本文關(guān)鍵詞： 十七世紀(jì) 瓷器 裝飾 晚明文學(xué)　出處：《景德鎮(zhèn)陶瓷學(xué)院》2008年碩士論文　論文類型：學(xué)位論文

【摘要】： “十七世紀(jì)瓷器”又稱為“過渡期瓷器”或“轉(zhuǎn)變期瓷器”,其紋飾顯現(xiàn)出濃郁的文人書卷氣,與以往瓷器的裝飾風(fēng)格大相徑庭。如此工藝精良的民窯瓷器在這個期間處在非常繁榮的階段,標(biāo)志著這些商品無論從質(zhì)地還是文化格調(diào)上都最大程度的符合了市場的需求�！笆呤兰o(jì)瓷器”主要作為外銷品輸往海外,大宗的海上瓷器貿(mào)易證明了海外市場對其極高的認(rèn)可程度。雖然當(dāng)時的歐洲對瓷器的制作還可以說是一無所知,但瓷器吸引他們的不光是其特殊的質(zhì)地,還有其裝飾所顯現(xiàn)出的特殊風(fēng)格。這甚至還對歐洲的一段時期的裝飾藝術(shù)風(fēng)格產(chǎn)生了一定的影響。 中國是一個文字藝術(shù)相當(dāng)發(fā)達(dá)的國家,其文字的力量遠(yuǎn)遠(yuǎn)超過了其他的藝術(shù)力量。文學(xué)作品在相當(dāng)程度上反映了當(dāng)時的思想文化。明末清初,在晚明思潮的沖擊下文學(xué)思想發(fā)生著巨大的變化。文學(xué)作為思想的載體無形中也影響了瓷器的裝飾紋樣。本文以晚明文學(xué)作為切入點,通過研究文學(xué)對十七世紀(jì)瓷器裝飾題材以及審美上的影響,來還原十七世紀(jì)瓷器裝飾的文化背景,并深入的分析文學(xué)上所表現(xiàn)的一些思想是如何反映到瓷器的裝飾紋樣上,又如何影響瓷器的裝飾紋樣的選材和表現(xiàn)方式的,揭示其裝飾藝術(shù)風(fēng)格的文化淵源。
[Abstract]:"17th century porcelain" also known as "transitional porcelain" or "transition porcelain", its decorative patterns show a strong literati book style. The decorative style of the porcelain was quite different from that of the past. The fine workmanship of the folk kiln porcelain was in a very prosperous stage during this period. "17th century porcelain" is mainly exported overseas as a product for export, which marks the greatest degree of conformity with the market in terms of both texture and cultural style. The bulk of the offshore porcelain trade is a testament to the high level of recognition in overseas markets. Although the production of porcelain was unknown in Europe at the time, it was not only their special texture that attracted them. There is also a special style of decoration, which even has a certain impact on the decorative art style of Europe for a period of time. China is a very developed country of writing art, its writing power is far more than other artistic forces. Literary works to a certain extent reflected the ideology and culture of the time. The late Ming and early Qing Dynasty. Under the impact of the trend of thought in the late Ming Dynasty, great changes have taken place in the literary thought. Literature, as the carrier of the thought, has also influenced the decorative patterns of porcelain. This article takes the literature of the late Ming Dynasty as the starting point. Through the study of literature on the 17th century porcelain decoration theme and aesthetic influence to restore 17th century porcelain decoration cultural background. And in-depth analysis of literary performance of some ideas is reflected in the decorative patterns of porcelain, and how to affect the decorative patterns of porcelain selection and performance, to reveal the cultural origin of its decorative art style.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：I206.2;J527

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 趙穎;探討明末清初市民的審美意趣[D];景德鎮(zhèn)陶瓷學(xué)院;2013年

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本文編號：1481407