黑石號沉船瓷器的裝飾紋樣設計研究
發(fā)布時間:2018-01-15 14:11
本文關鍵詞:黑石號沉船瓷器的裝飾紋樣設計研究 出處:《蘇州大學》2014年碩士論文 論文類型:學位論文
【摘要】:瓷器是中國古代藝術(shù)的瑰寶,是悠久綿長的東方美學的重要體現(xiàn)。從設計角度講,瓷器的造型、釉色、紋飾都充滿了智慧的表達。自黑石號沉船挖掘至今,研究學者們大都較為關注其中的瓷器在文物方面的價值,而從設計學角度對瓷器上的紋飾進行分析的則較少。瓷器紋飾與文字、宗教都有密切的聯(lián)系,同時也是書法、繪畫等傳統(tǒng)藝術(shù)傳播的載體。當紋飾與瓷器相遇,兩者產(chǎn)生的震古爍今的文化現(xiàn)象,將激起何種的文化效應呢? 本文以晚唐時期的黑石號沉船為研究對象,從學科交叉的視角出發(fā),利用設計學、考古學上的研究方法,全面分析黑石號上的瓷器紋飾。通過將其與本土諸多窯口之產(chǎn)品的橫向比較,以及以外銷航線為線索,對其與海外諸國之聯(lián)系溝通的縱向分析,來探索它所帶動的經(jīng)濟、文化效益和給后世留下的深遠影響。 第一章從考古學角度,根據(jù)瓷器外銷的航線,輔以設計學的研究方法,對黑石號沉船進行追根溯源的研究,了解其后的政治、文化和科技背景;第二章運用設計學的研究方法,從國內(nèi)和國外兩個方面分析瓷器紋飾的風格特征,將其與阿拉伯書法藝術(shù),中國傳統(tǒng)的書畫表現(xiàn)形式進行融合研究;第三章,,將黑石號瓷器紋飾的研究領域逐漸從地域等表層延伸至宗教、思想等更深層的精神領域,直達紋飾的設計深層;第四章,從瓷器外銷的盛行層面分析由瓷器紋飾反映出來的經(jīng)濟環(huán)境,以及各窯口內(nèi)銷或外銷瓷器時所采取的經(jīng)濟戰(zhàn)略,值得現(xiàn)代人反思。 通過上述對晚唐沉船黑石號的研究,本人得以探得唐社會的經(jīng)濟水平、社會交往、貿(mào)易形態(tài)以及工藝水平狀況。瓷器是大型文化寶庫,是中國文化史上的璀璨明珠,我們的研究與探索只能稱得上是管中窺豹。本論文關于紋飾的研究,是對我們自身文化傳統(tǒng)的再發(fā)現(xiàn),也是對文化歷史延續(xù)性要求的回應。
[Abstract]:Porcelain is the treasure of ancient Chinese art and an important embodiment of the long Oriental aesthetics. From the design point of view, the shape, glaze and decoration of porcelain are full of wisdom expression. Most of the scholars are concerned about the value of porcelain in cultural relics, but less from the point of view of design. Porcelain decoration and writing, religion are closely related. It is also the carrier of traditional arts such as calligraphy and painting. What kind of cultural effect will be aroused when ornaments and porcelain meet and the cultural phenomenon of the ancient and the modern are created? This paper takes the sunken ship of Heishi in the late Tang Dynasty as the research object, from the angle of interdisciplinary, using the research methods of design and archaeology. Comprehensive analysis of the black stone on the porcelain decoration. Through the horizontal comparison with many domestic kiln products, as well as export routes as a clue, to its contact with overseas countries longitudinal analysis. To explore its economic, cultural benefits and the profound impact on future generations. The first chapter, from the perspective of archaeology, according to the shipping route of porcelain export, assisted by the research method of design, to trace the origin of the sunken ship Blackstone, to understand the political, cultural and scientific background; The second chapter uses the research method of design to analyze the style characteristics of porcelain decoration from two aspects of domestic and foreign, and combine it with Arabic calligraphy art and Chinese traditional calligraphy and painting expression form. In the third chapter, the research field of black stone porcelain decoration is gradually extended from the surface of region to the deeper spiritual field, such as religion, thought and so on. Chapter 4th analyzes the economic environment reflected by porcelain patterns from the prevailing level of export sales of porcelain and the economic strategy adopted in the domestic or export sales of porcelain at the mouth of each kiln, which is worthy of reflection by modern people. Through the study of the shipwreck Blackstone in the late Tang Dynasty, I can find out the economic level, social interaction, trade form and technological level of the Tang society. Porcelain is a large cultural treasure house. Is a bright pearl in the history of Chinese culture, our research and exploration can only be called a prying leopard. It is also a response to the need for continuity in cultural history.
【學位授予單位】:蘇州大學
【學位級別】:碩士
【學位授予年份】:2014
【分類號】:K876.3
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