【摘要】： 鄂爾多斯地區(qū)素有“歌�！敝Q，那里有著十分豐富的傳統(tǒng)音樂文化底蘊(yùn)。從歷史上看，鄂爾多斯地區(qū)傳統(tǒng)音樂門類齊全，民間音樂、宮廷音樂、祭祀音樂和宗教音樂都很發(fā)達(dá)。尤其是短調(diào)民歌與歌舞藝術(shù)，更是聞名遐邇，以其獨(dú)特的民族風(fēng)格，鮮明的地區(qū)特色，成為蒙古族傳統(tǒng)音樂中的一個(gè)典型風(fēng)格色彩區(qū)。從音樂形態(tài)方面來看，蒙古民歌可劃分為長調(diào)民歌和短調(diào)民歌兩大類，鄂爾多斯民歌也不例外。鄂爾多斯短調(diào)民歌是蒙古族傳統(tǒng)音樂當(dāng)中不可缺少的一部分。尤其它的演唱技巧已達(dá)到相當(dāng)高的難度，而且有了一套系統(tǒng)的，表現(xiàn)它音樂風(fēng)格的演唱方法。這對(duì)于演唱，繼承和發(fā)展鄂爾多斯短調(diào)民歌，都具有深遠(yuǎn)意義。 碩士學(xué)位論文《鄂爾多斯短調(diào)民歌及其演唱方法》，對(duì)鄂爾多斯地區(qū)蒙古族短調(diào)民歌(以下簡稱鄂爾多斯民歌)進(jìn)行了專門研究，重點(diǎn)論述其獨(dú)特的演唱方法。論文是由五個(gè)部分構(gòu)成的： 第一章：鄂爾多斯音樂概述。包括鄂爾多斯音樂的歷史文化背景、鄂爾多斯音樂在蒙古族傳統(tǒng)音樂中的重要地位。 第二章：鄂爾多斯短調(diào)民歌的音樂形態(tài)特點(diǎn)及音樂風(fēng)格。本章對(duì)鄂爾多斯傳統(tǒng)民歌及其歌種作了詳細(xì)介紹論述。并列舉出典型譜例，對(duì)音樂形態(tài)和音樂風(fēng)格做了簡要分析。 第三章：鄂爾多斯短調(diào)民歌的演唱的方法。本章是學(xué)位論文的重點(diǎn)內(nèi)容，筆者通過鄂爾多斯民歌音響資料，以及實(shí)地采訪民間歌手等活資料，對(duì)鄂爾多斯短調(diào)民歌的演唱形式、演唱技巧、演唱風(fēng)格進(jìn)行分析研究。并對(duì)短調(diào)民歌的演唱技巧作了初步探討和總結(jié)。 第四章：鄂爾多斯短調(diào)民歌手。本章中介紹了幾位鄂爾多斯地區(qū)的民間歌手和專業(yè)歌手。對(duì)敖登巴爾和扎木蘇兩位優(yōu)秀民間歌手的藝術(shù)活動(dòng)、演唱風(fēng)格和技巧作了簡略分析。 第五章：鄂爾多斯短調(diào)民歌的傳播和傳承。當(dāng)前，傳統(tǒng)民歌的傳播和傳承，，是蒙古族音樂所面臨的一個(gè)重要問題。本章中討論了傳統(tǒng)民歌傳播和傳承的意義，以及總結(jié)了民歌傳播和傳承的兩種方式、三種途徑。 結(jié)語： 簡要總結(jié)本文的基礎(chǔ)上，對(duì)鄂爾多斯短調(diào)民歌的現(xiàn)狀與未來發(fā)展前景，進(jìn)行分析論述。并對(duì)有待深入研究的一些問題，提出了自己的看法。
[Abstract]:Ordos region is known as the "Gaohai", where there is a very rich cultural heritage of traditional music. Historically, traditional music in Ordos area is well-developed, including folk music, palace music, sacrifice music and religious music. Especially the folk songs and dance art of short tune is famous for its unique national style and distinctive regional characteristics, which has become a typical color area of Mongolian traditional music. From the aspect of music form, Mongolian folk songs can be divided into two categories: long tune folk songs and short tune folk songs, and Ordos folk songs are no exception. Ordos short tune folk song is an indispensable part of Mongolian traditional music. In particular, its singing skills have reached quite high difficulty, and there is a systematic performance of its musical style of singing methods. This has far-reaching significance for singing, inheriting and developing Ordos short tune folk songs. Master's thesis "Ordos short tune folk songs and their singing methods", Ordos region Mongolian short tune folk songs (hereinafter referred to as Ordos folk songs) is a special study, focusing on its unique singing methods. The thesis is composed of five parts: the first chapter: an overview of Ordos music. Including the historical and cultural background of Ordos music, the important position of Ordos music in Mongolian traditional music. Chapter two: the music form characteristic and music style of Ordos short tune folk song. In this chapter, the traditional folk songs and their species in Ordos are discussed in detail. In addition, the typical examples are cited, and the music form and style are briefly analyzed. The third chapter: the singing method of Ordos short tune folk song. This chapter is the key content of the thesis, the author through the audio materials of Ordos folk songs, as well as field interviews with folk singers and other living materials, to Ordos short tune folk songs singing form, singing skills, singing style analysis and research. At the same time, the singing skills of short tune folk songs are preliminarily discussed and summarized. The fourth chapter: Ordos short tune folk singer. This chapter introduces several folk singers and professional singers in Ordos area. This paper briefly analyzes the artistic activities, singing styles and techniques of two outstanding folk singers, Odembar and Zamusu. Chapter five: the spread and inheritance of Ordos short tune folk songs. At present, the spread and inheritance of traditional folk songs is an important problem faced by Mongolian music. This chapter discusses the significance of traditional folk song transmission and inheritance, and summarizes the two ways and three ways of folk song transmission and inheritance. Conclusion: based on the summary of this paper, the present situation and future development prospects of Ordos short tune folk songs are analyzed and discussed. And some problems to be further studied, put forward their own views.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2003
【分類號(hào)】：J607

【引證文獻(xiàn)】

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本文編號(hào)：2400254