本文關(guān)鍵詞： 中國古典元素 應(yīng)用 可持續(xù)性 演變　出處：《沈陽建筑大學(xué)》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：在國際化交流日趨頻繁的今天,中國與世界各國在文化上的交流逐步地加深,中國設(shè)計界也正在以海納百川的姿態(tài)吸收著豐富的文化營養(yǎng)。在此過程之中,設(shè)計師們往往為了迎合國際化市場的需求與日漸盛行的現(xiàn)代極簡主義風(fēng)格,設(shè)計作品一味地趨同,在后現(xiàn)代主義風(fēng)格的影響之下,中國的傳統(tǒng)文化符號與中式古典元素被逐漸地淡忘。因此,使中國古典裝飾元素更好地融入現(xiàn)代風(fēng)格的設(shè)計方案,在現(xiàn)代設(shè)計之中體現(xiàn)出中國文化的精髓,成為了當(dāng)代中國設(shè)計師們不可推卸的責(zé)任。 文章針對中國設(shè)計行業(yè)中存在的上述現(xiàn)象,選取了傳統(tǒng)中式風(fēng)格與現(xiàn)代中式風(fēng)格的多組案例進(jìn)行實地調(diào)查、分析與研究,并結(jié)合中國傳統(tǒng)設(shè)計的文獻(xiàn)典籍,對比古今中外的空間設(shè)計方案,總結(jié)出了中國古典裝飾元素的由具象到抽象,以及其功能與裝飾性質(zhì)相互轉(zhuǎn)變等演變規(guī)律,同時提倡以可持續(xù)發(fā)展的眼光看待中國古典裝飾元素的這種演變。在文章的結(jié)論之中闡明了在現(xiàn)代設(shè)計中運用中國古典裝飾元素是對中國悠久文化的傳承,同時也是推廣中國文化有力手段的鮮明觀點。 本論文始終圍繞著中國古典裝飾元素的運用這個主題進(jìn)行研究,旨在通過將中國古典裝飾元素更好地融入現(xiàn)代空間的設(shè)計當(dāng)中,以期提升空間的文化內(nèi)涵,從而擴(kuò)大中式風(fēng)格的影響力,達(dá)到推廣中國傳統(tǒng)文化的目的。 全文主體內(nèi)容共分為五個部分: 第一章緒論部分,對課題研究的目的和意義、國內(nèi)外同類課題的研究現(xiàn)狀及發(fā)展趨勢做了概括性的介紹。通過現(xiàn)代中式風(fēng)格設(shè)計思想的簡要分析引出主體內(nèi)容,并以此作為研究背景總領(lǐng)全文。 第二章首先用兩個小節(jié)的篇幅介紹了中國古典建筑裝飾元素的形式與內(nèi)容,在第三節(jié)當(dāng)中,通過實例分析總結(jié)概括出了中國古典裝飾元素的演變規(guī)律。 第三章是論文表述的重點,在前面各個章節(jié)分析論述的基礎(chǔ)之上,通過大量的實例,論述了中國古典裝飾元素在現(xiàn)代室內(nèi)設(shè)計中的主要表現(xiàn)形式,并針對仿木構(gòu)架做法的現(xiàn)象向室外化的室內(nèi)裝飾元素過渡,整體性地總結(jié)出中式意境的營造方法。第四章通過對混搭現(xiàn)象與后現(xiàn)代設(shè)計中的中國古典裝飾元素的對比論述,闡明了其在近代時尚設(shè)計界中的發(fā)展特點與作用,并呼吁以可持續(xù)性的觀點來對待這種發(fā)展現(xiàn)象,同時揭示出了中國古典裝飾元素在演化過程中形式與功能的辯證關(guān)系。 第五章結(jié)論部分,得出了在現(xiàn)代室內(nèi)設(shè)計中運用中國古典裝飾元素是對中國悠久文化的傳承,是推廣中國文化有力手段的結(jié)論。
[Abstract]:In today's increasingly frequent international exchanges, the cultural exchanges between China and the rest of the world are gradually deepening, and the Chinese design community is absorbing rich cultural nutrients in the form of a hundred rivers in the sea. Designers tend to cater to the needs of the international market and the increasingly popular modern minimalist style, design works blindly converge, under the influence of post-modernism style, Chinese traditional cultural symbols and Chinese classical elements are gradually forgotten. Therefore, the Chinese classical decorative elements are better integrated into the modern style of the design plan, in the modern design reflects the essence of Chinese culture. Has become the contemporary Chinese designers can not shirk the responsibility. In view of the above phenomenon in the Chinese design industry, this paper selects many cases of traditional Chinese style and modern Chinese style to carry on field investigation, analysis and research, and combines the literature and classics of Chinese traditional design. By comparing the spatial design schemes of ancient and modern China and foreign countries, this paper sums up the evolution rules of Chinese classical decorative elements from concrete to abstract, and their functions and decorative properties change each other. At the same time, it is advocated that the evolution of Chinese classical decorative elements should be viewed from the perspective of sustainable development. In the conclusion of the article, it is clarified that the application of Chinese classical decorative elements in modern design is the inheritance of China's long culture. At the same time, it is also a clear view of promoting Chinese culture as a powerful means. The purpose of this paper is to better integrate the Chinese classical decorative elements into the design of modern space in order to enhance the cultural connotation of space. In order to expand the influence of Chinese style, achieve the purpose of promoting Chinese traditional culture. The main body of the thesis is divided into five parts:. In the first chapter, the purpose and significance of the research, the research status and development trend of the similar subjects at home and abroad are introduced, and the main content is introduced through the brief analysis of the modern Chinese style design thought. And this as the research background of the full text. The second chapter firstly introduces the form and content of Chinese classical architectural decoration elements in two sections. In the third section, it summarizes the evolution law of Chinese classical decorative elements through the analysis of examples. The third chapter is the focus of the paper, on the basis of the analysis of the previous chapters, through a large number of examples, it discusses the main forms of Chinese classical decorative elements in modern interior design. According to the phenomenon of imitating wood frame to outdoor interior decoration elements, this paper summarizes the construction method of Chinese artistic conception. Chapter 4th compares the mixing phenomenon with the Chinese classical decoration elements in postmodern design. This paper expounds the characteristics and functions of its development in the field of modern fashion design, and calls for the sustainable treatment of this development phenomenon. At the same time, it reveals the dialectical relationship between the form and function of Chinese classical decorative elements in the course of evolution. Chapter 5th concludes that the application of Chinese classical decorative elements in modern interior design is the inheritance of China's long culture and a powerful means of popularizing Chinese culture.
【學(xué)位授予單位】：沈陽建筑大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J525

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