【摘要】：20世紀(jì)80年代,民族音樂(lè)學(xué)這門(mén)學(xué)科開(kāi)始傳入中國(guó),并得到中國(guó)音樂(lè)界學(xué)者們的普遍認(rèn)可。在近三十年的發(fā)展過(guò)程中,有關(guān)薩滿文化的研究逐漸豐富起來(lái),但在黑龍江有關(guān)薩滿文化的研究起步較晚,本文意圖通過(guò)對(duì)牡丹江地區(qū)滿族薩滿祭祖儀式過(guò)程的研究,并以某一姓氏的薩滿祭祖儀式為主要研究對(duì)象,探尋行為背后隱含的深層思想。本論文的題目是《牡丹江地區(qū)趙氏滿族薩滿祭祖儀式音樂(lè)研究》,以黑龍江省牡丹江地區(qū)滿族四趙姓氏之一為研究對(duì)象,通過(guò)田野考察及理論研究等手段,探索趙氏薩滿祭祖儀式中音樂(lè)的作用與功能,挖掘深藏于文化局內(nèi)人大腦的內(nèi)在文化內(nèi)涵,并將之最內(nèi)在的文化地圖描述出來(lái)。 本研究基于對(duì)牡丹江地區(qū)趙氏滿族相關(guān)信息(地理歷史、人口、社會(huì)環(huán)境等)及薩滿祭祖儀式整體過(guò)程等方面的考察,并將實(shí)踐與理論相結(jié)合,將從四方面入手進(jìn)行論文寫(xiě)作: 一、滿族薩滿祭祖儀式研究綜述。通過(guò)對(duì)滿族薩滿教整體歷史的考察,追溯滿族薩滿祭祖儀式的發(fā)展軌跡以及牡丹江地區(qū)滿族薩滿祭祖儀式的現(xiàn)狀。 二、牡丹江地區(qū)趙氏家祭滿族薩滿祭祖儀式音樂(lè)民族志志述。從宏觀的角度概述趙氏滿族薩滿祭祖儀式相關(guān)背景,并對(duì)趙氏滿族薩滿祭祖儀式過(guò)程、使用的器物、祭祖儀式的保存與延續(xù)現(xiàn)狀及趙氏薩的傳承進(jìn)行詳細(xì)的闡釋。 三、牡丹江地區(qū)趙氏滿族薩滿祭祖儀式音樂(lè)研究。此部分將從音樂(lè)在趙氏滿族薩滿祭祖儀式中的使用、祭祖儀式中音樂(lè)形態(tài)結(jié)構(gòu)(包括音樂(lè)的曲調(diào)、節(jié)奏、舞蹈、歌唱等)入手,對(duì)趙氏滿族薩滿祭祖儀式中的音樂(lè)進(jìn)行分析。 四、趙氏祭祖儀式音樂(lè)文化解釋。此部分筆者將結(jié)合兩年來(lái)對(duì)趙氏進(jìn)行田野考察時(shí)所搜集到的素材和通過(guò)圖書(shū)查閱、網(wǎng)站搜索等方法查找到的資料進(jìn)行綜合、整理,通過(guò)分析比較,初步探究這些音樂(lè)現(xiàn)象背后所特有的文化價(jià)值,并挖掘深層的社會(huì)內(nèi)涵。這一部分中將重點(diǎn)論述音樂(lè)在祭祖儀式中所起到的作用以及局內(nèi)人思想層面和靈魂觀方面的研究。
[Abstract]:In 1980 s, the subject of national musicology began to be introduced into China, and was widely recognized by Chinese music scholars. In the course of nearly 30 years of development, the research on shaman culture has gradually enriched, but the research on shaman culture in Heilongjiang started relatively late. This paper intends to study the ceremony process of Manchu shaman ancestor worship in Mudanjiang area. Taking the shaman ancestor worship ceremony of a certain surname as the main research object, this paper explores the deep thought behind the behavior. The title of this paper is "Research on the ritual Music of Zhao Manchu ancestor worship in Mudanjiang area". Taking one of the four Zhao surnames of Manchu nationality in Mudanjiang area of Heilongjiang Province as the research object, through field investigation and theoretical research, This paper explores the function and function of music in Zhao Shiman's ancestor worship ceremony, excavates the internal cultural connotation of the human brain hidden in the Bureau of Culture, and describes its most inherent cultural map. This study is based on the investigation of the relevant information of Zhao Manchu nationality (geographical history, population, social environment, etc.) and the whole process of shaman ancestor worship ceremony in Mudanjiang area, and combines practice with theory. The thesis will be written from four aspects: first, a summary of the research on Manchu shaman ancestor worship ceremony. Through the investigation of the whole history of Manchu shamanism, this paper traces back to the development track of Manchu shaman ancestor worship ceremony and the present situation of Manchu shaman ancestor worship ceremony in Mudanjiang area. Second, the Zhao family sacrifice Manchu shaman ritual music ethnography in Mudanjiang area. From a macro point of view, this paper summarizes the related background of Zhao Manchu shaman ancestor worship ceremony, and explains in detail the process of Zhao Manchu shaman ancestor worship ceremony, the utensils used, the preservation and continuation of the ancestor worship ceremony and the inheritance of Zhao Shisa. Third, Mudanjiang area Zhao Manchu shaman ancestor worship ceremony music research. This part will start with the use of music in Zhao Manchu shaman ancestor worship ceremony, and the music form structure (including music tune, rhythm, dance, singing, etc.), and analyze the music in Zhao Manchu shaman ancestor worship ceremony. Fourth, Zhao's ancestor worship ceremony music culture explanation. In this part, the author will synthesize, collate, analyze and compare the materials collected during the field investigation of Zhao in the past two years and the materials found through book reference, website search and other methods. This paper probes into the unique cultural value behind these music phenomena, and excavates the deep social connotation. This part will focus on the role of music in the ceremony of ancestor worship, as well as the study of the ideological level and soul view of the people in the Bureau.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：J607

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