木卡姆學(xué)的歷史與現(xiàn)狀
發(fā)布時間：2019-06-21 17:08
【摘要】：木卡姆作為全球性的音樂文化現(xiàn)象，在國際上吸引了諸多音樂界和社會科學(xué)界人士的注意。木卡姆的研究范圍不僅涉及西亞、北非各國，而且擴(kuò)大到南亞和中亞。隨著20世紀(jì)七、八十年代民族音樂學(xué)研究的深入發(fā)展，越來越多的音樂學(xué)家從迷戀木卡姆轉(zhuǎn)向從事木卡姆研究，全球范圍的“木卡姆熱”正越演越烈。在中國，部分學(xué)者于20世紀(jì)80年代提出“創(chuàng)建木卡姆學(xué)”的口號，其目的是讓國外的音樂學(xué)家們對我國新疆的維吾爾木卡姆有更多的了解，同時將各國家、各地區(qū)、各民族的木卡姆進(jìn)行多側(cè)面、多層次、全方位的比較研究，從而進(jìn)一步闡明木卡姆這一全球性音樂文化現(xiàn)象的本質(zhì)。本文亦出于此目的，從木卡姆、木卡姆其和國內(nèi)外對木卡姆的搜集、出版情況簡介，木卡姆學(xué)研究現(xiàn)狀和木卡姆學(xué)學(xué)科建設(shè)三個方面，對木卡姆研究做一次綜合性論述。 第一章介紹了目前國內(nèi)外學(xué)者對木卡姆音樂現(xiàn)象的不同詮釋；作為木卡姆的創(chuàng)作者、傳播者——木卡姆其的職能及地位；木卡姆學(xué)的產(chǎn)生與發(fā)展，從宏觀上對木卡姆學(xué)進(jìn)行了概述。第二章分為十一節(jié)，分別是木卡姆的發(fā)生學(xué)研究、木卡姆的史學(xué)研究、木卡姆的傳播學(xué)研究、木卡姆的音樂形態(tài)學(xué)研究、木卡姆唱詞的研究、木卡姆唱詞內(nèi)容和審美觀念的研究、木卡姆的社會學(xué)研究、木卡姆的比較研究、木卡姆的版本學(xué)研究、木卡姆在不同國家、地區(qū)、民族人民生活中地位的研究、木卡姆的跨學(xué)科研究。這一章力圖從每一個方面對木卡姆學(xué)研究成果做一次總結(jié)。最后一章對木卡姆學(xué)的學(xué)科建設(shè)提出建議。 總之，建立“木卡姆學(xué)”對于世界各有關(guān)國家、地區(qū)、民族尤其是我國有關(guān)維吾爾各人文學(xué)科的研究具有重要意義；對我國進(jìn)一步實(shí)施改革開放，加強(qiáng)與世界各國人民的友誼，促進(jìn)文化交流等方面都將產(chǎn)生積極的推動效應(yīng)；更重要的是對于中國乃至世界的樂舞藝術(shù)史的深入研究將起到不可替代的補(bǔ)充、修訂作用。因此，作為一名音樂學(xué)者，本人愿為民族傳統(tǒng)文化的保護(hù)與傳承做一份自己應(yīng)做的事，出一份應(yīng)出的力。同時也希望通過本文對前人研究成果的總結(jié)，能夠?yàn)楹笕说难芯刻峁┍憷Ｓ捎谥骺陀^條件限制，錯咎之處在所難免，，希望諸方專家賜正。
[Abstract]:Muqam, as a global phenomenon of music and culture, has attracted the attention of many music and social scientific circles in the world. The scope of the Muqam is not only in the countries of Western Asia and North Africa, but also to South and Central Asia. With the further development of the research of the national musicology in the 1970s and 1980s, more and more musicologists have turned to Muqam, and the more the "Muqam heat" of the world is. In China, some scholars put forward the slogan of "The creation of Muqam" in the 1980s, the purpose of which is to let the foreign musicians know more about the Uighur Muqam in Xinjiang, and at the same time, multi-side and multi-level, multi-level, multi-level, All-round comparative study to further clarify the essence of the phenomenon of the global music culture of Muqam. The purpose of this paper is to make a comprehensive discussion on the study of the Muqam from the aspects of the collection and publication of the Kinkam, the Kinkam and the home and abroad on the collection and publication of the Muqam, the current situation of the study of the Muqam and the subject construction of the Muqam. In the first chapter, the author introduces the different interpretations of the phenomenon of the Muskam music at home and abroad, and the function and position of the author and the propagator _ Muqam as the author of the Muqam. The second chapter is an overview of Camology. The second chapter is divided into eleven sections, which are the research of the generation of Muqam, the study of the history of Muqam, the study of the communication of Muqam, the study of the musical morphology of Muqam, the study of the singing of the Kinkam, the study of the content and the aesthetic concept of the Muqam, and the wood. A Comparative Study of the Kinkam, the Comparative Study of the Kinkam, the Study of Muqam and the Study of the Status of the Muqam in the Life of Different Countries, Regions and the People's People, and the Wood The cross-disciplinary study of the Kinkam. This chapter tries to make a difference to the Muqam from every aspect. A summary of the results. The last chapter is for Muqam. In a word, the establishment of the "Muqam" is of great significance to the research of all the relevant countries, regions and peoples of the world, especially the relevant human subjects of the Republic of China, and to the further implementation of our country The reform and opening-up, the strengthening of the friendship with the peoples of the world, the promotion of cultural exchange, etc. will have a positive driving effect; more importantly, it is an in-depth study of the history of the music and dance in China and the world Therefore, as a music scholar, I would like to protect and inherit the traditional culture of the nation To do what you should do, a force that is to be done. At the same time, it is also hoped that the study will be made in this paper. The summary of the fruit can facilitate the research of the later generations. Due to the limitation of the main objective conditions,
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2004
【分類號】：J609.2
本文編號：2504230
[Abstract]:Muqam, as a global phenomenon of music and culture, has attracted the attention of many music and social scientific circles in the world. The scope of the Muqam is not only in the countries of Western Asia and North Africa, but also to South and Central Asia. With the further development of the research of the national musicology in the 1970s and 1980s, more and more musicologists have turned to Muqam, and the more the "Muqam heat" of the world is. In China, some scholars put forward the slogan of "The creation of Muqam" in the 1980s, the purpose of which is to let the foreign musicians know more about the Uighur Muqam in Xinjiang, and at the same time, multi-side and multi-level, multi-level, multi-level, All-round comparative study to further clarify the essence of the phenomenon of the global music culture of Muqam. The purpose of this paper is to make a comprehensive discussion on the study of the Muqam from the aspects of the collection and publication of the Kinkam, the Kinkam and the home and abroad on the collection and publication of the Muqam, the current situation of the study of the Muqam and the subject construction of the Muqam. In the first chapter, the author introduces the different interpretations of the phenomenon of the Muskam music at home and abroad, and the function and position of the author and the propagator _ Muqam as the author of the Muqam. The second chapter is an overview of Camology. The second chapter is divided into eleven sections, which are the research of the generation of Muqam, the study of the history of Muqam, the study of the communication of Muqam, the study of the musical morphology of Muqam, the study of the singing of the Kinkam, the study of the content and the aesthetic concept of the Muqam, and the wood. A Comparative Study of the Kinkam, the Comparative Study of the Kinkam, the Study of Muqam and the Study of the Status of the Muqam in the Life of Different Countries, Regions and the People's People, and the Wood The cross-disciplinary study of the Kinkam. This chapter tries to make a difference to the Muqam from every aspect. A summary of the results. The last chapter is for Muqam. In a word, the establishment of the "Muqam" is of great significance to the research of all the relevant countries, regions and peoples of the world, especially the relevant human subjects of the Republic of China, and to the further implementation of our country The reform and opening-up, the strengthening of the friendship with the peoples of the world, the promotion of cultural exchange, etc. will have a positive driving effect; more importantly, it is an in-depth study of the history of the music and dance in China and the world Therefore, as a music scholar, I would like to protect and inherit the traditional culture of the nation To do what you should do, a force that is to be done. At the same time, it is also hoped that the study will be made in this paper. The summary of the fruit can facilitate the research of the later generations. Due to the limitation of the main objective conditions,
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2004
【分類號】：J609.2
【引證文獻(xiàn)】
相關(guān)期刊論文 前1條
1 雷嘉彥;;回顧近二十年對新疆少數(shù)民族音樂的研究[J];南京藝術(shù)學(xué)院學(xué)報(bào)(音樂與表演版);2011年03期
相關(guān)碩士學(xué)位論文 前1條
1 梁秋麗;維吾爾《十二木卡姆》“達(dá)斯坦”與歌劇《艾里甫與賽乃姆》唱段與之對比研究[D];新疆師范大學(xué);2010年
本文編號：2504230
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