本文關鍵詞： 揚州古民居 福祠 三段式裝飾　出處：《鄭州輕工業(yè)學院學報(社會科學版)》2012年05期 　論文類型：期刊論文

【摘要】：作為揚州古民居建筑裝飾藝術的一個獨特地域性符號,福祠因其祭祀性、主人身份地位的標志性、建筑空間的視覺引導性及磚刻的藝術性等特質(zhì)而占有重要地位。揚州古民居福祠總體上依據(jù)中國傳統(tǒng)建筑立面裝飾形式,形成一個自下而上的三段式裝飾。在裝飾紋樣的選用上,傳統(tǒng)吉祥紋樣與祭祀紋樣和諧共存是福祠裝飾藝術的一大特色。福祠與宅園合一的整體布局一道,彰顯出揚派建筑的質(zhì)樸與從容,具有中國傳統(tǒng)設計文化的豐富內(nèi)涵和極高的地域?qū)徝牢幕瘍r值,是不可多得的古代建筑裝飾藝術樣本。詮釋揚州古民居福祠裝飾藝術對中國當代設計的語意表達及揚州古民居保護和修繕均具有重要啟示意義。
[Abstract]:As a unique regional symbol of the decorative art of Yangzhou ancient residential buildings, the Forbidden Temple is the symbol of the status of the owner because of its sacrificial nature. The visual guidance of architectural space and the artistry of brick carvings occupy an important position. Yangzhou ancient houses and shrines are generally based on the Chinese traditional architectural facade decoration form. Form a bottom-up three-section decoration. In the selection of decorative patterns, the traditional auspicious patterns and sacrificial patterns coexist harmoniously is a major feature of the decorative arts. It shows the simplicity and leisurely of Yangpai architecture and has the rich connotation of Chinese traditional design culture and the extremely high value of regional aesthetic culture. It is a rare sample of ancient architectural decoration art. The interpretation of Yangzhou ancient folk residence temple decoration art is of great significance to the expression of Chinese contemporary design and the protection and repair of Yangzhou ancient folk residence.
【作者單位】： 揚州工業(yè)職業(yè)技術學院建筑工程系;
【基金】：江蘇省教育廳哲學社會科學基金項目(09SJB720017)
【分類號】：TU241.5;TU-80
【正文快照】： 中國古民居營建中,聚族而居的村落常通過建祠堂來滿足族人祭祀活動的需要,城市宅院一般選擇廳堂作為祭祀場所。明清時期揚州民居在營建中獨辟蹊徑,于宅院入口天井處設類似于佛龕的福祠,作為宅院主人早晚、各種節(jié)日、婚喪嫁娶等活動祭祀先祖神靈的場合。這一獨特的地域性建筑，

本文編號：1480624