本文關(guān)鍵詞： 水彩畫 裝飾語言 表現(xiàn)語言 繪畫風(fēng)格　出處：《廣東工業(yè)大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：水彩畫作為一個獨(dú)立的畫種,一直被人們稱為繪畫中的“輕音樂”,具有清透、亮麗、空靈的藝術(shù)魅力。水彩畫所使用繪畫工具材料與其他畫種不同,因而形成獨(dú)特的本體表現(xiàn)語言。隨著社會的發(fā)展,藝術(shù)語言的多樣化,以及人們對審美需求的提高。水彩畫家也在不斷的探索新的語言形式,努力將水彩畫的本體語言與現(xiàn)代藝術(shù)觀念相結(jié)合,以追求更高層次的審美體驗(yàn)和表達(dá)方式,從而推動水彩畫不斷向前發(fā)展。裝飾語言歷史悠久,體現(xiàn)著人類精神文明和物質(zhì)文明的發(fā)展與進(jìn)步。中國上下五千年歷史,有著璀璨的藝術(shù)文化,也擁有非常豐富的裝飾語言表現(xiàn)形式。例如中國傳統(tǒng)的團(tuán)花圖案、戲劇臉譜、龍鳳的造型等都體現(xiàn)了濃厚的裝飾趣味。在中國,水彩畫吸納了中西繪畫藝術(shù)的技法和美學(xué)思想,經(jīng)歷過長時間的發(fā)展,具有比較系統(tǒng)完善的語言體系。許多藝術(shù)家已經(jīng)開始將裝飾語言運(yùn)用于水彩畫中,進(jìn)行一種創(chuàng)新性的嘗試,尋求一種有意味的審美體驗(yàn)。 本文首先從水彩畫的表現(xiàn)語言進(jìn)行闡述,包括水彩畫表現(xiàn)語言的藝術(shù)特性及其主要的幾個風(fēng)格類型,作為文章的一個鋪墊。通過介紹水彩畫本體表現(xiàn)語言具有的氣韻美、空靈美、肌理美和意境美等藝術(shù)特點(diǎn),為下文分析裝飾語言的運(yùn)用方式和意義提供理論基礎(chǔ)。裝飾性風(fēng)格出現(xiàn)在水彩畫的每一個發(fā)展時期,伴隨著它的產(chǎn)生直到成熟,對水彩發(fā)展具有積極意義。第二章是對裝飾語言在水彩畫中表現(xiàn)方式進(jìn)行闡述,重點(diǎn)分析其在水彩畫構(gòu)圖、造型、色彩和肌理四個方面的體現(xiàn)。分析裝飾語言為作品帶來的獨(dú)特審美情趣和藝術(shù)感染力。第三章是在第二章的基礎(chǔ)上論述裝飾語言在水彩畫創(chuàng)作中所起的作用與意義。通過對繪畫大師作品的分析,結(jié)合自己的創(chuàng)作經(jīng)驗(yàn),側(cè)重于論述裝飾語言的運(yùn)用具有豐富繪畫語言的作用和促成畫家個性風(fēng)格形成的作用。文章最后部分是探討如何在水彩畫創(chuàng)作中運(yùn)用裝飾語言,提出適度原則和應(yīng)用中國裝飾紋樣兩個角度的思考。文中以自身的創(chuàng)作經(jīng)驗(yàn)和創(chuàng)作作品為例,闡述裝飾語言在水彩畫中的運(yùn)用形式,為水彩畫家在創(chuàng)作中如何形成個性風(fēng)格提供一些借鑒與參考。
[Abstract]:Watercolor painting as an independent painting, has been known as "light music" in painting, with clear, bright, empty artistic charm. With the development of society, the diversification of artistic language and the improvement of people's aesthetic needs, watercolor painters are constantly exploring new language forms. Combining the Noumenon language of watercolor painting with the modern artistic concept, in order to pursue the higher level aesthetic experience and the expression way, thus impels the watercolor painting to develop continuously. The decorative language has a long history, It embodies the development and progress of human spiritual civilization and material civilization. China has five thousand years of history, has a brilliant art culture, and has very rich decorative language expressions. For example, Chinese traditional troupe flower patterns, dramatic faces, In China, watercolor paintings have absorbed the techniques and aesthetic ideas of Chinese and Western painting art, and have experienced the development for too long. Many artists have begun to apply decorative language to watercolor painting and have made an innovative attempt to seek a meaningful aesthetic experience. Firstly, this paper expounds the expressive language of watercolor painting, including the artistic characteristics of watercolor painting expression language and its main style types, as a paver of the article, and introduces the charm beauty of watercolor painting Noumenon expression language. The artistic features, such as idyllic beauty, texture beauty and artistic conception beauty, provide a theoretical basis for the following analysis of the application and significance of decorative language. Decorative styles appear in every development period of watercolor painting, and accompanied by its emergence until maturity, The second chapter is to expound the expression of decorative language in watercolor painting, focusing on the analysis of its composition and modeling in watercolor painting. Color and texture of four aspects. Analysis of decorative language for the work of the unique aesthetic interest and artistic appeal. Chapter three is on the basis of the second chapter is to discuss the decorative language in the creation of watercolor plays a role and meaning. Through the analysis of the works of master painters, Combined with his own creative experience, the paper focuses on the use of decorative language to enrich the role of painting language and the role of promoting the formation of the painter's personality style. The last part of the article is to discuss how to use decorative language in watercolor painting. This paper puts forward the principle of moderation and the application of Chinese decorative patterns. Taking one's own creative experience and creative works as an example, the paper expounds the application of decorative language in watercolor painting. For watercolor painters in the creation of how to form a personal style to provide some reference and reference.
【學(xué)位授予單位】：廣東工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J215

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 張洪亮;創(chuàng)造作品的形式美[J];美術(shù)觀察;2000年06期

2 張洪亮;道法自然——藝術(shù)創(chuàng)作散論[J];美術(shù)觀察;2005年06期

3 王維新;胡敬德;;“水調(diào)歌頭——2007中國水彩名家海西學(xué)術(shù)行”系列訪談 對話王維新——關(guān)于水彩畫的觀念轉(zhuǎn)型、文化品格、體系流派和當(dāng)代性回應(yīng)[J];藝苑;2008年01期

4 姜松榮;論裝飾藝術(shù)的文化性[J];裝飾;2003年05期

5 張洪亮;論藝術(shù)的“無我”、“大我”與“自我”[J];裝飾;2005年07期

，

本文編號：1537023