本文關(guān)鍵詞： 建筑裝飾 古典主義 簡(jiǎn)約式風(fēng)格 建筑　出處：《東北林業(yè)大學(xué)》2010年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】： 現(xiàn)代科技的發(fā)展日新月異,全球化將世界各地的經(jīng)濟(jì),科技,文化緊密聯(lián)系在一起。人們的生活節(jié)奏也在日益加快,在這種壓力下,人們不堪重負(fù)。同時(shí)各國(guó)的傳統(tǒng)文化也承受著前所未有的壓力。如何在這種科技帶來(lái)的壓力下重整各國(guó)的本土文化,確保各自文化的獨(dú)立性和完整性也是當(dāng)今世界的一個(gè)重要話題。 西方古典主義風(fēng)格建筑,具有深厚的歷史沉淀以及人文氣息,對(duì)于調(diào)節(jié)人們?cè)诂F(xiàn)代科技沖擊下的心理,延續(xù)古典建筑文化的內(nèi)涵,都有非凡的內(nèi)在意義。但是這種裝飾風(fēng)格誕生于過(guò)去的時(shí)代,在裝飾手法和日常使用上都有一些局限性。而另一方面,現(xiàn)代主義衍生出來(lái)的簡(jiǎn)約式風(fēng)格的風(fēng)潮卻在當(dāng)今世界廣為流行,這種風(fēng)格也以簡(jiǎn)單、實(shí)用、環(huán)保、經(jīng)濟(jì)的設(shè)計(jì)理念在我國(guó)的建筑裝飾中被廣泛接受。 本文意在通過(guò)對(duì)西方古典主義和現(xiàn)代簡(jiǎn)約式風(fēng)格的理論分析,總結(jié)它們的主要特點(diǎn)和形成的內(nèi)在動(dòng)因,研究這兩者之間的共通之處；并在此基礎(chǔ)上找尋能夠融合它們共同特點(diǎn)的結(jié)合點(diǎn),并以此為切入點(diǎn)對(duì)這兩種風(fēng)格進(jìn)行比對(duì),以找尋出一種既簡(jiǎn)潔明快,注重功能,又帶有可持續(xù)發(fā)展的環(huán)保理念,同時(shí)也能真正反映出西方古典主義歷史文化風(fēng)貌的建筑裝飾創(chuàng)作新思維,即將古典與現(xiàn)代相結(jié)合,探尋能共同滿足功能性需求與重現(xiàn)古典風(fēng)貌的現(xiàn)代建筑裝飾的新思路。 本文首先回顧了西方古典主義建筑主要的幾種具有代表性的風(fēng)格,通過(guò)對(duì)實(shí)例的分析,總結(jié)了其內(nèi)在的文化韻味,并通過(guò)研究對(duì)其在西方世界的審美情趣,宗教思想,君權(quán)思想的影響下的發(fā)展過(guò)程,理順了古典主義建筑風(fēng)格發(fā)展的歷史軌跡。然后以建筑符號(hào)為出發(fā)點(diǎn),分析其特有的古典元素裝飾符號(hào),對(duì)這種符號(hào)進(jìn)行提純提出與重構(gòu),總結(jié)出用簡(jiǎn)約式風(fēng)格手法呈現(xiàn)西方古典風(fēng)格的方法,探索出具有明快、簡(jiǎn)練、簡(jiǎn)潔、輕松、愉快、健康的可持續(xù)發(fā)展特點(diǎn)的簡(jiǎn)約建筑裝飾的新模式。
[Abstract]:With the rapid development of modern science and technology, globalization is closely related to the economy, technology and culture of all parts of the world. The pace of life of people is also accelerating day by day. Under this pressure, People are overwhelmed. At the same time, the traditional culture of different countries is also under unprecedented pressure. How to rebuild the native culture of different countries under the pressure of this kind of technology? Ensuring the independence and integrity of their cultures is also an important topic in today's world. Western classicism style architecture, with deep historical precipitation and humanistic flavor, can regulate people's psychology under the impact of modern science and technology, and continue the connotation of classical architectural culture. But this style of decoration, born in the past, has some limitations in decoration techniques and daily use. On the other hand, However, the trend of minimalist style derived from modernism is popular in the world today. This style is also widely accepted in the architectural decoration of our country with the idea of simple, practical, environmental protection and economy. Through the theoretical analysis of western classicism and modern minimalist style, this paper summarizes their main characteristics and the internal causes of their formation, and studies the common ground between them. On the basis of this, we look for a combination point that can integrate their common characteristics, and use this as a starting point to compare the two styles, in order to find out a kind of environmental protection idea that is both concise and lively, focused on function, and also with sustainable development. At the same time, it can also truly reflect the new thinking of architectural decoration creation of the historical and cultural features of the western classicism, that is, the combination of classical and modern, to explore a new idea of modern architectural decoration which can meet the functional needs and reproduce the classical style and features together. This paper first reviews the main representative styles of western classical architecture, through the analysis of examples, summarizes its inherent cultural flavor, and through the study of its aesthetic interest in the Western world, religious thought, The development process under the influence of monarchy thought straightens out the historical track of the development of classical architectural style. Then taking architectural symbol as the starting point, it analyzes its unique classical element decorative symbol, and puts forward and reconstructs this symbol. This paper summarizes the method of presenting western classical style by means of simple style, and explores a new model of simple architectural decoration with the characteristics of bright, concise, concise, relaxed, pleasant and healthy sustainable development.
【學(xué)位授予單位】：東北林業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：TU238;TU-86

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 任麗麗;哈爾濱馬迭爾賓館建筑裝飾藝術(shù)研究[D];東北林業(yè)大學(xué);2012年

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本文編號(hào)：1547021