本文關(guān)鍵詞： 哈爾濱近代建筑 圍墻 形態(tài) 裝飾 意象　出處：《哈爾濱工業(yè)大學(xué)》2008年碩士論文　論文類型：學(xué)位論文

【摘要】： 幾千年來,中國人一直把圍墻視為居家必不可少的屏障,以至于中國人沒有圍墻就會覺得不安全,生活就不踏實(shí)似的,由于這些蛛網(wǎng)一樣的圍墻存在,使得一家家的內(nèi)容變得神秘起來,人與人的交流也受到了一定程度的阻礙。特別是關(guān)里與江南的院墻,堵得嚴(yán)嚴(yán)的,即使是尋常百姓家也要在自家住宅的四周打一面高過人頭的土墻,或用青磚壘一圈磚墻。多姿多彩的哈爾濱圍墻,完全不同于其他城市、鄉(xiāng)村的那種院墻,哈爾濱的圍墻差不多都是通透式的,僅僅是一種象征而已,人們可以在內(nèi)外交流,通過圍墻可以看到院里人家在拉手風(fēng)琴,在吹薩克斯,在洗菜,在侍弄花草,或者院里的孩子在練習(xí)拳擊。哈爾濱這種通透式的圍墻有很多種,而每一種都是藝術(shù)品。 首先,文章概括出圍墻的歷史及其基本屬性,通過對哈爾濱近代建筑圍墻現(xiàn)狀及歷史資料的搜集考證后,總結(jié)出哈爾濱近代建筑圍墻的形態(tài)類型,并通過圍墻的形態(tài)構(gòu)成深入研究其形態(tài)的來源與它在空間構(gòu)成中的形態(tài)序列。其次,文章對哈爾濱近代建筑圍墻的細(xì)部裝飾藝術(shù)形式從裝飾載體到基礎(chǔ)裝飾圖案以及形成的風(fēng)格進(jìn)行分項(xiàng)研究,分析其裝飾藝術(shù)對圍墻產(chǎn)生的作用,總結(jié)圍墻裝飾對圍墻的重要性。然后,對哈爾濱近代建筑圍墻裝飾藝術(shù)形成的意象進(jìn)行研究,分別通過裝飾形態(tài)的協(xié)調(diào)性、裝飾形態(tài)的性格特征,細(xì)部裝飾的文化內(nèi)涵、細(xì)部裝飾產(chǎn)生的心理效應(yīng),對哈爾濱近代建筑圍墻裝飾藝術(shù)意象進(jìn)行了深入研究。最后,從建筑整體感、街道空間效果、城市環(huán)境效果三個(gè)方面對哈爾濱近代建筑圍墻形成的景觀效果進(jìn)行了深入研究,總結(jié)哈爾濱近代建筑圍墻對哈爾濱城市環(huán)境及城市發(fā)展產(chǎn)生的影響。 期望通過本文的研究,對哈爾濱近代建筑圍墻有一個(gè)新的認(rèn)識高度,對未來哈爾濱圍墻的發(fā)展和城市景觀設(shè)施的設(shè)計(jì)形態(tài)及裝飾藝術(shù)走向提供一個(gè)可借鑒性的資料。
[Abstract]:For thousands of years, the Chinese people have regarded the wall as an indispensable barrier to their homes, so that without it, the Chinese will feel unsafe and life will not be secure, because these cobweb-like walls exist. The contents of each family become mysterious, and the communication between people is hindered to a certain extent. In particular, the courtyard walls of Guanli and Jiangnan are severely blocked. Even ordinary people's homes have to hit a wall of earth higher than their heads around their homes, or build a circle of brick walls with green bricks. The colorful Harbin wall is completely different from the kind of courtyard wall in other cities and villages. The walls in Harbin are almost permeable, just a symbol. People can communicate inside and outside. Through the walls, people can see people playing accordions, playing saxophone, washing vegetables, and serving flowers and plants in the courtyard. Or the children in the courtyard are practicing boxing. There are many kinds of permeable walls in Harbin, and each of them is a work of art. First of all, the paper summarizes the history and basic properties of the wall, through the collection and textual research of the present situation and historical data of Harbin modern building wall, summarizes the form type of Harbin modern building wall. And through the formation of the wall in-depth study of the origin of its form and it in the space of the formation of the morphological sequence. Secondly, In this paper, the detailed decorative art form of the wall wall of modern architecture in Harbin is studied separately, from the decorative carrier to the basic decorative pattern and the style formed, and the effect of the decorative art on the wall is analyzed. This paper summarizes the importance of wall decoration to the wall. Then, the paper studies the image formed by the decoration art of modern building wall in Harbin, respectively through the coordination of decoration form, the character characteristics of decoration form, the cultural connotation of detail decoration. The psychological effect of detail decoration, the art image of wall decoration of modern architecture in Harbin has been deeply studied. Finally, from the perspective of the overall feeling of architecture, the effect of street space, The landscape effect of Harbin modern building wall is studied in three aspects of urban environmental effect, and the influence of Harbin modern building wall on Harbin urban environment and urban development is summarized. It is expected that through the study of this paper, there will be a new understanding of the modern building wall in Harbin, and a reference material will be provided for the development of the wall in Harbin in the future, the design form of the urban landscape facilities and the trend of decorative art.
【學(xué)位授予單位】：哈爾濱工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：TU-86

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本文編號：1537545