淺談柴可夫斯基《降b小調第一鋼琴協(xié)奏曲》的演繹技巧及其演繹風格
發(fā)布時間：2019-07-03 11:57
【摘要】：柴可夫斯基是19世紀最偉大的音樂家之一,他為全人類留下了寶貴的音樂藝術遺產(chǎn),他創(chuàng)作的音樂作品至今仍然活躍在世界音樂舞臺上,成為我們?nèi)祟愐魳穼殠斓慕?jīng)典。柴可夫斯基,以他對音樂的癡迷和對人與自然的感悟,譜寫了一部部史詩般的動人的旋律。這些看似及其自我的創(chuàng)新,卻使他的作品廣被世人所認同,同時也成為俄羅斯民族文化中最絢爛的財富。 作為音樂史上具有里程碑意義的,浪漫主義色彩的,氣勢恢宏的,鋼琴協(xié)奏曲,柴可夫斯基的《降b小調第一鋼琴協(xié)奏曲》確立了他在歷史舞臺上的不朽地位,同時也成為眾多鋼琴比賽中固定的競技曲目。由此可以看出柴可夫斯基這部作品的音樂價值和創(chuàng)作技巧對于后人的影響是深遠的。柴可夫斯基用他全部的感情對浪漫主義音樂進行了一次全新的嘗試,使之成為世界音樂文化中一顆璀璨的明珠。 筆者以演奏者的角度,在查閱大量歷史文獻以及學術文獻的基礎上,充分結合自身的演奏心得,對《降b小調第一鋼琴協(xié)奏曲》的彈奏技法和演繹風格進行深入分析和研究。以此,試圖解決自身演奏中,存在的關于音色處理、八度彈奏、耐力培養(yǎng)、管弦合樂等方面的不足。從而使自身的演奏,獲得相應的提高。論文包括三個部分: 第一部分:簡要介紹柴可夫斯基的生平和不同時期的創(chuàng)作特征,以及對《降b小調第一鋼琴協(xié)奏曲》做簡要的概括。 第二部分:對作品的各類演繹技巧、音樂材料、演繹要求以及技術難點進行詳細分析和研究。 第三部分:對作品獨特的創(chuàng)作手法、民族素材的運用等一系列藝術特點進行概括總結。
[Abstract]:Tchaikovsky is one of the greatest musicians in the 19th century. He has left a valuable musical and artistic heritage for all mankind. His music works are still active on the world music stage and become the classics of our human music treasure house. Tchaikovsky, with his obsession with music and his perception of man and nature, wrote an epic melody. These seemingly and self-innovations make his works widely recognized by the world, and at the same time become the most brilliant wealth in Russian national culture. As a landmark, romantic, magnificent, piano Concerto and Tchaikovsky's Piano Concerto in b minor, Tchaikovsky's Piano Concerto No. 1 in b minor established his immortal position on the historical stage and became a fixed track in many piano competitions. It can be seen that the music value and creative skills of Tchaikovsky's works have a profound influence on future generations. Tchaikovsky made a new attempt on romantic music with all his feelings, making it a bright pearl in the world music culture. From the performer's point of view, on the basis of consulting a large number of historical documents and academic documents, and fully combining with his own playing experience, the author makes a deep analysis and research on the playing techniques and deductive style of Piano Concerto No. 1 in b minor. In order to solve the shortcomings of timbre treatment, octave playing, endurance training, orchestra music and so on, this paper tries to solve the shortcomings of timbre treatment, octave playing, endurance training, orchestra music and so on. In order to make their own performance, get the corresponding improvement. The thesis consists of three parts: the first part: a brief introduction to Tchaikovsky's life and the creative characteristics of different periods, as well as a brief summary of Piano Concerto No. 1 in b minor. The second part: all kinds of deductive skills, music materials, deductive requirements and technical difficulties of the works are analyzed and studied in detail. The third part summarizes a series of artistic characteristics, such as the unique creative techniques of the works, the use of national materials and so on.
【學位授予單位】：天津音樂學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J624.1
本文編號：2509363
[Abstract]:Tchaikovsky is one of the greatest musicians in the 19th century. He has left a valuable musical and artistic heritage for all mankind. His music works are still active on the world music stage and become the classics of our human music treasure house. Tchaikovsky, with his obsession with music and his perception of man and nature, wrote an epic melody. These seemingly and self-innovations make his works widely recognized by the world, and at the same time become the most brilliant wealth in Russian national culture. As a landmark, romantic, magnificent, piano Concerto and Tchaikovsky's Piano Concerto in b minor, Tchaikovsky's Piano Concerto No. 1 in b minor established his immortal position on the historical stage and became a fixed track in many piano competitions. It can be seen that the music value and creative skills of Tchaikovsky's works have a profound influence on future generations. Tchaikovsky made a new attempt on romantic music with all his feelings, making it a bright pearl in the world music culture. From the performer's point of view, on the basis of consulting a large number of historical documents and academic documents, and fully combining with his own playing experience, the author makes a deep analysis and research on the playing techniques and deductive style of Piano Concerto No. 1 in b minor. In order to solve the shortcomings of timbre treatment, octave playing, endurance training, orchestra music and so on, this paper tries to solve the shortcomings of timbre treatment, octave playing, endurance training, orchestra music and so on. In order to make their own performance, get the corresponding improvement. The thesis consists of three parts: the first part: a brief introduction to Tchaikovsky's life and the creative characteristics of different periods, as well as a brief summary of Piano Concerto No. 1 in b minor. The second part: all kinds of deductive skills, music materials, deductive requirements and technical difficulties of the works are analyzed and studied in detail. The third part summarizes a series of artistic characteristics, such as the unique creative techniques of the works, the use of national materials and so on.
【學位授予單位】：天津音樂學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J624.1
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