本文關(guān)鍵詞： 傳統(tǒng)建筑裝飾紋樣 現(xiàn)代餐飲空間設(shè)計(jì) 應(yīng)用方法　出處：《內(nèi)蒙古師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：中國(guó)傳統(tǒng)建筑裝飾紋樣是傳統(tǒng)文化的重要組成部分，是體現(xiàn)現(xiàn)代室內(nèi)設(shè)計(jì)民族性、地域性、文化性的重要途徑。 在人類社會(huì)發(fā)展初期，由于低端生產(chǎn)力水平和惡劣生存環(huán)境的使然，原始先民強(qiáng)烈的求生欲望逐漸發(fā)展并轉(zhuǎn)化為一種“祛害求�！钡膱D騰紋樣，這些滿載吉祥寓意的圖形符號(hào)客觀上也成為裝飾紋樣誕生的雛形。傳統(tǒng)裝飾紋樣在歷朝歷代被廣泛應(yīng)用和發(fā)展，有著紛繁復(fù)雜的類別、獨(dú)特的審美特征及美學(xué)規(guī)律。伴隨社會(huì)的進(jìn)步和物質(zhì)財(cái)富的豐富，被廣泛用于裝飾生活器皿的紋樣也開(kāi)始用于建筑裝飾，并在各個(gè)歷史時(shí)期有著豐富的演繹和流變。直至現(xiàn)代，在設(shè)計(jì)中仍然需要到傳統(tǒng)裝飾藝術(shù)里挖掘和吸取養(yǎng)分。 現(xiàn)代餐飲空間設(shè)計(jì)有著新的理念及新的發(fā)展趨勢(shì)，，與傳統(tǒng)的建筑裝飾藝術(shù)差別較大。設(shè)計(jì)者應(yīng)揭示傳統(tǒng)建筑裝飾紋樣與現(xiàn)代餐飲空間設(shè)計(jì)之間的矛盾和關(guān)聯(lián)，從新材料、餐飲空間功能、審美等角度分析和概括現(xiàn)代條件下應(yīng)用傳統(tǒng)建筑裝飾紋樣的諸多局限，針對(duì)這些局限因素觸使傳統(tǒng)建筑裝飾紋樣的應(yīng)用和發(fā)展需進(jìn)行必要的和可能性的創(chuàng)新，使其能夠在現(xiàn)代餐飲空間設(shè)計(jì)中發(fā)揮更好的作用。通過(guò)對(duì)傳統(tǒng)建筑裝飾紋樣在現(xiàn)代設(shè)計(jì)語(yǔ)境下的移植、解構(gòu)、重構(gòu)的邏輯思想剖析和對(duì)于紋樣的構(gòu)圖、材料的變化、與光影技術(shù)融合等角度的理論分析，列舉大量的實(shí)踐案例，從審美意識(shí)和物質(zhì)技術(shù)兩個(gè)方面歸納出對(duì)傳統(tǒng)建筑裝飾紋樣進(jìn)行設(shè)計(jì)應(yīng)用的具體方法和原則。同時(shí)迎合綠色生態(tài)設(shè)計(jì)理念，在具體的餐飲空間設(shè)計(jì)中，梳理對(duì)傳統(tǒng)建筑裝飾紋樣應(yīng)用的思路和方向。
[Abstract]:Chinese traditional architectural decoration pattern is an important part of traditional culture and an important way to embody the national, regional and cultural character of modern interior design. At the beginning of the development of human society, due to the low productivity level and the bad living environment, the primitive ancestors' strong desire for survival gradually developed and transformed into a totem pattern of "dispelling harm and seeking blessing". These graphic symbols, which are full of auspicious meanings, have objectively become the embryonic form of the birth of decorative patterns. Traditional decorative patterns have been widely used and developed throughout the dynasties, with numerous and complicated categories. With the progress of society and the abundance of material wealth, the patterns which are widely used to decorate life utensils have also been widely used in architectural decoration, and have rich deductions and changes in various historical periods. In the design still need to dig into the traditional decorative art and absorb nutrients. The modern dining space design has new idea and new development trend, which is different from the traditional architectural decoration art. The designer should reveal the contradiction and relation between the traditional architectural decoration pattern and the modern dining space design, and start with the new material. This paper analyzes and generalizes the limitations of applying traditional architectural decorative patterns under modern conditions from the perspective of dining space function and aesthetic appreciation. In view of these limitations, the application and development of traditional architectural decorative patterns need to be innovated in a necessary and possible way. To enable it to play a better role in the design of modern dining space. Through the transplantation, deconstruction, reconstruction of the traditional architectural decorative patterns in the context of modern design, and the pattern composition, material changes, Theoretical analysis of fusion with light and shadow technology, enumerating a large number of practical cases, From the aspects of aesthetic consciousness and material technology, this paper sums up the specific methods and principles for the design and application of the decorative patterns of traditional buildings. At the same time, it caters to the concept of green ecological design, and in the specific dining space design, Combing the traditional architectural decorative pattern application ideas and directions.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU247.3

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 李巖;;淺談傳統(tǒng)裝飾在現(xiàn)代餐飲空間中的體現(xiàn)[J];大家;2011年05期

2 王文灝;;吉祥裝飾紋樣在中國(guó)傳統(tǒng)建筑中的應(yīng)用及其儒家思想內(nèi)涵探析[J];民俗研究;2012年03期

3 高曉明;;當(dāng)代南京現(xiàn)代建筑形態(tài)傳承和創(chuàng)新初探[J];現(xiàn)代城市研究;2011年04期

本文編號(hào)：1547740