本文關(guān)鍵詞： 惠山祠堂群 建筑藝術(shù) 建筑裝飾 傳統(tǒng)裝飾 傳統(tǒng)文化　出處：《昆明理工大學》2012年碩士論文　論文類型：學位論文

【摘要】：對無錫惠山祠堂群的古建研究,一直是20世紀以來國內(nèi)外較為關(guān)注的問題。筆者通過兩年多的文獻學習和多次在無錫當?shù)仂籼萌褐械膶嵉卣{(diào)研,對祠堂群的現(xiàn)狀和裝飾藝術(shù)進行了一定的研究和思考。對惠山祠堂群的產(chǎn)生和發(fā)展及其在空間布局上的特點進行了研究和分析。因此從整體上把握惠山祠堂群的現(xiàn)狀,研究祠堂群發(fā)展的主要因素,總結(jié)祠堂群建筑裝飾的特點,從傳統(tǒng)文化理論分析祠堂群建筑裝飾藝術(shù)特色,初探惠山祠堂群建筑藝術(shù)。 本文以調(diào)研中可調(diào)研的幾十個祠堂作為具體案例,從歷史文化背景與當?shù)厣鐣睢⑽幕汝P(guān)系分析惠山祠堂群產(chǎn)生以及聚群原因。并以中國傳統(tǒng)民俗文化與封建倫理文化為依托,以各種歷史資料、建筑資料以及藝術(shù)設(shè)計資料等專業(yè)知識為依據(jù)。對惠山祠堂群建筑藝術(shù)進行分析、歸納和提煉。首先,本文通過對當?shù)氐乩碜匀画h(huán)境、歷史文化的分析與認識,探討惠山祠堂群形成原因,以及空間布局特色。其次通過眾學者、學長們對該地區(qū)以及傳統(tǒng)祠堂文化研究的理論為依據(jù),以宗族倫理和吳地傳統(tǒng)文化為依托,對惠山祠堂建筑空間內(nèi)部進行分析,尋找傳統(tǒng)文化下的祠堂等級空間。第三,以儒家文化與民俗文化為背景,深度探討惠山祠堂群建筑裝飾所蘊涵的理論思想,以及作者自己對其的理解和分析。第四,通過對現(xiàn)代建筑、文化、藝術(shù)的取樣,分析古建裝飾在現(xiàn)代實例中的運用,探討現(xiàn)代藝術(shù)與傳統(tǒng)裝飾相結(jié)合的現(xiàn)實意義。 學習傳統(tǒng)祠堂建筑文化,是為了古為今用,使建筑藝術(shù)不斷發(fā)展�；萆届籼萌簜鹘y(tǒng)建筑裝飾不僅傳承了中國傳統(tǒng)裝飾工藝,也豐富了傳統(tǒng)裝飾內(nèi)容,并且為繼承中華文化與宣揚當?shù)孛袼姿囆g(shù)文化做出了貢獻。
[Abstract]:Since 20th century, the research on the ancient architecture of Huishan ancestral temple group in Wuxi has always been a problem of concern both at home and abroad. The author has studied more than two years' literature and made many field investigations in Wuxi's local ancestral temple group. The present situation and decorative art of ancestral temple group are studied and pondered. The emergence and development of Huishan ancestral temple group and its characteristics in space layout are studied and analyzed. Therefore, the present situation of Hui Shan ancestral temple group is grasped from the whole view. This paper studies the main factors of the development of ancestral temple group, summarizes the characteristics of architectural decoration of ancestral hall group, analyzes the characteristics of architectural decoration art of ancestral hall group from the theory of traditional culture, and probes into the architectural art of Huishan ancestral hall group. This paper takes dozens of ancestral halls that can be investigated in the investigation as concrete cases, from the historical and cultural background and local social life. Based on the traditional Chinese folklore culture and feudal ethical culture, and based on various historical materials, the paper analyzes the causes of the formation and clustering of ancestral temple groups in Huishan, and takes Chinese traditional folk culture and feudal ethical culture as the basis. Based on the professional knowledge of architectural materials and artistic design materials, this paper analyzes, induces and refines the architectural art of Huishan ancestral Hall Group. First of all, through the analysis and understanding of the local geographical natural environment, history and culture, This paper probes into the reasons for the formation of the ancestral temple group in Huishan, as well as the characteristics of the spatial distribution. Secondly, through the theories of the scholars and the elders to study the culture of the region and the traditional ancestral temple, and relying on the clan ethics and the traditional culture of the Wu area, This paper analyzes the interior of the architectural space of Huishan ancestral Hall, and looks for the hierarchical space of the ancestral Hall under the traditional culture. Thirdly, with the background of Confucian culture and folklore culture, the theoretical ideas contained in the architectural decoration of Huishan ancestral Hall Group are discussed in depth. And the author's own understanding and analysis of it. 4th, through the sampling of modern architecture, culture and art, this paper analyzes the application of ancient architecture decoration in modern examples, and probes into the practical significance of combining modern art with traditional decoration. Learning the architectural culture of the traditional ancestral temple is for the sake of the past for the present and for the continuous development of the architectural art. The traditional architectural decoration of the Huishan ancestral temple group not only inherits the Chinese traditional decoration technology, but also enriches the traditional decoration content. And for the inheritance of Chinese culture and the promotion of local folk art culture to make contributions.
【學位授予單位】：昆明理工大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：TU-80

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