【摘要】：侗族大歌是我國少數(shù)民族多聲民歌的一朵奇葩,是我國民族音樂學界歷年來學者關(guān)注最多的熱點話題。本文作者是“局內(nèi)人”,現(xiàn)以“局外人”眼光,從侗族歌師教唱侗族大歌所產(chǎn)生的“行為”和“概念”去理解和分析侗族大歌的傳承過程、發(fā)聲樂技巧和聲音美要求。用“局內(nèi)人”和“局外人”換位思維方法進行思考,通過自己演唱的親身體會,以及多年來進行的田野調(diào)查,采用多視角研究方法去論述侗族歌師在教唱侗族大歌所產(chǎn)生的各種“概念”。通過侗族歌師在教唱侗族大歌所產(chǎn)生的各種“概念”來研究侗族大歌使本文的一定的創(chuàng)新性。全文共分四大部分,文章開始的緒論部分是對前人在侗族大歌的演唱方面進行簡單的梳理和評價,一、侗族人對“歌師”和“大歌”兩個概念的追述。二、侗族歌師教唱侗族大歌的過程,高聲部歌手選擇,歌隊聲部的劃分,教唱的步驟和要求。三侗族大歌的演唱方法,從聲音、氣息、哼鳴和舌尖顫音進行論述。四、“歌師”對歌唱聲音的評價,主要從合唱音色、多聲部的平衡、整齊和統(tǒng)一進行論述。
[Abstract]:Dong folk song is a wonderful work of folk songs of ethnic minorities in China, and it is a hot topic that most scholars have paid attention to in the field of ethnic music in China over the years. The author of this paper is an "insiders". From the perspective of "outsiders", the author tries to understand and analyze the inheritance process of Dong nationality songs from the "behavior" and "concept" produced by the Dong nationality teachers and teachers in singing the big songs of the Dong nationality, and to make vocal music skills and sound beauty requirements. Thinking through the transposition of "insiders" and "outsiders", and through his own singing experience, as well as the field work carried out over the years, This paper discusses the various "concepts" produced by the Dong songwriters teaching the Dong people's songs by using the method of multi-angle research. Through the various "concepts" produced by the Dong songwriters in teaching and singing the Dong songs, this paper studies the innovation of the Dong songs. The paper is divided into four parts. The introduction part of the article is a simple combing and evaluation of the former people in the singing of Dong nationality songs. First, the Dong people recall the two concepts of "song master" and "big song". Second, the process of singing Dong's big songs, the selection of high-pitched singers, the division of singing teams, the steps and requirements of teaching and singing. The singing methods of Dong nationality songs are discussed from sound, breath, humming and tongue tip tremulation. Fourthly, the evaluation of singing voice by the singer is mainly discussed from the balance, neatness and unity of chorus timbre and multi-part.
【學位授予單位】：中國音樂學院
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J607

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