宋代琴律理論中的“自然之節(jié)”論
發(fā)布時間：2018-12-10 18:32
【摘要】："自然之節(jié)"論初見于北宋琴家崔遵度的《琴箋》,后為北宋科學家沈括所繼承�；�"自然之節(jié)"的理論,南宋琴家徐理在他的《琴統(tǒng)·十則》中又發(fā)展成"琴有十則,節(jié)四十五,同者十有四,得位者三十有一"的"三十一節(jié)"論;據此又提出了琴律中"‘徽'以天地生成之數(shù)均等分節(jié),‘律'以上下?lián)p益之法參差定位"的兩種生律法,并將這兩種律制命名為"徽法"和"準法"。
[Abstract]:The "Festival of Nature" was first seen by Cui Zundu, a pianist in the Northern Song Dynasty, and later inherited by Shen Kuo, a scientist in the Northern Song Dynasty. Based on the theory of "the Festival of Nature", Xu Li, a Qin scholar in the Southern Song Dynasty, developed into a theory of "31 verses" in his "Ten rules of the Qin system": "there are ten harps, 45 stanzas, four of the same ten, and one of the thirty who get the position." On the basis of this, two kinds of birth laws are put forward, which are "the number of Emblem" is equal to the number of heaven and earth, and the law above the "law" is located. The two laws are named "Emblem Law" and "Quasi-Law".
【作者單位】： 上海音樂學院音樂學系;
【基金】：2011年度國家社科基金藝術學國家重點項目“中國傳統(tǒng)音樂宮調理論研究”,項目號:11AD003
【分類號】：J612.1
，
本文編號：2371021
[Abstract]:The "Festival of Nature" was first seen by Cui Zundu, a pianist in the Northern Song Dynasty, and later inherited by Shen Kuo, a scientist in the Northern Song Dynasty. Based on the theory of "the Festival of Nature", Xu Li, a Qin scholar in the Southern Song Dynasty, developed into a theory of "31 verses" in his "Ten rules of the Qin system": "there are ten harps, 45 stanzas, four of the same ten, and one of the thirty who get the position." On the basis of this, two kinds of birth laws are put forward, which are "the number of Emblem" is equal to the number of heaven and earth, and the law above the "law" is located. The two laws are named "Emblem Law" and "Quasi-Law".
【作者單位】： 上海音樂學院音樂學系;
【基金】：2011年度國家社科基金藝術學國家重點項目“中國傳統(tǒng)音樂宮調理論研究”,項目號:11AD003
【分類號】：J612.1
，
本文編號：2371021
本文鏈接：http://sikaile.net/wenyilunwen/musictheory/2371021.html
