論梅西安的《音樂會練聲曲》
發(fā)布時間：2019-07-25 08:39
【摘要】：音樂會練聲曲,既包含復(fù)雜的演唱技巧,又具有高度的藝術(shù)性。法國作曲家奧利維爾.梅西安創(chuàng)作于1935年的《音樂會練聲曲》,大大豐富了音樂會練聲曲的創(chuàng)作發(fā)展模式,獨特的音樂創(chuàng)作風(fēng)格也充分發(fā)揮了音樂會練聲曲的技巧性與藝術(shù)性共存的特點。
[Abstract]:The concert not only contains complex singing skills, but also has a high degree of artistry. French composer Olivier. Mei Xi'an 's Concert practice Music, created in 1935, greatly enriched the creation and development mode of concert sound practice, and the unique music creation style also brought into full play the characteristics of the coexistence of the skill and artistry of concert sound practice.
【作者單位】： 武漢音樂學(xué)院聲樂系;
【分類號】：J616.3
，
本文編號：2518969
[Abstract]:The concert not only contains complex singing skills, but also has a high degree of artistry. French composer Olivier. Mei Xi'an 's Concert practice Music, created in 1935, greatly enriched the creation and development mode of concert sound practice, and the unique music creation style also brought into full play the characteristics of the coexistence of the skill and artistry of concert sound practice.
【作者單位】： 武漢音樂學(xué)院聲樂系;
【分類號】：J616.3
，
本文編號：2518969
本文鏈接：http://sikaile.net/wenyilunwen/musictheory/2518969.html
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