本文關(guān)鍵詞： 蒙古族傳統(tǒng)馬具 美學(xué) 分類 制作工藝 裝飾紋樣　出處：《內(nèi)蒙古農(nóng)業(yè)大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

【摘要】： 鞍馬文化是北方游牧民族傳統(tǒng)文化的核心組成部分,是草原文化研究的重要領(lǐng)域,也是世界游牧文化交流、融合的傳承與見(jiàn)證。蒙古族傳統(tǒng)馬具作為鞍馬文化的重要組成部分引起了廣泛的關(guān)注。但是中外學(xué)者們對(duì)蒙古族傳統(tǒng)馬具的認(rèn)知及研究多半還停留在淺層的文獻(xiàn)敘述中,對(duì)從制作工藝和美學(xué)的應(yīng)用研究領(lǐng)域中較為缺乏。 本文在對(duì)內(nèi)蒙古部分館藏和私人收藏的實(shí)物進(jìn)行考察時(shí),在收集大量蒙古族傳統(tǒng)馬具的基礎(chǔ)上,以文化人類學(xué)的口傳記錄、實(shí)地測(cè)量、文獻(xiàn)整理、圖片對(duì)比為基本方式,從實(shí)地環(huán)境和游牧民的視覺(jué)角度出發(fā),對(duì)游牧生活所產(chǎn)生的生產(chǎn)活動(dòng)—傳統(tǒng)馬具的制作和裝飾工藝進(jìn)行了較為詳實(shí)、深入、系統(tǒng)的考察。 蒙古族傳統(tǒng)馬具做工精湛,造型多樣,形成了其獨(dú)有的風(fēng)格。本文運(yùn)用工藝學(xué)和美學(xué)等研究方法從分類、制作工藝、裝飾紋樣三大方面展開(kāi)討論;從生活、慶典、競(jìng)賽、時(shí)代、地域、質(zhì)地、工藝和造型等幾個(gè)方面做了分類;從傳統(tǒng)馬具制作材料及制作工藝對(duì)其的制作過(guò)程進(jìn)行了文字再現(xiàn)。從美學(xué)的角度確定了紋樣對(duì)傳統(tǒng)馬具的裝飾和塑造作用。
[Abstract]:The pommel and horse culture is the core part of the traditional culture of the northern nomads, the important field of grassland culture research, and the exchange of nomadic culture in the world. As an important part of saddle horse culture, Mongolian traditional harness has attracted wide attention. However, most of the scholars' cognition and research on Mongolian traditional horse is still in shallow literature narration. The field of applied research on manufacturing technology and aesthetics is relatively lacking. In this paper, on the basis of collecting a large number of Mongolian traditional harness, the basic methods are oral record of cultural anthropology, field measurement, document collation, picture comparison, during the investigation of some collections and private collections of objects in Inner Mongolia, and on the basis of collecting a large number of Mongolian traditional straps. From the point of view of field environment and nomadic vision, this paper makes a detailed, thorough and systematic investigation on the production and decoration technology of the traditional harness, which is produced by nomadic life. The Mongolian traditional harness has excellent workmanship and various shapes, forming its unique style. This paper uses the research methods of craftsmanship and aesthetics to discuss from three aspects: classification, craftsmanship, decorative pattern, life, celebration, competition, etc. Time, region, texture, technology and modeling and other aspects of the classification; This paper reproduces the making process of the traditional harness from the point of view of aesthetics, and determines the decoration and shaping function of the pattern on the traditional harness from the point of view of aesthetics.
【學(xué)位授予單位】：內(nèi)蒙古農(nóng)業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J527

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