故事、音樂、文本—科爾沁敘事民歌《韓秀英》研究
發(fā)布時間：2019-03-01 09:58
【摘要】：《韓秀英》是科爾沁敘事民歌中典型的代表作之一。該選題的題名為“故事、音樂、文本——科爾沁敘事民歌《韓秀英》研究”。對不同類型文本的各自的特征規(guī)則進行分析的基礎(chǔ)上,將不同版本的《韓秀英》及同一種版本在不同語境下的變易形式進行比較,從而對其語境、文本二者之間互動方式、結(jié)構(gòu)形式進行觀察研究,并在此基礎(chǔ)上進一步的認(rèn)識科爾沁敘事民歌傳統(tǒng)。本選題以一首民歌為例,將其分為故事、音樂、文本進行比較研究。 緒論部分,主要介紹了該論文的研究對象及研究目的。將收集到的不同版本的《韓秀英》進行故事、音樂、文本比較的視角,對《韓秀英》這首民歌的不同文本形態(tài)進行比較研究,以此來觀照敘事民歌特征的本質(zhì)。 第一章,重點分析科爾沁敘事民歌《韓秀英》故事及故事情節(jié)、人物、角色,從而比較不同版本的《韓秀英》。 第二章,重點比較分析《韓秀英》的音樂形態(tài),探討它的藝術(shù)價值。并將《韓秀英》的文本形式分為“口傳文本”和“書寫文本”兩種形式,運用比較研究的方法,具體分析“口傳文本”與“書寫文本”的區(qū)別。 第三章,民間音樂《韓秀英》、《老韓秀英》與專業(yè)創(chuàng)作《敖包相會》的比較,探討一首民歌對的專業(yè)音樂影響和作用及其他藝術(shù)領(lǐng)域的運用。 附錄：民間藝人查干巴拉1979年演唱的文本 通過一首科爾沁敘事民歌為例,主要探討一首民歌的特點；通過一首民歌的探討,來看科爾沁敘事民歌傳統(tǒng)。 本論文對科爾沁敘事民歌《韓秀英》進行了故事、音樂、文本等方面的研究,論證了該民歌在蒙古族音樂、文學(xué)領(lǐng)域中的重要地位。
[Abstract]:Han Xiuying is one of the typical representative works in Horqin's narrative folk songs. The title of this topic is "Story, Music, text-Horqin narrative Folk Song" Han Xiuying Research. On the basis of analyzing the respective characteristic rules of different types of texts, this paper compares the variation forms of different versions of Han Xiuying and the same version in different contexts, so as to make a comparison between the context and the interaction between the text and the different versions of Han Xiuying and the same version. The structure form carries on the observation research, and on this basis further understanding Horqin narrative folk song tradition. This topic takes a folk song as an example, divides it into story, music, text to carry on the comparative research. The introduction part mainly introduces the research object and purpose of this paper. According to the different versions of Han Xiuying collected from the perspective of story, music and text comparison, this paper makes a comparative study on the different text forms of Han Xiuying, in order to observe the nature of narrative folk songs. The first chapter focuses on the story and story plot, characters and roles of Horqin's narrative folk song Han Xiuying, so as to compare different versions of Han Xiuying. The second chapter focuses on the comparative analysis of the music form of Han Xiuying, and discusses the artistic value of Han Xiuying. The text forms of Han Xiuying are divided into "oral text" and "written text". The differences between oral text and written text are analyzed by means of comparative study. The third chapter, comparing folk music Han Xiuying, Lao Han Xiuying and professional creation, discusses the influence and function of a folk song on professional music and the application of other art fields. Appendix: through an example of a Horqin narrative folk song, the text sung by the folk artist Chaganbala in 1979 mainly discusses the characteristics of a folk song, and looks at the tradition of Horqin's narrative folk song through the discussion of a folk song. This paper studies the story, music and text of Horqin's narrative folk song Han Xiuying, and demonstrates the important position of the folk song in Mongolian music and literature.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J607
本文編號：2432324
[Abstract]:Han Xiuying is one of the typical representative works in Horqin's narrative folk songs. The title of this topic is "Story, Music, text-Horqin narrative Folk Song" Han Xiuying Research. On the basis of analyzing the respective characteristic rules of different types of texts, this paper compares the variation forms of different versions of Han Xiuying and the same version in different contexts, so as to make a comparison between the context and the interaction between the text and the different versions of Han Xiuying and the same version. The structure form carries on the observation research, and on this basis further understanding Horqin narrative folk song tradition. This topic takes a folk song as an example, divides it into story, music, text to carry on the comparative research. The introduction part mainly introduces the research object and purpose of this paper. According to the different versions of Han Xiuying collected from the perspective of story, music and text comparison, this paper makes a comparative study on the different text forms of Han Xiuying, in order to observe the nature of narrative folk songs. The first chapter focuses on the story and story plot, characters and roles of Horqin's narrative folk song Han Xiuying, so as to compare different versions of Han Xiuying. The second chapter focuses on the comparative analysis of the music form of Han Xiuying, and discusses the artistic value of Han Xiuying. The text forms of Han Xiuying are divided into "oral text" and "written text". The differences between oral text and written text are analyzed by means of comparative study. The third chapter, comparing folk music Han Xiuying, Lao Han Xiuying and professional creation, discusses the influence and function of a folk song on professional music and the application of other art fields. Appendix: through an example of a Horqin narrative folk song, the text sung by the folk artist Chaganbala in 1979 mainly discusses the characteristics of a folk song, and looks at the tradition of Horqin's narrative folk song through the discussion of a folk song. This paper studies the story, music and text of Horqin's narrative folk song Han Xiuying, and demonstrates the important position of the folk song in Mongolian music and literature.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J607
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，本文編號：2432324
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