藍(lán)花花音樂創(chuàng)作現(xiàn)象研究
發(fā)布時(shí)間：2019-06-06 16:55
【摘要】：本文圍繞“藍(lán)花花音樂”這一“活的音樂”現(xiàn)象,基于“存在的即是合理的”研究理念,以民歌《藍(lán)花花》及眾多作曲家們圍繞民歌《藍(lán)花花》創(chuàng)作出的體裁多樣、形式繁多的聲、器樂體裁的藍(lán)花花音樂作品為研究對象,以理論研究法為主,結(jié)合音樂分析法、文獻(xiàn)法、舉例法等研究方法,通過對民歌《藍(lán)花花》及藍(lán)花花音樂的創(chuàng)作背景、生成發(fā)展、及標(biāo)題名稱的系統(tǒng)整理、梳理,對根據(jù)民歌《藍(lán)花花》創(chuàng)作的藍(lán)花花音樂作品的體裁、音樂結(jié)構(gòu)、配器和其他表現(xiàn)手法等詳細(xì)的分析研究,對“藍(lán)花花音樂”這一“活的音樂”現(xiàn)象的“源”和“淵”等進(jìn)行較為系統(tǒng)的論證,得出較為科學(xué)的研究結(jié)論。試圖解讀藍(lán)花花音樂這一“活的”音樂現(xiàn)象長期存活的奧秘,揭示藍(lán)花花音樂創(chuàng)作的“源”和“淵”。 本論文試圖為演奏、演唱者為更好的演繹藍(lán)花花音樂作品服務(wù),希望能夠幫助其把握藍(lán)花花音樂的作品風(fēng)格；幫助演奏、演唱者清晰的了解藍(lán)花花音樂音樂的結(jié)構(gòu),并且深層次的理解作品的精神內(nèi)涵；為演奏、演唱者提供分析、演奏(唱)作品的理論、現(xiàn)實(shí)依據(jù)；同時(shí)也希望對今后的作曲家采用民族音樂素材進(jìn)行音樂創(chuàng)作提供一些前人寫作成功的經(jīng)驗(yàn),為其提供借鑒參考,再創(chuàng)作出一批具有旺盛生命力的“活的音樂”作品。 為行文便捷,本文將根據(jù)民歌《藍(lán)花花》進(jìn)行創(chuàng)作的音樂稱為藍(lán)花花音樂。
[Abstract]:This paper focuses on the phenomenon of "the living music" of the blue-flower-flower music, which is based on the "reasonable" research idea, and uses the folk songs as" the blue-flower "and the many composers around the folk song" Blue-flower "to form a variety of styles, a wide variety of sound, and the musical composition of the music of the instrumental music is the research object. Based on the theory research, combined with the music analysis method, the literature method, the example method and other research methods, the system of the development and the title name is organized and sorted through the creation background, the development of the folk songs and the music of the blue flowers and the music of the blue flowers, Based on the detailed analysis of the genre, the music structure, the style of music and the other methods of expression of the blue-flower-flower music works, which is based on the folk song, the author makes a systematic demonstration of the "music" phenomenon of the blue-flower-flower music "and the yuan", and draws a more scientific research conclusion. The "live" and the "Obuchi" of the music creation of the blue-flower-flower music are revealed in an attempt to read the mystery of the long-term survival of the "source"-music phenomenon of the blue-flower-flower music. This paper attempts to provide a better performance of the music of the blue-flower music. It is hoped that it can help it to grasp the style of the music of the blue-flower, to help play, to understand the structure of the music of the music of the blue-flower, and to understand the spirit of the works in a deep-depth way. It is the theoretical and practical basis for the analysis, performance (singing) of the performance and the singer, and it is also the hope that the future composers will use the national music material for the music creation to provide some experience for the success of the former writing, and provide the reference for them. Make an examination and make a lot of "live music" with vigorous vitality For the convenience of writing, this article will be called the blue flower according to the music of the folk song
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J605
[Abstract]:This paper focuses on the phenomenon of "the living music" of the blue-flower-flower music, which is based on the "reasonable" research idea, and uses the folk songs as" the blue-flower "and the many composers around the folk song" Blue-flower "to form a variety of styles, a wide variety of sound, and the musical composition of the music of the instrumental music is the research object. Based on the theory research, combined with the music analysis method, the literature method, the example method and other research methods, the system of the development and the title name is organized and sorted through the creation background, the development of the folk songs and the music of the blue flowers and the music of the blue flowers, Based on the detailed analysis of the genre, the music structure, the style of music and the other methods of expression of the blue-flower-flower music works, which is based on the folk song, the author makes a systematic demonstration of the "music" phenomenon of the blue-flower-flower music "and the yuan", and draws a more scientific research conclusion. The "live" and the "Obuchi" of the music creation of the blue-flower-flower music are revealed in an attempt to read the mystery of the long-term survival of the "source"-music phenomenon of the blue-flower-flower music. This paper attempts to provide a better performance of the music of the blue-flower music. It is hoped that it can help it to grasp the style of the music of the blue-flower, to help play, to understand the structure of the music of the music of the blue-flower, and to understand the spirit of the works in a deep-depth way. It is the theoretical and practical basis for the analysis, performance (singing) of the performance and the singer, and it is also the hope that the future composers will use the national music material for the music creation to provide some experience for the success of the former writing, and provide the reference for them. Make an examination and make a lot of "live music" with vigorous vitality For the convenience of writing, this article will be called the blue flower according to the music of the folk song
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J605
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2 石建宇;;試論音樂創(chuàng)作的主體意識[J];襄樊職業(yè)技術(shù)學(xué)院學(xué)報(bào);2011年03期
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5 徐e，
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