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閬中傳統(tǒng)雕花木窗裝飾藝術(shù)探研

發(fā)布時(shí)間:2018-01-13 17:17

  本文關(guān)鍵詞:閬中傳統(tǒng)雕花木窗裝飾藝術(shù)探研 出處:《重慶師范大學(xué)》2011年碩士論文 論文類型:學(xué)位論文


  更多相關(guān)文章: 閬中 雕花木窗 建筑裝飾 藝術(shù)


【摘要】:本文旨在以閬中地區(qū)傳統(tǒng)建筑為研究?jī)?nèi)容,以其傳統(tǒng)雕花木窗裝飾藝術(shù)作為主要的探討對(duì)象,通過(guò)查閱大量文獻(xiàn)資料和運(yùn)用各種深入實(shí)地的考察研究等方法,分析其傳統(tǒng)圖案形式的設(shè)計(jì)藝術(shù)規(guī)律,不僅探索其所具有的巴蜀地方特色裝飾文化內(nèi)涵,更力求研究體現(xiàn)出其裝飾藝術(shù)在現(xiàn)代設(shè)計(jì)領(lǐng)域的應(yīng)用價(jià)值,探尋對(duì)其保護(hù)、繼承和創(chuàng)新之路。 本文主要從閬中傳統(tǒng)雕花木窗裝飾的藝術(shù)形式及特點(diǎn)研究、裝飾文化溯源及文化價(jià)值研究、裝飾藝術(shù)在現(xiàn)代的應(yīng)用價(jià)值體現(xiàn)研究、裝飾的現(xiàn)狀及保護(hù)措施研究幾大方面展開(kāi)論述。從建筑之眼——窗之由來(lái)、民居裝飾溯源窗之裝飾——雕花木窗由來(lái)為引,閬中特殊的歷史背景、地理環(huán)境、人文文化、經(jīng)濟(jì)技術(shù)四個(gè)方面展開(kāi)介紹閬中傳統(tǒng)雕花木窗裝飾產(chǎn)生的原因及在其民居建筑上的重要地位和裝飾作用,整理了其豐富的裝飾圖案表現(xiàn)形式和藝術(shù)特點(diǎn),并與山西平遙、安徽徽州傳統(tǒng)民居相比較分析;揭示出其“天人合一”哲學(xué)思想、宗法倫理道德思想的裝飾文化內(nèi)涵和文化價(jià)值研究;結(jié)合室內(nèi)裝飾設(shè)計(jì)和平面設(shè)計(jì)理論的相關(guān)知識(shí),總結(jié)歸納出其裝飾藝術(shù)在現(xiàn)代室內(nèi)裝飾設(shè)計(jì)、平面裝飾設(shè)計(jì)方面的應(yīng)用價(jià)值體現(xiàn),也列出了其作為再加工藝術(shù)品和作為珍貴收藏藝術(shù)品方面的應(yīng)用價(jià)值;最后對(duì)閬中傳統(tǒng)雕花木窗裝飾的現(xiàn)狀進(jìn)行了簡(jiǎn)要分析,對(duì)其保護(hù)措施方面提出了幾點(diǎn)建議。
[Abstract]:The purpose of this paper is to take Langzhong area traditional architecture as the research content, take its traditional engraved wooden window decoration art as the main object of discussion, through consulting a large number of documents and using various methods of in-depth field investigation and research. Analysis of its traditional patterns of design art law, not only explore its Bashu local characteristics of decorative cultural connotations, but also strive to study its decorative art in the field of modern design application value. Explore ways to protect, inherit and innovate. This article mainly from Langzhong traditional carved wood window decoration art form and the characteristic research, the decoration culture trace and the cultural value research, the decoration art in the modern application value manifests the research. The present situation of decoration and its protection measures are discussed in several aspects. From the origin of architectural eye-window, the origination of decorative-engraved wooden window of folk house decoration, the special historical background and geographical environment of Langzhong are introduced. Humanistic culture, economy and technology four aspects to introduce Langzhong traditional carved wooden window decoration reasons and its residential buildings in the important position and decorative role. Arranged its rich decorative pattern expression form and the artistic characteristic, and compared with Shanxi Pingyao, Anhui Huizhou traditional folk house analysis; It reveals the decorative cultural connotation and cultural value of his philosophical thought of "harmony of nature and man", patriarchal ethics and morality. Combined with the relevant knowledge of interior decoration design and graphic design theory, summarized its decorative art in modern interior decoration design, plane decoration design application value. It also lists its application value as a reprocessed art and as a precious collection of art; Finally, the present situation of traditional carved wooden window decoration in Langzhong is briefly analyzed, and some suggestions for its protection are put forward.
【學(xué)位授予單位】:重慶師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2011
【分類號(hào)】:J525

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