舒曼《C大調(diào)幻想曲》OP.17的文本與詮釋
發(fā)布時間：2019-02-13 12:35
【摘要】：羅伯特·舒曼（Robert Schumann）是19世紀(jì)浪漫主義時期杰出的作曲家及音樂評論家。作為一位浪漫主義音樂的革新者，舒曼為19世紀(jì)浪漫主義音樂的發(fā)展做出了不可磨滅的貢獻(xiàn)，，其中鋼琴作品的創(chuàng)作作為舒曼音樂創(chuàng)作領(lǐng)域的重要組成部分，集中體現(xiàn)了他沖破傳統(tǒng)創(chuàng)作手法束縛、將個人主觀情感的表達(dá)與作品的音樂內(nèi)涵作為創(chuàng)作出發(fā)點的創(chuàng)作風(fēng)格與理念。本文所要論述的《C大調(diào)幻想曲》Op.17正是這樣一部表達(dá)作曲家強烈個人情感的力作，被認(rèn)為是19世紀(jì)鋼琴文獻(xiàn)的里程碑。 本文以《C大調(diào)幻想曲》Op.17為研究對象，對其進(jìn)行詳盡的文本解讀及詮釋分析。正文主要分為三個部分：第一部分對舒曼的鋼琴音樂創(chuàng)作以及幻想曲的體裁特征做出簡要論述；第二部分從結(jié)構(gòu)、主題、和聲調(diào)性、節(jié)奏形態(tài)、多聲部織體五個方面，對《C大調(diào)幻想曲》Op.17做出詳盡的文本解讀；第三部分對《C大調(diào)幻想曲》Op.17的演奏詮釋做出全面的論述。
[Abstract]:Robert Schumann (Robert Schumann) was an outstanding composer and music critic during the romantic period in the 19 th century. As an innovator of romantic music, Schumann made an indelible contribution to the development of romantic music in the 19th century. It embodies his creative style and idea of breaking through the bondage of traditional creative techniques and taking the expression of personal subjective emotion and the musical connotation of his works as the starting point of his creation. The Fantasia in C major, "Fantasia in C major", discussed in this paper, is such a masterpiece that expresses the composer's strong personal feelings and is regarded as a milestone in the piano literature of the 19th century. This paper takes Fantasia in C major Op.17 as the research object, carries on the detailed text interpretation and the interpretation analysis to it. The main body is divided into three parts: the first part of Schumann's piano music creation and fantasy genre characteristics made a brief discussion; In the second part, from the structure, the theme, the tone, the rhythm form, the polyphonic texture five aspects, makes the detailed text interpretation to "Fantasia in C major" Op.17; The third part makes a comprehensive discussion on the interpretation of Fantasia in C major, Op.17.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J624.1
本文編號：2421552
[Abstract]:Robert Schumann (Robert Schumann) was an outstanding composer and music critic during the romantic period in the 19 th century. As an innovator of romantic music, Schumann made an indelible contribution to the development of romantic music in the 19th century. It embodies his creative style and idea of breaking through the bondage of traditional creative techniques and taking the expression of personal subjective emotion and the musical connotation of his works as the starting point of his creation. The Fantasia in C major, "Fantasia in C major", discussed in this paper, is such a masterpiece that expresses the composer's strong personal feelings and is regarded as a milestone in the piano literature of the 19th century. This paper takes Fantasia in C major Op.17 as the research object, carries on the detailed text interpretation and the interpretation analysis to it. The main body is divided into three parts: the first part of Schumann's piano music creation and fantasy genre characteristics made a brief discussion; In the second part, from the structure, the theme, the tone, the rhythm form, the polyphonic texture five aspects, makes the detailed text interpretation to "Fantasia in C major" Op.17; The third part makes a comprehensive discussion on the interpretation of Fantasia in C major, Op.17.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J624.1
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 徐穎周;;舒曼鋼琴作品《C大調(diào)幻想曲》(Op.17)演奏分析[J];三明學(xué)院學(xué)報;2011年03期
2 唐勇;析舒曼《C大調(diào)幻想曲》Op.17第一樂章[J];藝海;2005年04期
相關(guān)碩士學(xué)位論文 前1條
1 郭小虎;舒曼《C大調(diào)幻想曲》作曲技法研究[D];陜西師范大學(xué);2008年
本文編號：2421552
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