本文關(guān)鍵詞：麗江納西族民居懸魚裝飾藝術(shù)研究　出處：《昆明理工大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 懸魚 裝飾 納西族 麗江

【摘要】：本文以云南省麗江地區(qū)納西族民居的懸魚裝飾為研究對(duì)象,根據(jù)云南麗江獨(dú)特的地理環(huán)境、懸魚的歷史文化背景和納西族的風(fēng)俗習(xí)慣,闡述了懸魚的歷史文化淵源和納西族的社會(huì)風(fēng)俗,對(duì)麗江納西族懸魚裝飾的功能進(jìn)行了總結(jié),著重從其裝飾內(nèi)容、構(gòu)成形式、色彩應(yīng)用三個(gè)方面進(jìn)行了分類。通過研究與分析,認(rèn)為麗江地區(qū)納西族民居的懸魚在造型與裝飾藝術(shù)方面具有較為明顯的特征,與國(guó)內(nèi)其它地區(qū)的懸魚有差異,帶有濃郁的高原少數(shù)民族特色。 論文首先對(duì)懸魚的概念、形成及發(fā)展歷史、在建筑上的位置等進(jìn)行了概述,對(duì)懸魚的裝飾的地域性、文化符號(hào)、實(shí)用性與裝飾性并存等基本特征進(jìn)行了分析與歸納；其次,通過分析認(rèn)為,麗江納西族懸魚裝飾具有同麗江當(dāng)?shù)氐慕ㄖ址ㄏ噙m應(yīng)、與當(dāng)?shù)氐臍夂蛱卣饔嘘P(guān)系,與等級(jí)和貧富差異有關(guān)系等裝飾特征；第三,從懸魚的文化歷史起源、建筑等級(jí)制度以及懸魚與納西族社會(huì)風(fēng)俗文化的聯(lián)系等方面追溯了納西族懸魚裝飾的文化歷史淵源；第四,從麗江懸魚裝飾的實(shí)際結(jié)構(gòu)出發(fā),分析了其作為建筑結(jié)構(gòu)的一部分字裝飾意義上的各個(gè)功能,認(rèn)為麗江納西族懸魚裝飾主要具有保護(hù)、裝飾、象征、辨識(shí)功能；第五,從麗江納西族懸魚裝飾的表現(xiàn)主題、構(gòu)成形式、色彩應(yīng)用三個(gè)方面對(duì)本次調(diào)研的麗江懸魚進(jìn)行了分類；第六,從美學(xué)的角度分析了納西族懸魚裝飾的美是如何產(chǎn)生的,以及如何通過它自身的造型、色彩、與建筑的適應(yīng)、與文化風(fēng)俗的關(guān)系等方面體現(xiàn)出來的；第七,以納西族懸魚裝飾和浙江泰順地區(qū)懸魚的比較,以及和云南其它地區(qū)懸魚裝飾的比較,發(fā)現(xiàn)其與眾不同的裝飾特點(diǎn)；最后對(duì)納西族懸魚裝飾進(jìn)行了總結(jié),指出它首先是作為實(shí)用的建筑構(gòu)件然后才是建筑裝飾元素,以及不同于其它地區(qū)造型簡(jiǎn)潔、多為抽象幾何形態(tài)的特點(diǎn)。 通過論文研究,認(rèn)為云南麗江地區(qū)的納西族民居懸魚裝飾與其它地區(qū)的懸魚有較明顯的差異,具有明顯的裝飾特點(diǎn),其在造型與裝飾藝術(shù)的研究方面就有較為重要的學(xué)術(shù)研究、設(shè)計(jì)借鑒、工程運(yùn)用等方面的價(jià)值。
[Abstract]:Based on the unique geographical environment, the historical and cultural background and customs of the Naxi nationality in Lijiang, Yunnan Province, this paper takes the suspended fish decoration of the Naxi minority houses as the research object. This paper expounds the historical and cultural origin of the suspended fish and the social customs of the Naxi ethnic group, summarizes the function of the suspended fish decoration of the Naxi nationality in Lijiang, and emphasizes on its decoration content and form. Through the research and analysis, it is concluded that the suspended fish of Naxi nationality houses in Lijiang area have obvious characteristics in modeling and decorative art, and are different from other areas in China. With rich plateau ethnic characteristics. Firstly, the paper summarizes the concept, formation and development history of suspended fish, the position in architecture, and the regional and cultural symbols of the decoration of suspended fish. The basic characteristics of practicability and decoration are analyzed and summarized. Secondly, through the analysis, it is concluded that the decoration of the Naxi nationality fish has the decorative characteristics of adapting to the local architectural techniques of Lijiang, related to the local climatic characteristics, and related to the grade and the difference between the rich and the poor. Thirdly, it traces the cultural and historical origin of the suspended fish decoration from the aspects of the origin of the culture and history of the suspended fish, the building hierarchy system and the relationship between the suspended fish and the social customs and culture of the Naxi nationality. 4th, starting from the actual structure of Lijiang suspended fish decoration, this paper analyzes the various functions of Lijiang suspended fish decoration as a part of the architectural structure, and thinks that the Lijiang Naxi nationality suspended fish decoration mainly has protection, decoration and symbol. Identification function; In 5th, the paper classified the suspended fish in Lijiang from three aspects: the theme, the form of composition and the application of color. 6th, from the point of view of aesthetics, it analyzes how the beauty of Naxi suspended fish decoration comes into being, and how to embody it through its own modeling, color, adaptation to architecture, and the relationship with culture and custom. In 7th, the comparison of suspended fish decoration in Naxi nationality with that in Taishun area of Zhejiang Province, as well as in other areas of Yunnan Province, showed its distinctive decorative characteristics. Finally, the paper summarizes the suspended fish decoration of Naxi nationality, and points out that it is first a practical building member and then a architectural decoration element, and it is different from other regions in modelling succinctly, and most of them are abstract geometric forms. Through the study of the paper, it is concluded that the decoration of the Naxi folk residence in Lijiang area of Yunnan Province is obviously different from that of the other areas, and has obvious decorative characteristics. It has more important academic research, design reference, engineering application and so on in the research of modeling and decorative art.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J525

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本文編號(hào)：1422622