從歌劇《蝴蝶夫人》看普契尼
發(fā)布時間：2019-06-18 17:55
【摘要】：就音樂本身而言,它具有感性性和理性性,很少有藝術(shù)具有音樂那樣嚴密的邏輯形式。如果單單把音樂當成一個聽覺對象,大可不必顧及它的理性性,但如果要更深層次的研究聽覺以外的音樂的話,就不得不去關(guān)心和研究音樂的理性性了。 本文以普契尼的歌劇《蝴蝶夫人》為切入點,通過對《蝴蝶夫人》從感性認識到理性的研究,通過對《蝴》劇的時代背景、題材、音樂特征等多方面論述普契尼其人以及他的音樂創(chuàng)作風格。 普契尼是繼威爾第之后意大利歌劇史上最偉大的作曲家之一,他的創(chuàng)作深受真實主義、威爾第和他母親的影響。他是一個非�！扒靶l(wèi)”的作曲家,普契尼的創(chuàng)作緊跟時代潮流的發(fā)展而發(fā)展,勇于創(chuàng)新,特別注重戲劇環(huán)境與人物性格的刻畫,在這方面他有其獨到的見解。本文通過對《蝴》劇有關(guān)資料的收集,特別是對總譜、音響資料以及普契尼當時的一些有關(guān)《蝴》劇的信件分析,理性地研究其創(chuàng)作背景與作品個性,從而來展現(xiàn)普契尼其人。特別是對女主人公巧巧桑的研究,我們可以更加清楚地看到,普契尼是如何對巧巧桑復(fù)雜人物心理的塑造,從而更進一步研究其創(chuàng)作風格。
[Abstract]:As far as music itself is concerned, it is perceptual and rational, and few arts have the strict logical form of music. If music is regarded as an auditory object alone, it is unnecessary to consider its rationality, but if we want to study music other than hearing at a deeper level, we have to care about and study the rationality of music. This paper takes Puccini's opera Mrs. Butterfly as the starting point, through the study of Madame Butterfly from perceptual understanding to rationality, and discusses Puccini's people and his music creation style from the background of the times, the subject matter and the characteristics of music. Puccini is one of the greatest composers in the history of Italian opera after Verdi. His creation is deeply influenced by realism, Verdi and his mother. He is a very "avantgarde" composer. Puccini's creation follows the development of the trend of the times and develops with the courage to innovate, paying special attention to the portrayal of drama environment and character. He has his own views in this respect. Through the collection of the relevant materials of the play, especially the analysis of the total spectrum, audio data and some letters about the play by Puccini at that time, this paper rationally studies the creative background and personality of the play, so as to show the Puccini. In particular, with regard to the study of Qiao Sang, the heroine, we can see more clearly how Puccini portrays the psychology of Qiao Sang's complex characters, so as to further study his creative style.
【學位授予單位】：南京師范大學
【學位級別】：碩士
【學位授予年份】：2004
【分類號】：J609.1
本文編號：2501675
[Abstract]:As far as music itself is concerned, it is perceptual and rational, and few arts have the strict logical form of music. If music is regarded as an auditory object alone, it is unnecessary to consider its rationality, but if we want to study music other than hearing at a deeper level, we have to care about and study the rationality of music. This paper takes Puccini's opera Mrs. Butterfly as the starting point, through the study of Madame Butterfly from perceptual understanding to rationality, and discusses Puccini's people and his music creation style from the background of the times, the subject matter and the characteristics of music. Puccini is one of the greatest composers in the history of Italian opera after Verdi. His creation is deeply influenced by realism, Verdi and his mother. He is a very "avantgarde" composer. Puccini's creation follows the development of the trend of the times and develops with the courage to innovate, paying special attention to the portrayal of drama environment and character. He has his own views in this respect. Through the collection of the relevant materials of the play, especially the analysis of the total spectrum, audio data and some letters about the play by Puccini at that time, this paper rationally studies the creative background and personality of the play, so as to show the Puccini. In particular, with regard to the study of Qiao Sang, the heroine, we can see more clearly how Puccini portrays the psychology of Qiao Sang's complex characters, so as to further study his creative style.
【學位授予單位】：南京師范大學
【學位級別】：碩士
【學位授予年份】：2004
【分類號】：J609.1
【引證文獻】
相關(guān)碩士學位論文 前1條
1 劉春平;跨越時空的永恒經(jīng)典[D];西南大學;2011年
，本文編號：2501675
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