聲音對象與聲音符號(hào)——論“幻聽音樂”聲音的理性感知與感性感知
發(fā)布時(shí)間：2019-01-01 18:39
【摘要】：幻聽音樂(Acousmatic Music)是電子音樂眾多風(fēng)格種類中的其中之一。在幻聽音樂的相關(guān)理論中,"聲音對象"(Sound Object)與"聲音符號(hào)"(Sound Symbol)兩個(gè)概念是其中最為核心的基礎(chǔ)理論點(diǎn)。文章以幻聽音樂聲音的感知為切入點(diǎn),從理論和實(shí)踐兩個(gè)層面進(jìn)行了論述,旨在解決一些有關(guān)幻聽音樂的問題。
[Abstract]:(Acousmatic Music) is one of the many styles of electronic music. In the theory of auditory hallucinations, the concepts of "sound object" (Sound Object) and "sound symbol" (Sound Symbol) are the most important basic theories. Based on the perception of hallucinable music sounds, this paper discusses it from two aspects of theory and practice, aiming at solving some problems related to hallucinational music.
【作者單位】： 中央音樂學(xué)院中國現(xiàn)代電子音樂中心;
【分類號(hào)】：J60
本文編號(hào)：2397960
[Abstract]:(Acousmatic Music) is one of the many styles of electronic music. In the theory of auditory hallucinations, the concepts of "sound object" (Sound Object) and "sound symbol" (Sound Symbol) are the most important basic theories. Based on the perception of hallucinable music sounds, this paper discusses it from two aspects of theory and practice, aiming at solving some problems related to hallucinational music.
【作者單位】： 中央音樂學(xué)院中國現(xiàn)代電子音樂中心;
【分類號(hào)】：J60
【相似文獻(xiàn)】
相關(guān)重要報(bào)紙文章 前1條
1 劉桂芝;錦上添花[N];中國電腦教育報(bào);2002年
，本文編號(hào)：2397960
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