【摘要】：殷商樂器中的禮樂因素及其演進(jìn),上承史前禮器及樂器發(fā)展序列,經(jīng)過不斷發(fā)展,形成一定的形態(tài)特征：禮器中逐漸伴生的樂器,透露出禮樂因素在禮制中的從無到有；殷墟青銅禮器及樂器的發(fā)展演進(jìn),為我們認(rèn)識殷商樂器中的禮樂因素提供了鮮活資料；中原周邊地區(qū)以及南方的出土青銅樂器,顯現(xiàn)出“殷禮”在南方地區(qū)的實(shí)際影響力。殷墟青銅樂器所體現(xiàn)出的禮樂因素,在西周初期的青銅樂器中得到進(jìn)一步發(fā)展,并對其后漸趨形成的禮樂制度產(chǎn)生了深遠(yuǎn)影響。本文采用音樂學(xué)研究的視角,運(yùn)用紙上材料與地下材料結(jié)合的二重證據(jù)法,首先嚴(yán)格判定史前樂器與禮樂器的認(rèn)識誤區(qū)；進(jìn)而以殷商出土青銅樂器及其演進(jìn)為主線,集中考索殷商青銅樂器中的禮樂因素及其制度化演進(jìn)；兼論西周早期青銅樂器中殷商禮樂因素的影響。在梳理與比較中,殷商樂器中的禮樂因素及其演進(jìn)軌跡便得以初步彰顯,由此也可以補(bǔ)充一些關(guān)于商周禮樂問題的新認(rèn)識。
[Abstract]:The ritual and music factors in Yin Shang musical instruments and their evolution, the prehistoric instruments and musical instruments development sequence, through the continuous development, formed certain morphological characteristics: the instruments accompanied gradually in the ritual vessels, revealed that the ritual and music factors in the ritual system from nothing to exist; The development and evolution of bronze ritual vessels and musical instruments in the Yin ruins provide us with fresh materials for understanding the ritual and music factors in the instruments of Shang Dynasty, while the bronze instruments unearthed in the surrounding areas of the Central Plains and in the south show the actual influence of "Yin Li" in the southern region. The elements of ritual and music embodied in bronze instruments of Yin ruins were further developed in the early Western Zhou Dynasty and had a profound influence on the system of rites and music which gradually formed afterwards. This article uses the musicology research angle, uses the paper material and the underground material union double evidence method, first strictly judges the prehistoric musical instrument and the ritual musical instrument cognition misunderstanding; Then the author focuses on the evolution of bronze musical instruments unearthed from Yin Shang Dynasty, focusing on the ritual and music factors and their institutional evolution in the bronze instruments of Yin Shang Dynasty, and also on the influence of the ritual and music factors on bronze instruments in the early Western Zhou Dynasty. In combing and comparing, the elements of etiquette and music in Yin and Shang musical instruments and their evolution path can be preliminarily revealed, which can also supplement some new understanding on the issue of rites and music in Shang and Zhou dynasties.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J609.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 俞偉超 ,高明;周代用鼎制度研究(中)[J];北京大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);1978年02期

2 詹子慶;周公—我國古代第一位大政治家、大思想家[J];東北師大學(xué)報;1984年01期

3 蔣孔陽;談?wù)勏惹貢r代的“禮樂”制度[J];復(fù)旦學(xué)報(社會科學(xué)版);1984年02期

4 馬全;;焦作南朱村發(fā)現(xiàn)商代墓[J];華夏考古;1988年01期

5 黃厚明;中國史前音樂文化區(qū)及相關(guān)問題初論[J];華夏考古;2005年02期

6 劉新紅;;對花園莊M54出土編鐃、石磬的考察報告[J];黃鐘(中國.武漢音樂學(xué)院學(xué)報);2006年02期

7 陳荃有;懸鐘的發(fā)生及雙音鐘的厘定[J];交響.西安音樂學(xué)院學(xué)報;2000年04期

8 周到;劉東亞;;1957年秋安陽高樓莊殷代遺址發(fā)掘[J];考古;1963年04期

9 王士倫;;記浙江發(fā)現(xiàn)的銅鐃、釉陶鐘和越王石矛[J];考古;1965年05期

10 ;1973年安陽小屯南地發(fā)掘簡報[J];考古;1975年01期

相關(guān)博士學(xué)位論文 前1條

1 王友華;先秦大型組合編鐘研究[D];中國藝術(shù)研究院;2009年

，

本文編號：2404384