發(fā)布時(shí)間：2018-02-27 08:48

  本文關(guān)鍵詞： 傳統(tǒng)建筑裝飾 現(xiàn)代室內(nèi)設(shè)計(jì) 繼承 創(chuàng)新　出處：《河北師范大學(xué)》2010年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：傳統(tǒng)與現(xiàn)代往往既緊密聯(lián)系,又時(shí)有沖突,隨著交流的日趨廣泛,全球性的文化浪潮與中華民族傳統(tǒng)文化間的沖擊和碰撞,使中國(guó)建筑師、設(shè)計(jì)師們面臨著全新且艱巨的挑戰(zhàn),如何在全球化的浪潮中,在繼承中華民族傳統(tǒng)文化精髓的基礎(chǔ)上,開(kāi)拓出具有中華民族特色的現(xiàn)代設(shè)計(jì)理念和風(fēng)格,成為了一批又一批建筑師和設(shè)計(jì)師們不懈追求的目標(biāo)。 在室內(nèi)設(shè)計(jì)領(lǐng)域,如何將中華傳統(tǒng)文化元素和時(shí)代特點(diǎn)有機(jī)的結(jié)合,也同樣是眾多設(shè)計(jì)師及廣大使用者所關(guān)注的焦點(diǎn)之一,也是隨著生活水平、經(jīng)濟(jì)發(fā)展到一定階段后,人們要求室內(nèi)裝飾和設(shè)計(jì)能夠反映和提升自身修養(yǎng)、生活品質(zhì)的體現(xiàn)。 中華文明有著五千年的燦爛歷史,其影響之深遠(yuǎn),早已覆蓋了社會(huì)各個(gè)方面,同時(shí)也潛移默化的影響著中華民族的審美取向和審美意識(shí)。中華文明不僅具有傳統(tǒng)性,也具有發(fā)展性,在文明的車(chē)輪經(jīng)歷的各個(gè)歷史階段中,各個(gè)地域都創(chuàng)造出豐富多彩的文化形態(tài),并融入到傳統(tǒng)文化中,傳統(tǒng)的室內(nèi)裝飾藝術(shù)亦是如此。 我們探尋中國(guó)傳統(tǒng)的室內(nèi)裝飾藝術(shù)的起源及表現(xiàn)形式,是為了發(fā)現(xiàn)其身后蘊(yùn)含著的中國(guó)傳統(tǒng)文化理念,及古人將這些理念靈活展現(xiàn)的方法和技巧,這些都對(duì)現(xiàn)代室內(nèi)設(shè)計(jì)有著廣泛和普遍的借鑒作用。 二戰(zhàn)結(jié)束后,隨著經(jīng)濟(jì)水平和科學(xué)技術(shù)快速發(fā)展,及國(guó)際間合作日益加深,人們的思維方式及文化觀念發(fā)生了重大變化,而這些變化又影響到全球建筑行業(yè)的發(fā)展方向,使具有民族特征及地域特征的傳統(tǒng)建筑文化面臨著巨大的沖擊。 在當(dāng)今時(shí)代,中國(guó)的現(xiàn)代建筑設(shè)計(jì)及室內(nèi)設(shè)計(jì)應(yīng)該在深刻領(lǐng)會(huì)中華民族傳統(tǒng)文化的基礎(chǔ)上,緊密結(jié)合全球化給人類(lèi)社會(huì)帶來(lái)的可以共享的科技成果和思想理念,創(chuàng)造出具有鮮明時(shí)代特色及傳統(tǒng)元素的室內(nèi)設(shè)計(jì),豐富世界建筑文化的多維構(gòu)成。
[Abstract]:Tradition and modernity are often closely linked and sometimes in conflict. With the increasing popularity of communication, the impact and collision between the global cultural wave and the traditional culture of the Chinese nation make Chinese architects and designers face new and arduous challenges. In the tide of globalization and on the basis of inheriting the essence of Chinese traditional culture, how to develop the modern design concept and style with Chinese characteristics has become the unremitting goal pursued by many architects and designers. In the field of interior design, how to combine the elements of traditional Chinese culture with the characteristics of the times is also one of the focal points that many designers and users pay close attention to, and it is also after the development of economy to a certain stage with the standard of living. People require interior decoration and design to reflect and improve self-cultivation and quality of life. Chinese civilization has a splendid history of five thousand years, and its influence has long covered all aspects of society. At the same time, it also has a subtle influence on the aesthetic orientation and aesthetic consciousness of the Chinese nation. Also has the development, in the civilization wheel experience each historical stage, each region all creates the rich and colorful cultural form, and melts into the traditional culture, the traditional interior decoration art is also like this. We explore the origin and manifestation of traditional Chinese interior decoration art in order to find the traditional Chinese cultural ideas behind them, and the methods and techniques that the ancients displayed these ideas flexibly. These all have extensive and universal reference function to modern interior design. After World War II, with the rapid development of economic level, science and technology, and the deepening of international cooperation, people's way of thinking and cultural concepts have undergone major changes, and these changes have affected the development direction of the global construction industry. The traditional architectural culture with national and regional characteristics is facing a huge impact. In the present era, China's modern architectural design and interior design should be based on a profound understanding of the traditional culture of the Chinese nation and closely combine with the scientific and technological achievements and ideological ideas that globalization has brought to human society. Creating interior design with distinctive characteristics of the times and traditional elements, enriching the multidimensional composition of the world architectural culture.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：TU238.2

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 魏翠翠;中國(guó)裝飾元素在室內(nèi)設(shè)計(jì)中的應(yīng)用研究[D];景德鎮(zhèn)陶瓷學(xué)院;2012年

2 李英曉;語(yǔ)境下符號(hào)在餐飲空間中的運(yùn)用與研究[D];西南交通大學(xué);2012年

3 李祁;黔渝地區(qū)苗族、土家族干欄民居裝飾對(duì)比研究[D];昆明理工大學(xué);2012年

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本文編號(hào)：1541969