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唐代紋樣在現(xiàn)代室內(nèi)裝飾設(shè)計中的應(yīng)用與研究

發(fā)布時間:2018-02-10 16:09

  本文關(guān)鍵詞: 唐代紋樣 現(xiàn)代室內(nèi)裝飾設(shè)計 立體化 文化傳承 中國特色 出處:《西安建筑科技大學(xué)》2011年碩士論文 論文類型:學(xué)位論文


【摘要】:隨著社會的進步,經(jīng)濟的繁榮,各國文化的相互交融,我國的室內(nèi)裝飾藝術(shù)得到了蓬勃的發(fā)展�?墒鞘虑槎季哂袃擅嫘�,我國室內(nèi)裝飾藝術(shù)在吸收各國文化的同時,也淡化了自己本身的特點,我們要想走向世界就要在發(fā)展的過程中保留自己的特色文化,因為只有民族的才是世界的,那么我們需要一種本土文化、一種具有中國特色文化的藝術(shù)形式與室內(nèi)裝飾藝術(shù)相結(jié)合。 唐代國力強盛,疆域統(tǒng)一,政治開明,文化和藝術(shù)屬于當(dāng)時世界先進水平。紋樣在當(dāng)時也得到了飛躍的發(fā)展,寶相花、牡丹紋、卷草紋、聯(lián)珠紋等唐代紋樣都具有濃郁的中國特色,也具有很強的生命力。它們的圖案樣式、手法、工藝等在現(xiàn)代室內(nèi)裝飾設(shè)計中也常常能夠看到。這樣的一種藝術(shù)形式是需要發(fā)揚與傳承的,將唐代紋樣與現(xiàn)代室內(nèi)裝飾設(shè)計相融合,在發(fā)揚唐代紋樣的同時也可以使現(xiàn)代室內(nèi)裝飾設(shè)計更具有本土氣息和中國特色。 全文以研究唐代紋樣在現(xiàn)代室內(nèi)裝飾設(shè)計中的應(yīng)用為目的,分為五部分,逐層分析兩者結(jié)合的意義與重要性。首先論述了唐代紋樣的發(fā)展、地位和特征,并舉出典型圖例加以說明,寶相花、牡丹紋、卷草紋、聯(lián)珠紋各有特點,這樣可以更直觀的對它們的情況加以詮釋。同時對現(xiàn)代室內(nèi)裝飾設(shè)計進行全面的介紹,例舉出與唐代紋樣有關(guān)的設(shè)計風(fēng)格,然后試圖以唐代紋樣在現(xiàn)代室內(nèi)裝飾設(shè)計中存在的原因、存在的條件和帶來的影響三方面來證明唐代紋樣在室內(nèi)裝飾設(shè)計中存在的必要性,并說明具有唐代紋樣的室內(nèi)裝飾設(shè)計在現(xiàn)代社會中有著一定的社會需求。再接著闡述將現(xiàn)代室內(nèi)裝飾設(shè)計和唐代紋樣文化融合的方式。最后以實例闡述唐代紋樣在現(xiàn)代室內(nèi)裝飾設(shè)計中的應(yīng)用手法和具體應(yīng)用,并對其應(yīng)用的方法進行創(chuàng)新。 本文以唐代紋樣為出發(fā)點,探尋其背后所蘊涵的中國文化,結(jié)合現(xiàn)代室內(nèi)裝飾設(shè)計的實例,理論分析兩者結(jié)合的效果和影響,并且通過兩者文化的融合探討其應(yīng)用的具體方法,同時以立體構(gòu)成為依據(jù)對唐代紋樣進行立體化表現(xiàn)使其在現(xiàn)代室內(nèi)裝飾設(shè)計中的應(yīng)用方法得到補充與創(chuàng)新,借此弘揚和傳承唐代紋樣,同時將現(xiàn)代室內(nèi)裝飾設(shè)計本土化使其具有中國特色。
[Abstract]:With the progress of the society, the prosperity of economy and the blending of cultures of different countries, the interior decoration art of our country has developed vigorously. However, there are two sides of things, the interior decoration art of our country absorbs the culture of every country at the same time. We also downplay our own characteristics. If we want to go to the world, we must retain our own unique culture in the process of development, because only the national is the world. Then we need a kind of local culture. An art form with Chinese characteristics is combined with interior decoration art. The Tang Dynasty had a strong national strength, unified territory, enlightened politics, culture and art belonging to the advanced level of the world at that time. The patterns of the Tang Dynasty were also developed by leaps and bounds, such as treasure flowers, peony lines, curly grass lines, Lianzhu patterns and other Tang Dynasty patterns have strong Chinese characteristics and strong vitality. Their designs, styles and techniques, Technology and so on in the modern interior decoration design can often be seen. Such an art form is to be carried forward and inherited, the Tang Dynasty patterns and modern interior decoration design fusion, While carrying forward the Tang Dynasty pattern, it can also make modern interior decoration design with local flavor and Chinese characteristics. The purpose of this paper is to study the application of Tang Dynasty pattern in modern interior decoration design. It is divided into five parts, and the significance and importance of the combination of the two are analyzed layer by layer. Firstly, the development, status and characteristics of Tang Dynasty pattern are discussed. And give the typical legend to explain, treasure appearance flower, peony pattern, curly grass grain, United bead grain each has its own characteristics, so it can be more intuitionistic to their interpretation of the situation. At the same time, the modern interior decoration design is introduced comprehensively. This paper gives an example of the design style related to the pattern of the Tang Dynasty, and then attempts to prove the necessity of the existence of the pattern of the Tang Dynasty in the interior decoration design from three aspects: the reason, the condition and the influence of the pattern of the Tang Dynasty in the modern interior decoration design. It also shows that the interior decoration design with Tang Dynasty pattern has certain social demand in modern society. Then it expounds the way of merging the modern interior decoration design with the Tang Dynasty pattern culture. Finally, an example is given to expound the Tang Dynasty pattern. In the modern interior decoration design of the application techniques and specific applications, And the method of its application is innovated. This article takes the Tang Dynasty pattern as the starting point, explores the Chinese culture behind it, combines the modern interior decoration design example, theoretically analyzes the effect and the influence of the two combination. And through the integration of the two cultures to explore the specific methods of its application, and at the same time based on the three-dimensional structure of the Tang Dynasty patterns for three-dimensional performance, so that its application in the modern interior decoration design method to be supplemented and innovative. In order to carry forward and inherit the Tang Dynasty patterns, at the same time the modern interior decoration design localization to make it with Chinese characteristics.
【學(xué)位授予單位】:西安建筑科技大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2011
【分類號】:TU238.2

【參考文獻】

相關(guān)期刊論文 前1條

1 瞿瑛;小議室內(nèi)設(shè)計[J];國際市場;1995年06期

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本文編號:1500910

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