瞿希賢幾首民歌改編無伴奏合唱曲探究
發(fā)布時間：2019-04-25 06:53
【摘要】：民歌就像一面鏡子,能夠真實地映照出一個民族的風貌,顯露出一個民族的文化；民歌還可以反映一個民族的性格特點和風俗習慣,反映他們對美好生活的渴求并抒發(fā)思想感情。總之,民歌和人民生活血肉相連,對傳承發(fā)展民族文化也起著極為重要的作用。 瞿希賢(1919.9.23—2008.3.19),我國著名女作曲家,半個世紀以來,她推出了一批根據(jù)民歌改編而成的具有民族傳統(tǒng)文化特點、題材多樣、形象鮮活的優(yōu)秀合唱作品。她改編的無伴奏合唱曲更是經(jīng)典,在中國民族合唱作品中占據(jù)了重要地位。同時,她還是我國較早探索無伴奏合唱并對這一體裁做出獨特的貢獻、取得重大成功的作曲家之一。她所編寫的無伴奏合唱歌曲《牧歌》(東蒙民歌,海默填詞)已傳唱了整整半個世紀,無愧為中國無伴奏合唱中的珍品。 本文分為引言、正文和結語三部分。引言,主要論述本論文的研究方法、目的、意義以及當前研究現(xiàn)狀。正文分為以下四章：第一章,關于合唱改編曲,主要介紹音樂作品的改編、無伴奏合唱以及民歌改編無伴奏合唱曲；第二章,瞿希賢的合唱音樂,簡述瞿希賢的合唱作品以及她對中國合唱創(chuàng)作和發(fā)展的影響；第三章,瞿希賢民歌改編無伴奏合唱曲產(chǎn)生的背景,主要從時代因素和個人因素來分析；第四章,瞿希賢民歌改編無伴奏合唱曲的音樂特征,分為作品結構和音樂寫作手法兩個方面。結語,本文得出的結論。
[Abstract]:Folk songs, like a mirror, can truly reflect the features of a nation and reveal the culture of a nation; Folk songs can also reflect a nation's personality characteristics, customs and customs, reflect their desire for a better life and express their thoughts and feelings. In short, folk songs and people's lives are linked to each other, and play a very important role in the inheritance and development of national culture. Qu Xixian (1919.9.23, 2008.19), a famous female composer in China, has put forward a group of excellent chorus works based on folk songs with the characteristics of national traditional culture, diverse themes and vivid images for half a century. Her unaccompanied chorus is a classic, which occupies an important position in Chinese national chorus. At the same time, she is also one of the composers who explored the chorus without accompaniment and made a unique contribution to this genre. Her unaccompanied chorus, Pastoral (Eastern Mongolian Folk, Hemmer), has been sung for half a century and deserves to be a treasure in China's unaccompanied chorus. This paper is divided into three parts: introduction, text and conclusion. The introduction mainly discusses the research method, purpose, significance and current research status of this paper. The text is divided into the following four chapters: the first chapter, about the chorus adaptation, mainly introduces the adaptation of music works, unaccompanied chorus and folk song adaptation without accompaniment chorus; The second chapter, Qu Xixian's chorus music, briefly described Qu Xixian's chorus works and her influence on the creation and development of Chinese chorus; The third chapter, Qu Xixian folk song adaptation without accompaniment chorus background, mainly from the times and personal factors to analyze; The fourth chapter, Qu Xixian folk song adaptation without accompaniment chorus music features, divided into two aspects of work structure and music writing techniques. Conclusion, the conclusion of this paper.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J616.2
本文編號：2464886
[Abstract]:Folk songs, like a mirror, can truly reflect the features of a nation and reveal the culture of a nation; Folk songs can also reflect a nation's personality characteristics, customs and customs, reflect their desire for a better life and express their thoughts and feelings. In short, folk songs and people's lives are linked to each other, and play a very important role in the inheritance and development of national culture. Qu Xixian (1919.9.23, 2008.19), a famous female composer in China, has put forward a group of excellent chorus works based on folk songs with the characteristics of national traditional culture, diverse themes and vivid images for half a century. Her unaccompanied chorus is a classic, which occupies an important position in Chinese national chorus. At the same time, she is also one of the composers who explored the chorus without accompaniment and made a unique contribution to this genre. Her unaccompanied chorus, Pastoral (Eastern Mongolian Folk, Hemmer), has been sung for half a century and deserves to be a treasure in China's unaccompanied chorus. This paper is divided into three parts: introduction, text and conclusion. The introduction mainly discusses the research method, purpose, significance and current research status of this paper. The text is divided into the following four chapters: the first chapter, about the chorus adaptation, mainly introduces the adaptation of music works, unaccompanied chorus and folk song adaptation without accompaniment chorus; The second chapter, Qu Xixian's chorus music, briefly described Qu Xixian's chorus works and her influence on the creation and development of Chinese chorus; The third chapter, Qu Xixian folk song adaptation without accompaniment chorus background, mainly from the times and personal factors to analyze; The fourth chapter, Qu Xixian folk song adaptation without accompaniment chorus music features, divided into two aspects of work structure and music writing techniques. Conclusion, the conclusion of this paper.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J616.2
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