模式包含室內(nèi)效果設(shè)計(jì)、.家具飾品選擇與定制、擺放安裝施工和家居配飾售后服務(wù)等相關(guān)環(huán)節(jié),已經(jīng)是突破傳統(tǒng)室內(nèi)設(shè)計(jì)的一種新型經(jīng)營(yíng)模式。 伴隨經(jīng)濟(jì)的發(fā)展,人們對(duì)酒店的需求從簡(jiǎn)單的住宿提升到更高層次的精神享受,度假酒店會(huì)蓬勃發(fā)展,設(shè)計(jì)師將更加關(guān)注人們的文化需求和精神需求,這必將極大地促進(jìn)軟裝飾行業(yè)的發(fā)展,重點(diǎn)致力于怎樣將地域化融入軟裝飾中,怎樣利用形式法則將軟裝飾融入室內(nèi)空間,怎樣將可持續(xù)性發(fā)展的概念滲入軟裝飾行業(yè)。 對(duì)于度假酒店的關(guān)注讓人們了解更多的休閑放松的場(chǎng)所的同時(shí),促進(jìn)了軟裝飾的發(fā)展,相信越來越多的設(shè)計(jì)師將把目光轉(zhuǎn)向軟裝飾這一新型行業(yè)中,本文起著拋磚引玉的作用。
[Abstract]:After the reform and opening up of new China, the economy recovers day by day, the vigorous development of economy drives the development of tourism, under this situation, it greatly promotes the integration of economy, culture and information. In the face of this phenomenon, how to reflect the regional and cultural characteristics of different regional hotels and avoid the phenomenon of "cultural convergence", The development of hotel with the development of tourism is becoming stronger and stronger. In the design of tourist hotel, attention should be paid to the pursuit of regionalization, which will show the advantages of tourist hotel itself. The phenomenon of "commercialization" and "vulgarization" of "cultural industrialization" has a great influence on the interior design of The Holiday Resort. This paper tries to study the premise that the hotel design inherits the use function of The Legacy Hotel. This paper analyzes the types and characteristics of tourist hotels, analyzes the development status of tourist hotels at home and abroad, probes into how to add more regional culture and design characteristics to hotels so as to make tourist hotels have unique artistic charm. To impress more customers, emphasize the relationship between indoor space and nature, pay attention to the needs of tourists, emphasize soft accessories, pay attention to the cultural connotations expressed by soft accessories, It is emphasized that the soft fitting language conveys the feeling to the users and makes the space design more regional diversity. Seeking the organic combination of regional culture and international aesthetic taste is the cultural orientation of the dynamic design of tourist hotels. A tourist hotel exists in a regional environment, It is an important goal of this paper to show a certain kind of regional culture, to realize the regional culture, to pursue the idea of individuation and to highlight the function of soft fitting and creating culture in the design of tourist hotel. As the carrier of creating atmosphere and pursuing individuality, indoor soft accessories have been extended to various uses of indoor space, using soft decoration with different textures, rich textures and changeable colors to realize the characteristics of rich forms and different styles. Because of these characteristics of soft decoration, it is of great practical significance to enhance the value of hotels, and the research in this field is helpful to expand the theory of soft decoration in the field of holiday hotels. At the same time, the soft fitting has subverted the single limitation of the home store and the decoration industry, has carried on the effective fusion, has carried on the superiority complementary, And form a set of inherent approved business model including indoor effect design, furniture decoration selection and customization, placement and installation of construction and home accessories after-sales service and other related links, has been a breakthrough in traditional interior design of a new business model. With the development of economy, people's demand for hotels will be raised from simple accommodation to higher levels of spiritual enjoyment. Holiday hotels will flourish and designers will pay more attention to people's cultural and spiritual needs. This will greatly promote the development of the soft decoration industry, focusing on how to integrate the region into the soft decoration, how to use the rules of form to integrate the soft decoration into the interior space, and how to infiltrate the concept of sustainable development into the soft decoration industry. The attention to holiday hotels allows people to learn more about leisure and relaxation, while promoting the development of soft decoration. I believe that more and more designers will turn their attention to the new industry of soft decoration. This article plays the role of throwing bricks and attracting jade.
【學(xué)位授予單位】：沈陽(yáng)建筑大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU247.4

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 陳美玲;;淺析纖維藝術(shù)在建筑空間中的運(yùn)用[J];湖北美術(shù)學(xué)院學(xué)報(bào);2010年03期

2 張愛研;;色彩在室內(nèi)軟裝飾設(shè)計(jì)中的藝術(shù)表現(xiàn)[J];吉林建筑工程學(xué)院學(xué)報(bào);2010年06期

3 黃靜;;室內(nèi)設(shè)計(jì)中的中國(guó)傳統(tǒng)符號(hào)[J];山西建筑;2007年05期

4 王照偉;;現(xiàn)代壁掛藝術(shù)在室內(nèi)裝飾中的應(yīng)用[J];美術(shù)大觀;2010年09期

5 陳健;;論發(fā)展中的室內(nèi)文化體系——軟裝飾[J];同濟(jì)大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2007年03期

，

本文編號(hào)：1553303