日本“清樂”研究
發(fā)布時間：2018-12-19 11:07
【摘要】： 日本“清樂”是中日音樂文化交流的結(jié)果，也是日本有今存作品的一個古老樂種。本文將清樂置于中日關(guān)系、日本社會政治文化背景中，運用比較、統(tǒng)計、分析等方法和音樂學(xué)、歷史學(xué)的基本原理，研究清樂的興衰歷程、主要類型、曲目、曲樂、傳播的主要特征等。從而探討清樂形成的原因與傳播、發(fā)展的規(guī)律，清樂的性質(zhì)與藝術(shù)風(fēng)貌；進一步認(rèn)識清代中日音樂文化交流的特征。 本文要點與結(jié)論如下： 1、日本清樂受到中日關(guān)系和日本國內(nèi)環(huán)境(主要是社會、人文、音樂)的重要影響；日本清樂是清代中日音樂文化交流曲折、豐富歷程的一個縮影。 2、日本清樂作為曾經(jīng)與和樂、洋樂并行的日本三大樂類之一，擁有大量的遺存信息，是中日音樂文化交流一大高潮的重要成果。 3、日本清樂的大量作品是清代從中國傳入日本的，具有清代音樂的基本特征，而且與清代中國沿海地區(qū)音樂有特別密切的聯(lián)系。清樂在傳播過程中適應(yīng)日本社會，又產(chǎn)生了許多變化與發(fā)展。
[Abstract]:Japanese Qing Yue is the result of the exchange of music and culture between China and Japan, and it is also an ancient music species in Japan. This paper puts Qing Yue in the context of Sino-Japanese relations, social politics and culture in Japan, applies comparative, statistical and analytical methods and the basic principles of musicology and history to study the rise and fall of Qing Yue, its main types, repertoire, and music. The main characteristics of transmission, etc. In order to explore the formation and spread of Qing music, the law of its development, the nature and artistic style of Qing music, and further understand the characteristics of music and cultural exchanges between China and Japan in the Qing Dynasty. The main points and conclusions of this paper are as follows: 1. The Japanese Ching Le is influenced by the Sino-Japanese relations and the internal environment of Japan (mainly social, humanistic, music); Japanese clear music is a microcosm of the rich and tortuous exchange of music and culture between China and Japan in the Qing Dynasty. 2. As one of the three kinds of Japanese music which had been parallel with harmony and foreign music, Japanese clear music has a large amount of information, which is an important achievement of the high tide of Sino-Japanese music and cultural exchange. 3. A large number of works of Japanese Qing Music were introduced into Japan from China in Qing Dynasty, which had the basic characteristics of Qing Dynasty music, and was especially closely related to the music of China's coastal areas in Qing Dynasty. Qing Yue adapted to Japanese society in the process of communication, and produced many changes and development.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2002
【分類號】：J609.313
本文編號：2386840
[Abstract]:Japanese Qing Yue is the result of the exchange of music and culture between China and Japan, and it is also an ancient music species in Japan. This paper puts Qing Yue in the context of Sino-Japanese relations, social politics and culture in Japan, applies comparative, statistical and analytical methods and the basic principles of musicology and history to study the rise and fall of Qing Yue, its main types, repertoire, and music. The main characteristics of transmission, etc. In order to explore the formation and spread of Qing music, the law of its development, the nature and artistic style of Qing music, and further understand the characteristics of music and cultural exchanges between China and Japan in the Qing Dynasty. The main points and conclusions of this paper are as follows: 1. The Japanese Ching Le is influenced by the Sino-Japanese relations and the internal environment of Japan (mainly social, humanistic, music); Japanese clear music is a microcosm of the rich and tortuous exchange of music and culture between China and Japan in the Qing Dynasty. 2. As one of the three kinds of Japanese music which had been parallel with harmony and foreign music, Japanese clear music has a large amount of information, which is an important achievement of the high tide of Sino-Japanese music and cultural exchange. 3. A large number of works of Japanese Qing Music were introduced into Japan from China in Qing Dynasty, which had the basic characteristics of Qing Dynasty music, and was especially closely related to the music of China's coastal areas in Qing Dynasty. Qing Yue adapted to Japanese society in the process of communication, and produced many changes and development.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2002
【分類號】：J609.313
【引證文獻】
相關(guān)博士學(xué)位論文 前1條
1 板俊榮;民族音樂學(xué)多位網(wǎng)視野下的海州五大宮調(diào)[D];南京藝術(shù)學(xué)院;2012年
相關(guān)碩士學(xué)位論文 前1條
1 漆明鏡;《魏氏樂譜》解析[D];上海音樂學(xué)院;2009年
，本文編號：2386840
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