學(xué)習(xí)聲樂演唱的體會
[Abstract]:With the development of history, the progress of society, the enrichment of art and the improvement of standard, the aesthetic concept of vocal singing art has been greatly improved. Vocal singing includes Bel Canto, ethnic singing and popular singing. Bel Canto is a foreign vocal music art, developed gradually after the 17th century, from Italy, its characteristics are very scientific singing methods, sound penetration, strong artistic expression, After liberation entered our country's higher music colleges and universities to study a lot of people. The folk singing method is a vocal music art with Chinese characteristics. It comes from Chinese opera and folk songs. It is characterized by its soft and graceful voice, inherits the Chinese traditional singing method, and draws lessons from the advanced technical means of foreign vocal music. Gradually formed in practice in the Chinese national vocal music, in the 1950s into the higher art colleges. Thus the formation of national, scientific and contemporary vocal art. Got long-term development, in singing, art, music has a great improvement, but also a large number of people like excellent singers. The characteristics of the folk singing method are based on the national language, with a sweet, crisp and bright voice, a singing style of body performance. It is rooted in Chinese soil and created by people of all nationalities. It embodies the characteristic aesthetic consciousness and appreciation habit of national art. The singing of the national singing method has the simplicity and affinity which accord with the national appreciation habit and the aesthetic habit. It is easy to be accepted by the masses, has the national temperament and the emotion, has the powerful vitality, it has manifested the Chinese nation art characteristic. Our country has a long history, vast territory and numerous nationalities. Under the influence of the social background of life style and labor style, we have formed various local folk songs with diverse themes, diverse styles and different means of expression. Popular singing is also called pop singing. After the reform and opening up, most of them were brought in by foreign or Hong Kong and Taiwan singers. Many young people liked this kind of pop music, and they could sing many songs that could control the population. This form of music was developed in our country, and its lyrics and songs formed its unique singing style and personality. Closely combined with the times, the spread of fast, fast disappearance, many songs are short-lived into the old songs. For thousands of years, people's happiness, anger and sadness in life are expressed by singing, which shows that singing is a kind of life form used by people for emotional communication and expression, and it is more direct than other arts. All kinds of instruments can make beautiful music, but only human voices can speak language. For thousands of years, songs have been accompanied by the production and life of people.
【學(xué)位授予單位】:哈爾濱師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2012
【分類號】:J616
【共引文獻】
相關(guān)期刊論文 前10條
1 周雪;;論俄羅斯歌曲《黑眼睛》的呼吸運用及情感表現(xiàn)[J];阿壩師范高等專科學(xué)校學(xué)報;2008年S1期
2 康國晶;;“松”與“緊”的辯證關(guān)系在歌唱中的運用[J];安徽文學(xué)(下半月);2007年12期
3 楊惠;;情感的想象和表達在聲樂演唱中的運用[J];安徽文學(xué)(下半月);2008年01期
4 馬冰潔;;論舒曼聲樂套曲《詩人之戀》的藝術(shù)特點及演唱[J];安徽文學(xué)(下半月);2010年03期
5 吳丹;郭陽;;淺談貝多芬創(chuàng)作早期的兩首C小調(diào)奏鳴曲的表現(xiàn)手段[J];安徽文學(xué)(下半月);2010年05期
6 郭珊敏;;試談散曲的語言特色[J];安徽文學(xué)(下半月);2011年11期
7 李磊;;淺談歌曲的二度創(chuàng)作[J];安康學(xué)院學(xué)報;2009年04期
8 趙大海;;高教師范專業(yè)聲樂教法初探[J];鞍山師范學(xué)院學(xué)報;2008年06期
9 胡慶生;;歌劇與藝術(shù)歌曲的特點對比[J];鞍山師范學(xué)院學(xué)報;2010年02期
10 馮偉;;淺談歌唱的舞臺表演[J];安順學(xué)院學(xué)報;2010年01期
相關(guān)會議論文 前1條
1 王麗莉;;色彩斑斕的民族音樂教育——印度音樂教育一瞥[A];全國高等音樂教育課程發(fā)展與教學(xué)研究學(xué)術(shù)研討會論文集(下冊)[C];2006年
相關(guān)博士學(xué)位論文 前10條
1 李向京;瞿小松音樂中的文人精神[D];福建師范大學(xué);2010年
2 孫曉燁;賦格寫作中十二音序列技法的研究[D];南京藝術(shù)學(xué)院;2011年
3 楊旭東;北京評書的書場研究[D];中央民族大學(xué);2011年
4 孫寧寧;日本地歌三味線角色的變遷研究[D];上海音樂學(xué)院;2011年
5 劉峽;基礎(chǔ)教育課程改革背景下小學(xué)唱歌教學(xué)的目標(biāo)定位、內(nèi)容構(gòu)建及實施策略研究[D];東北師范大學(xué);2011年
6 郭克儉;豫劇演唱藝術(shù)研究[D];中國藝術(shù)研究院;2005年
7 覺嘎;西藏傳統(tǒng)音樂的結(jié)構(gòu)形態(tài)研究[D];上海音樂學(xué)院;2005年
8 婁文利;中國現(xiàn)代室內(nèi)歌劇《命若琴弦》、《夜宴》音樂特色研究[D];中央音樂學(xué)院;2006年
9 謝雪梅;虛構(gòu)敘事中時間的分形[D];浙江大學(xué);2006年
10 吳靜;中國民族唱法音色的聲學(xué)闡釋[D];中國藝術(shù)研究院;2007年
相關(guān)碩士學(xué)位論文 前10條
1 白雪;《中國民間小戲與西方音樂劇比較研究》用黃梅戲《天仙配》和音樂劇《貓》為例分析[D];河北大學(xué);2009年
2 楊慧;冀北地區(qū)“漫瀚調(diào)”演唱研究[D];河北大學(xué);2009年
3 張迎芬;樂亭大鼓的民俗性探究[D];河北大學(xué);2009年
4 許瑩瑩;德沃夏克《e小調(diào)第九交響曲(自新大陸)》分析研究[D];哈爾濱師范大學(xué);2010年
5 曹海萍;改革開放以來女中音聲樂文獻研究[D];遼寧師范大學(xué);2010年
6 顧娜;新世紀(jì)(近十年)中國歌劇女性角色演唱表演藝術(shù)研究[D];遼寧師范大學(xué);2010年
7 李卓;借鑒、融通及其它——中西花腔女高音演唱藝術(shù)的研究[D];遼寧師范大學(xué);2010年
8 高yN蔚;新中國電影音樂風(fēng)格的流變[D];江西財經(jīng)大學(xué);2010年
9 胡玉蘭;關(guān)于跨界演唱及其在高師聲樂教學(xué)中運用的可行性探討[D];江西師范大學(xué);2010年
10 楊小燕;論中國早期藝術(shù)歌曲對現(xiàn)代民族聲樂教學(xué)的影響和作用[D];江西師范大學(xué);2010年
本文編號:2393074
本文鏈接:http://sikaile.net/wenyilunwen/musictheory/2393074.html