【摘要】： 作為浪漫時(shí)期德國樂壇上最偉大的音樂詩人，舒曼寫了大量具有浪漫主義風(fēng)格的作品。特別在鋼琴音樂方面，他開創(chuàng)了鋼琴套曲這一體裁，并將性格小品發(fā)揮到了極至。他的音樂是來自心靈的歌聲，細(xì)膩、典雅、具有深刻的內(nèi)涵。而他那具有獨(dú)特音樂語法與風(fēng)格的鋼琴作品更是我們鋼琴學(xué)習(xí)的必修課。 本文試圖通過對舒曼兩首鋼琴套曲的分析研究，把握他鋼琴套曲的風(fēng)格及其創(chuàng)作理念，認(rèn)識舒曼鋼琴套曲的教學(xué)意義。 全文分為三章，第一章介紹了舒曼的生平及作品。在這一章中，筆者以影響著舒曼一生的三件大事及由此帶來的三次轉(zhuǎn)折為線索，，介紹了舒曼短暫、傳奇的藝術(shù)生涯。并簡單介紹了舒曼音樂作品所涉及的種類和各時(shí)期的創(chuàng)作傾向。最后還列出了筆者認(rèn)為是套曲的舒曼所有鋼琴作品。 第二章介紹了舒曼鋼琴套曲的創(chuàng)作風(fēng)格及特征。本章主要從舒曼鋼琴音樂的創(chuàng)作背景、創(chuàng)作來源、音樂語言、作品標(biāo)題、記譜法等方面進(jìn)行闡釋，使對舒曼的認(rèn)識更清晰、完整，以幫助更好地理解作品、把握風(fēng)格。 第三章通過對兩首套曲的解析，了解舒曼的創(chuàng)作意圖和所表達(dá)的情感，以及他所采用的種種獨(dú)特的創(chuàng)作手法所產(chǎn)生的奇妙效果。文中一并介紹了筆者在彈奏中的感受和建議。
[Abstract]:As the greatest music poet in German music during the romantic period, Schuman wrote a large number of romantic works. Especially in piano music, he pioneered the genre of piano suite and brought character sketches to the extreme. His music is from the soul of the song, delicate, elegant, with profound connotation. And his unique music grammar and style of piano works is a compulsory course for our piano learning. Through the analysis and research of Schuman's two piano sets, this paper tries to grasp the style and creation idea of his piano suite, and to understand the teaching significance of Schuman piano suite. The full text is divided into three chapters, the first chapter introduces Schuman's life and works. In this chapter, the author introduces Schuman's short and legendary artistic career based on the three great events that affect Schuman's life and the three turns brought about by it. And briefly introduces the types of Schuman music works and the creative tendency of each period. Finally, it also lists all the piano works of Schuman, which the author thinks is the suite. The second chapter introduces the creation style and characteristics of Schuman piano suite. This chapter mainly explains Schuman's piano music from the aspects of creation background, creation source, music language, work title, notation and so on, so as to make the understanding of Schuman clearer and more complete, in order to help him better understand the work and grasp the style. The third chapter, through the analysis of the two sets, understands Schuman's creative intention and feelings, as well as the wonderful effects of various unique creative techniques he uses. This paper also introduces the author's feelings and suggestions in playing.
【學(xué)位授予單位】：西南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2002
【分類號】：J657.41

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 賀德梓;;《蝴蝶》的作品風(fēng)格探析[J];作家;2008年24期

相關(guān)碩士學(xué)位論文 前3條

1 劉璇;舒曼鋼琴套曲《童年情景》演奏研究[D];首都師范大學(xué);2007年

2 劉怡冰;浪漫主義文學(xué)對舒曼鋼琴音樂創(chuàng)作的影響[D];湖南師范大學(xué);2008年

3 吳媛媛;從舒曼《童年情景》中看浪漫主義文學(xué)對鋼琴音樂的影響[D];陜西師范大學(xué);2010年

本文編號：2473167