【摘要】：穆杰斯特·彼得諾維奇·穆索爾斯基(Mussorgsky.Modest.Petrovich,1839—1881年)是19世紀俄羅斯民族樂派“強力五人團”中極具創(chuàng)新精神的作曲家,他是俄羅斯近代音樂現(xiàn)實主義的奠基人。《暗無天日》是他在聲樂創(chuàng)作領(lǐng)域最成熟、對后人創(chuàng)作影響頗深的聲樂套曲之一。 筆者擬以聲樂套曲《暗無天日》為研究對象,對其展開在繼承傳統(tǒng)和聲的基礎(chǔ)上所運用的一些超越傳統(tǒng)的和聲技法進行分析,包括：揭示作品所運用的同主音或不同主音混合調(diào)式結(jié)構(gòu),展示作品同主音大小調(diào)交替變音和弦、復(fù)合和弦、不完全和弦等和聲材料以及非功能性、調(diào)式化和聲進行,透視作品將傳統(tǒng)結(jié)構(gòu)的單一調(diào)式作混合性擴展而產(chǎn)生的調(diào)式化和聲語言,進而了解作品的藝術(shù)特點,評判作品的藝術(shù)價值。
[Abstract]:Mujester Peternovich Musolski (Mussorgsky.Modest.Petrovich,1839- 1881) is a very innovative composer in the 19th century Russian National Music School "strong Group of five". He is the founder of Russian modern music realism. Dark Day is one of the most mature vocal music suite in the field of vocal music creation and has a deep influence on the creation of future generations. The author intends to take the vocal music suite "No Day" as the research object, and analyzes some of the harmony techniques that go beyond the traditional harmony, which are carried out on the basis of inheriting the traditional harmony. Including: revealing the homophonic or different tonal structure used in the work, displaying the harmonic materials such as alternating consonant chords, compound chords and incomplete chords, as well as non-functional and stylized harmony. Through the perspective of the single tone of the traditional structure as a mixed expansion of the stylized and vocal language, and then understand the artistic characteristics of the work, judge the artistic value of the work.
【學(xué)位授予單位】：杭州師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J614.1

【參考文獻】

相關(guān)碩士學(xué)位論文 前1條

1 林濱;穆索爾斯基三組聲樂套曲音樂研究[D];陜西師范大學(xué);2009年

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