本文關(guān)鍵詞： 唐叔虞祠 晉祠 下五彩 一綠彩畫 彩塑　出處：《山西大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：晉祠本名唐叔虞祠,是為紀(jì)念晉國王侯唐叔虞而建,本名為晉王祠,簡稱晉祠,自宋朝重建并增祀了圣母殿之后,祭祀重心逐漸轉(zhuǎn)向圣母殿,而真正的唐叔虞祠則重建于晉祠的西南部,圣母殿東北部,至今有近八百年的歷史。祠內(nèi)主殿、山門建筑為元代所建,建筑結(jié)構(gòu)精巧簡練,屬元代遺留建筑的典型代表,后經(jīng)清代增建享堂、配殿、碑廊等,形成現(xiàn)有規(guī)模,是晉祠內(nèi)僅次于圣母殿的第二大建筑。基于其獨特的結(jié)構(gòu)、裝飾特點,本文主要從各建筑的空間結(jié)構(gòu)特征、彩繪紋樣色彩、三雕及彩塑特點等三方面對其進(jìn)行了研究論述。整體建筑的空間組織以傳統(tǒng)建筑中軸線布局,二進(jìn)院結(jié)構(gòu),東西對稱,在建筑結(jié)構(gòu)上繼承宋代建筑結(jié)構(gòu),又采用了元代特有的減柱法、移柱法等,使殿內(nèi)結(jié)構(gòu)更加簡潔,同后來的明清時期繁復(fù)的建筑結(jié)構(gòu)形成鮮明對比,反映出當(dāng)時在蒙古族統(tǒng)治下衍生出的新的建筑結(jié)構(gòu)形式；在彩繪裝飾上,承襲了宋代所形成的裝飾紋樣,并結(jié)合當(dāng)時當(dāng)?shù)匮b飾手法,理論聯(lián)系實際,對祠內(nèi)主殿、山門、享堂、配殿、碑廊等主要建筑的檐下彩繪進(jìn)行圖文相結(jié)合的對比,理清各建筑彩繪紋樣及色彩的裝飾特點,并從構(gòu)圖、紋樣、色彩上呈現(xiàn)裝飾彩繪的重構(gòu)及煥新方式,發(fā)掘出當(dāng)時山西地區(qū)獨特的下五彩及一綠細(xì)畫的特點,并同清代官式彩畫作對比,找出二者之間的聯(lián)系與區(qū)別,總結(jié)山西地區(qū)下五彩及一綠細(xì)畫的特點,以及當(dāng)時工匠對建筑彩繪的處理手法以及工藝水平的進(jìn)步；除此之外,祠內(nèi)三雕多以木雕、石雕為主,只做少量建筑裝飾之用,而享堂內(nèi)樂伎彩塑更是元代彩塑的孤例,從彩塑的顏色、衣著樣式、演奏樂器等體現(xiàn)出當(dāng)時元代宮廷的生活環(huán)境以及社會風(fēng)氣�；谔剖逵蒽舻慕ㄖ囆g(shù)成就,以及所延伸出的其他各方面影響,對現(xiàn)代國內(nèi)建筑設(shè)計與古建筑的保護(hù)有借鑒之用,引發(fā)我們現(xiàn)代的建筑設(shè)計、室內(nèi)裝飾、生活風(fēng)尚等均有不同程度的啟示與思考。
[Abstract]:The Jinci Temple, originally named Tang Shuyu Temple, was built in memory of Tang Shuyu, the king of Jin Dynasty. It is called the Jin Wang Temple, or Jinci Temple. Since the Song Dynasty rebuilt and increased the temple of the Virgin, the center of gravity of the sacrifice has gradually shifted to the Temple of the Virgin. The true Tang Shuyu Temple was rebuilt in the southwest of the Jinci Temple, northeast of the Blessed Virgin Hall, and has a history of nearly 800 years. The main hall in the shrine and the building of the mountain gate were built in the Yuan Dynasty. The architectural structure is exquisite and concise, and it is a typical representative of the buildings left over from the Yuan Dynasty. After the Qing Dynasty, the hedonic hall, the temple, the monument gallery and so on were added to form the existing scale, which is the second largest building in Jinci after the Blessed Hall. Based on its unique structure and decorative characteristics, this paper mainly from the space structure characteristics of each building, color painted pattern color, The space organization of the whole building is based on the central axis layout of the traditional building, the structure of the two hospitals, the symmetry of the east and west, and inherits the architectural structure of the Song Dynasty in the architectural structure. It also adopted the special methods of reducing columns and moving columns in the Yuan Dynasty, which made the structure of the temple more concise, in sharp contrast with the complicated architectural structure of the Ming and Qing dynasties, and reflected the new architectural structure form derived from the Mongolian rule at that time. In color painting decoration, inherited the decorative patterns formed in the Song Dynasty, and combined with the local decoration techniques at that time, combining theory with practice, the main hall, the mountain gate, the hedonic hall, the temple, the temple, The painting under the eaves of the main buildings, such as the monument gallery, is compared with the drawing and text, and the patterns and decorative characteristics of the colors in each building are sorted out, and the reconstruction and renewal of the decorative paintings are presented from the composition, pattern and color. Find out the unique features of the lower five colors and one green fine painting in Shanxi at that time, and compare them with the official color paintings of the Qing Dynasty, find out the connection and difference between the two, sum up the characteristics of the lower five colors and one green fine painting in Shanxi. And the craftsman's treatment of architectural painting at that time and the progress of the craftsmanship; in addition, the three carvings in the shrine were mainly wood and stone carvings, which were used only for a small amount of architectural decoration, and the colorful sculptures in the hedonic hall were an isolated example of colored sculptures in the Yuan Dynasty. The color, dress style and musical instruments of the colored sculptures reflect the living environment and social atmosphere of the court of the Yuan Dynasty at that time. Based on the artistic achievements of Tang Shuyu Temple, as well as other aspects of the influence extended by Tang Shuyu Temple, It can be used for reference for the protection of modern domestic architectural design and ancient architecture, which leads to the enlightenment and thinking of our modern architectural design, interior decoration, life style and so on.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU251

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本文編號：1523905